Cincinnati singer/songwriter Jody Stapleton’s first solo album finds him overcoming turmoil with tranquility
0 Comments · Wednesday, November 19, 2014
Jody Stapleton might not be drinking hot
and cold running champagne from a solid gold faucet, but he’s certainly
achieved a measure of critical success over the years.
by Mike Breen
Chris Forsyth & The Solar Motel Band bring their tour behind their debut studio album, the recently released Intensity Ghost, to The Comet in Northside tonight. Heart of Palm and Public Housing open the free 10 p.m. show.Forsyth, who co-founded the experimental group peeesseye in New York around the turn of the century, is an acclaimed guitarist known for his exploratory approach and compelling skills. He fell in love with the music of Television in high school and ultimately ended up taking lessons from that legendary band’s Richard Lloyd. You can hear the influence of Television particularly in his work with Solar Motel Band (which was formed based on the guitarist’s acclaimed Solar Motel album from last year). Many critics have described Forsyth’s most recent all-instrumental music as a cross between Television and The Grateful Dead; Forsyth (now based in Philly) discovered the Dead while immersed in the New York experimental music scene and was immediately drawn to it, so it’s a fair comparison. Overall, it’s very engaging, hypnotic stuff.
• Tonight and tomorrow sees the return of Ironfest, a huge two-night benefit concert in honor of late local music supporter and musician Iron Mike Davidson. This marks the fifth edition of the event since Davidson passed away in 2010.
Ironfest V, which continues to raise funds for Davidson’s family, takes over Newport’s Southgate House Revival both nights with a lineup stacked with local talent largely (but not entirely) from the worlds of Punk and Hard Rock. Friday’s lineup includes Mad Anthony, Martin Luther and the Kings, Kill City, Vampire Weekend at Bernie’s, Sweet Ray Laurel, Valley of the Sun, Lockland Brakes, Lohed, Subsets, Mala in Se, Black Signal and many more. Saturday at Ironfest, catch The Dopamines, Moonbow, Mudpies, We are Hex, Honeyspiders, Oxboard Drain, 500 Miles to Memphis, The Blue Rock Boys, Draculas, Ethicist, Cadaver Dogs and several others.
Click here for the full lineups.
Tickets each night are $5 in advance (available at ticketfly.com) or $10 at the door. Showtime is 7 p.m. both nights.
• Tuvan throat singing string band Huun Huur Tu performs Saturday night at Parrish Auditorium on the Hamilton campus of Miami University.
Derek Halsey explains the unique music in his preview of the show for this week’s CityBeat (read the full preview here).
Tuvan throat singing describes the wild-sounding songs created by musicians in the southern Siberian and Mongolian Steppe region of Central Asia who, for want of a better explanation, use their throats as if they were a didgeridoo.
Not only does it sound cool — creating multiple notes at the same time using nothing but the human voice — but historically it was a way for humans to communicate over the vast plains in that part of the world, with different styles being created to represent different tribes.
Saturday’s show starts at 7:30 p.m. Tickets are $25 (there are discount for seniors, students and “youth”) and can be purchased in advance here.
• Cincinnati Blues crew The Whiskey Shambles host a release show at Over-the-Rhine’s The Drinkery in honor of their debut album, Loose Change for a Broken Man. The show is a benefit for the Save the Animals Foundation (where drummer Aaron Tyree volunteers). A $5 donation is requested at the door but you can be a jerk and not pay it; it’s technically a free show. JetLab opens things up at 9 p.m. and members of local choirs MUSE and Young Professionals Choral Collective are slated to make guest appearances with the Shambles.
CityBeat’s Brian Baker spoke with the band about their origins and the new release for this week’s issue. Brian describes the album and band’s sound like this:
While Loose Change exudes a contemporary vibe, the album bears the diverse hallmarks of the best ‘70s Blues Rock albums. Like Led Zeppelin, Cream and Free before them, The Whiskey Shambles channels first generation Blues subsets like Delta, Piedmont and Hill Country, combined with the members’ unique individual experiences to conjure an edgy, atmospheric vision of 21st century Blues.
Click here to read the full feature story.
