0 Comments · Monday, October 12, 2015
Theatre continues its second season under the artistic direction of Andrew
Hungerford with more experimental and adventurous fare, producing new works and
connecting with new collaborative partners.
0 Comments · Wednesday, September 30, 2015
Theater programs at our universities in
Greater Cincinnati often produce shows that not only offer educational
opportunities for students, but also expose us to works we have lost
track of or missed. David Edgar’s Pentecost is such a work, and
it accomplishes what Richard Hess likes to do — challenge audiences.
Rusty Burge and Steve Allee take the vibes/piano concept to a quietly powerful new place with Faraway
0 Comments · Tuesday, April 14, 2015
Cincinnati vibraphonist Rusty Burge has amassed an
impressive curriculum vitae over the past 20-plus years, including four album releases. His latest, Faraway, is a collaboration with Indiana-based pianist Steve Allee.
University of Cincinnati graduate student Omer Ben-Seadia directs 'Don Pasquale' at CCM
1 Comment · Wednesday, April 2, 2014
Don Pasquale is Omer Ben-Seadia’s final production for CCM and a fitting conclusion to her CCM career, according to Robin Guarino, J. Ralph Corbett Distinguished Chair in Opera.
by Rick Pender
Posted In: Theater
at 09:37 AM | Permalink
I hope my Curtain Call column (found here) in a recent issue moves you to head to UC's College Conservatory of Music for Richard Hess's staging of Wendy Wasserstein's Pulitzer Prize winner, The Heidi Chronicles, onstage through Sunday. If you remember the 1970s and ’80s, this production will transport you back in time as you watch young feminist Heidi Holland grow up, grow weary and grow wise. Tickets: 513-556-4183.A dog might be man's best friend, but sometimes that's not quite enough. That's one of the lessons of Christian O'Reilly'sChapatti, which opened last night at the Cincinnati Playhouse. Set in contemporary Ireland, it's about two lonely hearts, both in their 60s, who love animals — he's a dog guy ("Chapatti" is his dog's name) and she's a cat lady (she has 19 of them). That brings them together, but what they need is human companionship. That might sound predictable, but there's more to it than that. (Through March 8.) Tickets: 513-421-3888.Falcon Theatre in Newport is opening its stage adaptation of In the Heat of the Night this evening for a two-weekend run. It's the story of a black homicide detective from L.A. who gets caught up in an Alabama homicide investigation in the early 1960s. It's a powerful drama that reminds us of how messy race relations were a half-century ago. With Ed Cohen as director and Derek Snow as Virgil Tibbs, this is likely to be a solid production. Tickets: 513-479-6783.Get a kid started on going to theater: Take her or him to see School House Rock Live! JR., presented by the Children's Theatre of Cincinnati this weekend at the Taft. It's an adaptation of the educational cartoon from the '70s and '80s. And grown-ups are likely to have fun, too, since the local rock band The Rusty Griswolds is performing tunes like "Conjunction Junction" and "Three Is a Magic Number." Public performances tonight (7:30 p.m.), Saturday (2 and 5 p.m.) and Sunday (2 p.m.) Tickets: 800-745-3000.Three well-received productions have their final performances this weekend on Sunday: Ensemble Theatre's riveting mystery/psychological drama, The Other Place (CityBeat review here), with a fine cast led by Regina Pugh; the Cincinnati Playhouse's assemblage of Johnny Cash numbers, Ring of Fire (CityBeat interview here), featuring four singers and six excellent supporting musicians; and the funny two-man, 20+ character show Greater Tuna at the Covedale Center (CityBeat review here). And The Handmaid's Tale at Know Theatre, a one-woman adaptation of Margaret Atwood's dystopian novel, has just one more week in its run.The energizer bunnies at Know keep things going with Serials 2: Thunderdome on Monday evening, 15-minute episodes of five new scripts. The concept had a big following over the summer, and one of those works has its parts reassembled as a "full-length" piece: Saturday the 14th, a dark romantic comedy. Playing two lonely losers who meet as they mutually contemplate suicide are Miranda McGee from Cincinnati Shakespeare and Nic Pajic. Tickets: 513-300-5669.The Broadway Series offers a quick stop (they call it a "season extra") of the musical Anything Goes next week, openingTuesday and running through Sunday. If you can't get away for a mid-February cruise, this Cole Porter classic on an ocean liner might be just the ticket for an evening's escape. Tickets: 513-621-2786.