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• One of Cincinnati’s best bands, The Hiders, celebrate the release of their amazing new album Totem Saturday at Northside Tavern. The show is free. Singer/songwriter Ali Edwards (former bandmate of The Hiders’ frontman Billy Alletzhauser in Ruby Vileos) opens at 10 p.m.
Click here for a full review of the great Totem. You can sample a few tracks here at The Hiders’ official site (click the “Melody” tab, then choose “Totem”).
• Unique Cincinnati Americana group The Tadcasters have released a new EP and on Saturday they’re playing Stanley’s Pub in celebration. The show features two other Roots acts that have recently issued new material — La Grange, Texas, Folk/Rock/Roots act The Youngest (supporting the new album Feral Road) and Oliver Oak, an Indie Folk sextet from Columbus, Ohio (supporting its new Sleepless Wilds release). Showtime is 9 p.m. and there’s a small cover charge at the door. Here is “Chaingang” from The Tadcaster’s excellent new five-song EP:
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• Sunday at the Southgate House Revival, friends of veteran local musician David Rhodes Brown are throwing a party in honor of his remarkable 50 years of playing music in the area. The multi-instrumentalist/singer/songwriter has been a part of numerous local acts in his half-century of service, coming into regional notoriety in the early ’80s with his long-running Rockabilly/Roots band The Warsaw Falcons (who will reunite and close out Sunday’s event) and going on to play with notable Greater Cincinnati groups like The StarDevils, Magnolia Mountain and numerous others. In 2010, Brown released his guest-laden solo album Browngrass & Wildflowers, and he’s played lap steel guitar with the popular Punk Pop/Roots Rock band 500 Miles to Memphis for the past several years.
Many of Brown’s friends and current/former bandmates will perform some of his songs at the event, including Ryan Mallot, Mark Utley, Wilder, Todd Lipscomb, Gregory Burton, Elle Crash and Pike 27. More friends and bandmates (including CityBeat’s own Brian Baker and should-be Hamilton Country Commissioner Jim Tarbell) will also give Brown the “roast” treatment at the party.Click here for more details
Showtime is 7 p.m. and admission is just $5.
Click here for more live music options this weekend and feel free to plug other shows in the comments.
by Mike Breen
The brand new Over-the-Rhine music venue The Woodward Theater had a public open house event this past Friday and now it’s time for the venue’s first official show. The Woodward — brought to you by the people who run MOTR Pub, which is just across Main Street from the new club — hosts acclaimed Grand Rapids, Mich., ensemble The Soil & the Sun tonight. The progressive, gorgeously ethereal Indie Chamber Folk group is joined by Wisconsin Country/Folk group Count this Penny for the 8 p.m. show. Showtime is 8 p.m. and admission is just $5.
For more CityBeat Woodward coverage, click here and here.
Here is a clip of The Soil & the Sun performing a session for the Audiotree series.
• Eclectic drummer/composer Dylan Ryan brings his Dylan Ryan/Sand project to Northside’s The Comet tonight. Ryan’s exploratory Jazz Rock trio will be joined by the Dave McDonnell Group of the free, 10 p.m. show. Ryan (now based in L.A.) and McDonnell (now based in Cincinnati) are both members of the “Prog Jazz” ensemble Herculaneum.
Click here for a full preview of tonight’s show.
Here’s “Tree, Voices, Saturn,” a track from Sand’s second album, Circa, which was released on Cuneiform Records in late September.
• Diverse New Orleans Rock band The Revivalists perform at Oakley’s 20th Century Theater tonight. The show starts at 8 p.m. with special guests Black Cadillacs. Tickets are $17 at the door.
Click here for a preview of The Revivalists’ show from CityBeat’s Brian Baker.
Here’s the official video for “Criminal” from The Revivalists’ City of Sound LP, which was reissued by the band’s new label home, Wind-Up Records, earlier this year.
• One of the cool things about The Woodward Theater is that when shows there end, there will always be something going on across the street at MOTR Pub, which typically presents shows at 10 p.m. (and never charges a cover). Tonight’s a great opportunity to test that out as each venue has a great band performing. SubPop recording artists Jaill play MOTR tonight, after the Soil & the Sun show across the street, with guests Smut.