0 Comments · Wednesday, January 28, 2015
In 2008, the University of Cincinnati’s
College-Conservatory of Music and Cincinnati Opera launched Opera
Fusion, an initiative to share resources and nurture emerging talent in
artistic and technical areas.
by Anne Arenstein
Posted In: Opera
at 02:07 PM | Permalink
In August, the Corbett Foundation announced it was closing shop, ending
one of the city's most generous streams of philanthropy. It turns out that
there was still one more gift in the hopper. On Tuesday, The University of Cincinnati's College-Conservatory of Music's J. Ralph Corbett
Distinguished Chair of Opera received the final award of $1 million, a gift
that will provide additional support for scholarships, touring productions, an
archive and partial support of the named professorship currently held by Robin
Opera Department is one of the nation's finest. Two of its recent graduates
were winners in the Metropolitan Opera's national auditions, and its alumni
perform in theaters all over the world. Robin Guarino is one of the most sought-after
directors and has staged productions at the Metropolitan Opera, Indiana
University, Opera Theatre of St. Louis, San Francisco Opera and Brooklyn
Academy of Music.
0 Comments · Wednesday, October 29, 2014
With a name like Diane Lala, she was
apparently destined for a career in musical theater.
by Rick Pender
Posted In: Theater
at 08:20 AM | Permalink
Know Theatre sets sail this weekend with tonight's opening of Moby Dick. It's Herman Melville's great American novel stripped down to its bare essentials of men at sea doing battle with a creature that maimed their obsessive captain. It's Know's first main stage show staged by new artistic director Andrew Hungerford, who's teamed with co-director Michael Burnham, retired from CCM but no doubt as inventive as ever in bringing unusual material to audiences. Featuring the haunting music of sea shanties and a stage full of theatricality, it being performed through Nov. 8. Tickets ($20 in advance): 513-300-5669. And here's a tip: Wednesday evening performances are free as part of Know's "Welcome Experiment," intended to bring new audiences to its Over-the-Rhine facility. UC's College-Conservatory of Music is presenting Willy Russell's powerful British musical Blood Brothers today and tomorrow in the Cohen Family StudioTheater. Set in 1950s Liverpool, it's about a woman with too many children who is talked into giving up one of a pair of newborn fraternal twins. Despite her efforts and those of the unstable woman who wanted a baby, the boys meet and become not just friends but "blood brothers." They don't know their history, they simply feel drawn to one another. That leads to a tragic, perhaps inevitable, confrontation. But there is humor and an energetic Pop Rock score along the way. Hannah Kornfeld is heartbreaking as the conflicted mother; Thomas Knapp and Karl Amundson turn in heart-breaking performances as the ill-fated boys, from age 7 to 22. This weekend only; the final performance is Saturday evening at 8 p.m. Tickets are free but need to be reserved (513-556-4183); call in advance — performances are often sold out.