Formed more than a decade ago in Milwaukee, Wis., Jaill spent their formative years self-recording and releasing a variety of music on their own or for small labels. In 2008, the band put out its debut full-length, There’s No Sky (Oh My My) — which was reissued on Burger Records (the label also released a collection of early recordings called Cranes last year) — and caught the attention of SubPop.
The band signed with SubPop for 2010’s That’s How We Burn and then in 2012 released the magnificent Traps, a great representation of the group’s jangly, highly melodic Indie Pop. Pitchfork gave the album a positive review, comparing the band to Violent Femmes and the dB’s and describing it as “idiosyncratic pop-rock appealing to geeky outsiders and scene lifers.” I’d say it has a far wider appeal than that.
Click here for more live music options in Greater Cincinnati tonight.
Monday • The Comet
0 Comments · Wednesday, November 5, 2014
The album Circa is a brilliant fusion of hard
and progressive Rock and expansive Jazz ideals and arrangements,
representing the kind of mindset that is needed to keep Jazz thriving
throughout the 21st century.
Wednesday • The Comet
0 Comments · Tuesday, June 24, 2014
Michelle Sullivan made a name for herself
as a teenager in the Cincinnati music scene during the mid-’00s,
playing in bands like Slant and Pieces of People.
by Jake Grieco
at 02:55 PM | Permalink
like drying piss and old beer on the back deck of Northside’s The Comet. The
air is filled with the dull thud of a concert beating up against the walls.
shows at The Comet every night and people piss and drink there every night, and
John Hoffman and Dylan McCartney are there just about every night. Tonight they’re
just here to get drunk, but usually they’re the center of attention.
McCartney are in emerging Cincinnati Punk band Sleeves. Hoffman calls the
band’s sound American Apparel Punk. Their debut EP Sex is Stupid can be downloaded for free here.
They’re a three-piece made up of Hoffman on lead guitar, McCartney on drums and
Alex Collins on bass. Hoffman and McCartney both sing, and they both end up on
the ground and sometimes injured by the end of their shows.
has an active Do-It-Yourself music scene and Hoffman and McCartney are major
players in it. They organize and play shows and Hoffman even records, masters
and puts together records for other bands.
played at The Comet, but most of the band’s shows aren’t held in traditional
music venues but houses.
all over the city are opening their basements, living rooms, decks and kitchens
to musicians that want to do what they love wherever they can do it.
remember the super visceral feeling I got from walking into my first house
show,” Hoffman says. “It was just like ‘Where the hell am I? I’ve never seen
anything cooler than this.’ I finally felt comfortable in a public space.”
outside, a house show looks uncomfortable. There are usually four or five
terrifyingly big and tattooed guys stoically staring and bobbing their head to
the music. Mosh pits break out constantly, and beer gets all over everyone no
matter what, but it’s the closest thing to a bohemian utopia in Cincinnati —
anything can happen.
show, there was a point where everyone was crowd surfing just so they could tag
the ceiling with spray paint,” Hoffman says. “It became a group effort where
everyone was holding people up so they could tag the ceiling. That house was a
say they probably didn’t get their deposit back,” McCartney added.
malice in these ways of destruction and these different looking people. They
worked together to tag the ceiling — vandalism — but with teamwork, so it’s OK.
The terrifying gentlemen are the first to help anyone up who gets knocked over.
For every beer that’s dumped, 10 more are handed out. All the dirt, grunge and
basement gunk are exactly what Cincinnati’s DIY bands need. The bands are good
enough for big venues, but something is lost when people have to pay to get in,
pay to drink and pay to eat and they can’t go outside for a cigarette and walk
back in without getting hassled.
band [Mardou] played at Bogart’s once and it was the worst show of my whole
life,” McCartney says. “I’ve had shows which were one-twentieth the amount of
people, at a house or something, and it was so much more fun to me. You connect
to people at a show like that and they connect to you.”
are intimate. There’s usually only an inch between you and the mic stand, but
the intimacy comes from more than just close proximity. Certain houses become
“venues” all on their own by regularly hosting shows — like The Outhouse in
Clifton Heights and The Last House on the Left on Kirby Avenue in Northside. Communities
form around these bands and houses, and people that feel like they didn’t fit
in anywhere can find a home in someone else’s house. It’s an Island of Misfit
Toys that serves Skyline chili.