Perhaps you'd like to take a kid or two to see a show. The Cincinnati Playhouse's "Off the Hill" production, Roses & Thorns, based on "Beauty and the Beast," would be a fine choice. It's a touring production for kids ages 7 and up, and it's making its way to various neighborhoods over the next month or so (through Nov. 2). I attended a preview recently and found it thoroughly enjoyable. It's a sweet retelling of the familiar story whose love and devotion saves her family and breaks a curse on a monstrous beast who's really a handsome prince. The show uses clever props and costumes, slapstick, satire and high camp styles; its four actors are professionals in training, and their work, playing multiple characters and making quick changes, is great fun to watch. This weekend it's onstage at the Lebanon Theatre Company (10 S. Mechanic St., Lebanon) on Sunday at 2 p.m. Check the Playhouse's website for future performances around the Tristate. Tickets in Lebanon are $5: 513-228-0932
If you missed Kevin Crowley's one-woman show Sarge during the Cincinnati Fringe Festival last June, it's getting a reprise this weekend and next (it's onstage tonight through Oct. 20). Christine Dye's performance as the devoted but deluded wife of Penn State football coach Jerry Sandusky, found guilty of molesting young boys, won the Critics Pick of the Fringe. Dye is remarkable in three monologues that reveal the mind of a woman who cannot accept her husband's true nature. It's being presented in a double bill with another short script by local actor and playwright Crowley, The Monkey's Paw, a dark comedy about a couple struggling with the anxieties of early parenthood. Performances at Clifton Performance Theater, 404 Ludlow Avenue. Tickets ($25): 513-861-7469
I gave Critic's Picks in CityBeat recently to two excellent productions recently, and they remain onstage this weekend. I Loved, I Lost, I Made Spaghetti at the Cincinnati Playhouse is a one-woman piece about cooking and relationships (charming actress Antoinette LaVecchia prepares an Italian dinner while describing her bad luck with men). Tickets ($30-$75): 513-421-3888 … The Little Dog Laughed finishes its run this weekend at New Edgecliff Theater at Hoffner Hall (4120 Hamilton, Ave., Northside. It's the story of a gay actor whose agent is trying to keep him from ruining his career by being public about his persuasion. It's surprising how a play from 2007 could present anxieties about something that today is much more accepted, but this production is great fun to watch thanks to four fine actors, especially Kemper Florin as the motor-mouthed, scheming agent. Tickets: ($20-$27): 888-428-7311
by Rick Pender
Posted In: Theater
at 08:17 AM | Permalink
Last night I was at the Cincinnati Playhouse for the opening of I Loved, I Lost, I Made Spaghetti, a charming one-woman play based on Giulia Melucci's foodie memoir from 2009. The frame of the show is that it's set in a stylish kitchen where actress Antoinette LaVecchia prepares a meal while sketching out her numerous disconnects in search of love, feeding boyfriends but finding herself starving. Four couples pay a bit more ($35 apiece beyond the ticket price) to sit at tables directly in front of her kitchen where she serves antipasti, salad and spaghetti Bolognese that she prepares as she talks about a series of amusing but unpromising relationships, convincingly painting portraits of her ill-fated choice in men. La Vecchia is so natural in the role (which she originated in 2012 and has played at several regional theaters since then) that you'll feel like you're one of her best friends. Running through Oct. 26, this Shelterhouse production gets a Critic's Pick. Tickets ($30-$75): 513-421-3888I also thoroughly enjoyed New Edgecliff Theatre's production of The Little Dog Laughed (at Hoffner Hall, 4120 Hamilton Ave., Northside). The four-actor comedy by Douglas Carter Beane is about Diane, an acerbic agent, and Mitch, the actor whose career she's advancing. He's found a boyfriend he really likes (even though boyfriend is a male prostitute with a girlfriend), but she's convinced that this news could ruin his chances … and hers. Kemper Florin is a hoot as the motor-mouthed agent, spouting all sorts of crazy theories about how things should be in monologues that directly address the audience. The entire cast does a fine job, and I gave this one a Critic's Pick. Tickets ($20-$27): 888-428-7311
Area universities have two classics to offer. At UC's College-Conservatory of Music in a brief weekend run (through Sunday) it's Shakespeare's classic tragedy, Macbeth. In an unusual twist, the production features third-year female drama student Laura McCarthy as the power-mad military man who seizes the throne of Scotland. Tickets ($27-$31): 513-556-4183 … South of the Ohio River, Northern Kentucky University presents Euripides' The Bacchae, a play first performed in 405 B.C. The tale of power, revenge, decadence and debauchery takes place in Thebes, where citizens are torn between worship of the god Dionysus and the centrality of reason and humanism. Sunday will be the conclusion of a two-week run of the production. Tickets ($14): 859-572-5464
The musical Dirty Dancing, based on a hit movie from 1987 about young love at a family resort in the Catskills, wraps up two weeks of performance at the Aronoff Center. The touring production, presented by Broadway in Cincinnati through Sunday, features some dazzling video and lots of dancing. The story is pretty predictable, but it's one that people love. "Don't put Baby in the corner."
Tickets ($39-$89): 513-621-2787