“At the end
of the day, I think it’s just an arts community — or a weirdos community,”
show is Tuesday, June 24, in the basement of Lucy Blue Main Street location in
Over-the-Rhine. Find details here.
Wednesday • The Comet
0 Comments · Monday, March 17, 2014
Getting her start playing drums with Canadian Garage Pop trio The White Wires, Allie Hanlon began Peach Kelli Pop as a solo outlet for her own songwriting. Peach Kelli Pop (Hanlon does all of the recording and friends join her on the road) is modeled after some of the classics of vintage Pop music.
by Mike Breen
• With a Country music base, Rock edge, R&B-inspired three-part harmonies and catchy but emotionally weighty songs, Brooklyn’s The Lone Bellow emerged in 2013 as one of the next potential Americana breakthrough artists. The trio’s well received, self-titled debut — featuring songs written by frontman Zach Williams to help him deal with a tragic horse-riding accident that left his new wife temporarily paralyzed — was released last January on Sony imprint, Descendant Records, to high praise from many high-profile press outlets. (Read more about the group from CityBeat’s preview here.)
The Lone Bellow performs tonight at Oakley’s 20th Century Theater at 8 p.m. Tickets are $17 at the door. Here’s a one-shot video of the trio performing its song “Tree to Grow” in the hills surrounding Los Angeles for the online “SerialBox Singles” series:
• In the two years since Cincinnati Indie Rock band The Sweep released its third album, III, the group has been busy regrouping with a new lineup and writing and recording material for a new album. Sweep singer/songwriter/guitarist Nic Powers and longtime bassist Glen May are now joined in the band by guitarist Brendan Bogosian, who currently also plays guitar with veteran local crew The Tigerlilies, and drummer Joe Klug, who also keeps time for widely-acclaimed Cincy band Wussy. The Sweep continues its free, every-Tuesday-of-November residency tonight at The Comet in Northside at 9 p.m. The band is being joined by various special guests during the residency — last week’s opener featured the reignited Pillbug (from the forces behind The Fairmount Girls), while this week Halvsies joins The Sweep. For the Nov. 19 show, Wussy’s Chuck Cleaver will also perform and the Nov. 26 residency finale will feature a set from Fists of Love. Click here to sample/purchase The Sweep’s great III album.For more live music options in Greater Cincinnati tonight, click here.
by Mike Breen
Ohio Dream Pop/Rock group strangewave performs tonight at The Comet in Northside. J. Trenton Crace and Katrina Eresman formed the compelling group in Dayton not long ago and released their ear-grabbing full-length debut, Pop Noir, earlier this year. It's a fantastic first effort full of hypnotic songs that hover in the same realm as classic Shoegaze, Mazzy Star, Blonde Redhead and Lush, with the diversity from track to track keeping the listener drawn in and mesmerized from start to finish. The twosome is joined by a drummer and bassist for live shows.Opening the free show at 10 p.m. is Seattle Indie Rock/Soul trio Garage Voice, which claims heavy influence from Gospel music and Memphis Soul and has a Garage Rock spirit, thought its songs are far less derivative and predictable that most other groups given that tag. The soulful sounds of the band — which are laced with cool Hammond Organ stabs, soundscapes and grooves — have something of an atmospheric Psych Pop vibe at times (making them a good fit with strangewave), but ignite into dirty Blues and Rock & Roll outbursts with little to no notice. Get a taste of Garage Voice's latest album, Amenin, below.AMENIN by Garage VoiceClick here for more live music options in Greater Cincinnati tonight.
Plus, King Records Month continues and more
0 Comments · Wednesday, September 18, 2013
Bluegrass for Babies, featuring local artists Wild Carrot and Comet Bluegrass All-Stars, returns to Sawyer Point Saturday to raise money for the Perinatal Institute at Cincinnati Children’s Hospital. Plus, King Records Month continues, CityBeat hosts a pre-MidPoint Music Festival party, Jerry's Little Band turns 20 and Abiyah Presents Hip Hop @
The Comet presents a special "open mic" edition.