WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 
by Rick Pender 11.14.2014 34 days ago
Posted In: Theater at 09:51 AM | Permalink | Comments (0)
 
 
once_photo_joan_marcus

Stage Door: Broadway Here, Broadway There — It's Everywhere

If you're looking for good theater this weekend you have two great choices at downtown Cincinnati's Aronoff Center. It's your pick: Recent Broadway hit Once, in a touring production, or a past award-winner, Young Frankenstein, staged by one of Cincinnati's best community theaters. The musical Once began life as an Academy Award-winning film in 2007; the song "Falling Slowly" won an Oscar. The film became an off-Broadway production as a musical in 2011 then a Broadway contender in 2012, where it won eight Tony Awards, including best musical. Since 2013 it's been a hit in London (the film is about musicians in Dublin, and the stage adaptation is set in an Irish pub) and on a national tour in the U.S. a year ago that's been much praised. It's that tour presently onstage at the Aronoff Center's big hall. It's a very contemporary love story that succeeds in part because it's unpredictable: Boy Meets Girl (yeah, that's a cliché) but despite their chemistry and potential for romance, it doesn't turn out as you might expect. Along the way, a great cast of actor/musicians play instruments onstage and sing their hearts out as the story unfolds. And it's fun: Arrive early enough and you can queue up to go onstage and order a pint from the bar there and mingle with some of the cast. If there's such a thing as a casual musical for contemporary music lovers, this is it. Through Nov. 23. Tickets ($33-$80): 513-621-2787.Don't think that you'll see something less than professional if you choose to head to the Aronoff's Jarson-Kaplan Theater to see Young Frankenstein, presented by Cincinnati Music Theatre through Sunday. This company of local theater junkies knows how to make big musicals work, and this jokey show by Mel Brooks (based on his equally jokey classic comedy from 1974) is a great vehicle for a talented cast and crew. There are great sets (designed by Rick Kramer) and visual effects (by Jeff Surber), and the talented performers milk every laugh line to the nth degree. Charlie Harper is lots of fun as the latter-day scientist Frankenstein, Alison Evans is his fetching lab assistant Inga and Kate Mock Elliott has great moments as his twitchy fiancee Elizabeth. Chuck Ingram's portrait of the Monster is spot on, and his delivery of the show's big number, "Puttin' on the Ritz," will stick that tune in your head for days in ways that Irving Berlin never imagined. Tickets ($20-$24): 513-621-2787.Broadway star Faith Prince is making a local appearance at Memorial Hall for an 8 p.m. concert tonight. It's part of a series of "Libations & Lite Bites," this one titled "Broadway & Bordeaux." The evening begins at 6:30 with hors d'oeuvres from local restaurants, wine and cocktails and concludes with dessert and more. Tickets ($47-$57): cincinnatimemorialhall.com.If you've got Broadway on the brain and you're on Cincinnati's West Side, you should definitely check out the Covedale Center's production of Stephen Sondheim's fairytale musical Into the Woods, finishing up its run on Sunday. It's an entertaining classic (in December it will be on movie screens everywhere in a new film version featuring Meryl Streep and Johnny Depp), and the Covedale has a great cast to put it across. Tickets ($21-$24): 513-241-6550.You still have a chance to catch one of our great local actresses, Dale Hodges, in Driving Miss Daisy at Covington's Carnegie through Sunday. She's playing haughty, elderly Daisy Wertham, unwillingly partnered with Hoke, an African-American chauffeur (Reggie Williams) hired by her solicitous son Boolie (Randy Lee Bailey). It's a solid ensemble and a very entertaining production. Tickets ($18-$25): 859-957-1940.And if you're looking for something that's brand new and edgy, check out All New People by contemporary writer Zach Braff. It's onstage at Clifton Performance Theatre, staged by Untethered Theatre through Nov. 30. It starts with a suicide attempt on Charlie's birthday and spirals from there. I'm going to see it this weekend. Maybe I'll see you there. Tickets ($20): 513-939-0599.Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here
 
 

Cultural Traditions Inspire Story of Community

0 Comments · Wednesday, October 29, 2014
 Zvi Gotheiner's modern dance company appears this weekend for the second time in Cincinnati as part of ZviDance/Dabke, presented by Contemporary Dance Theater.   
by Rick Pender 05.09.2014
Posted In: Theater at 08:13 AM | Permalink | Comments (0)
 
 
the north pool @ cincinnati playhouse - eli gelb and ted deasy - photo sandy underwood

Stage Door: Thoughtful Performances

There are quite a few good options for theatergoing this weekend. First and foremost, I'd point to The North Pool at the Cincinnati Playhouse. It's a newish script from Rajiv Joseph (his play Bengal Tiger at the Baghdad Zoo was a runner up for the 2010 Pulitzer Prize), and it's a very timely piece, set in 2007 in a large public high school. Just two characters: a slightly disgruntled, tightly wound vice principal and a student of Middle Eastern descent who's been called in on the eve of spring break for a "conversation." What starts out as awkward but mildly amusing takes numerous twists and turns (the show is about 85 minutes long) and will keep you guessing as more and more is revealed. The teacher says people are like onions: You can keep peeling, but you never quite get down to the essence. You will arrive at a surprising — and moving — conclusion, likely not what you'll be suspecting. That's the kind of writing and performance to be found in this production. Through June 1. Tickets ($30-$75; $25 for teens and students, with the proviso that the show has strong language and mature themes): 513-421-3888. For lighter entertainment, I recommend Size Matters at Ensemble Theatre. It's a premiere by actor Raymond McAnally, who performs the one-man show. He's a big guy in the theater, literally: 300 pounds. plus. He's used his weight to his advantage to find acting gigs, but he tends to be typecast — fat slobs, geeks and so on. Not great for self-esteem, but hey, it's work. However, it can wear on one's confidence, and when he sees his young nephew going down a similar path, well, it's food for thought. There's nothing terribly profound about this script, but McAnally is a very adept performer — he takes on the roles of his father, his nephew, even his wife, with the assistance of projections and sound effects. McAnally says that this is 95 percent material drawn from real life, and it has the ring of truth. It's not likely that this show will be produced elsewhere unless McAnally does it himself, so here's a chance to see a one-of-a-kind performance that will keep you laughing and make you like a guy you might have otherwise dismissed. Through May 25. Tickets ($39-$43; half-price and $15 student rush tickets starts two hours prior to show time if seating is available): 513-421-3555. Cincinnati Music Theater opens its production of the classic musical Peter Pan at the Jarson-Kaplan Theater tonight (it runs through May 17). This top-notch community theater typically does a commendable job with big musicals, and this family-friendly piece is likely to be a big attraction, what with flying and local actor Joshua Steele in the title role. Tickets ($20-$24): 513-621-2782.
 
 
by Rick Pender 04.11.2014
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
stage door

Stage Door: Green Day and More

If you follow music coverage in CityBeat (hey, isn't that really why you pick up the paper?), you're certainly aware of Green Day's 2004 recording American Idiot. But since you're reading my weekend theater previews, you must be interested in other kinds of performance, so here's a tip: For two nights only, Green Day's American Idiot, a stage version of the powerful Punk score, will be onstage at the Aronoff. That's right — Friday and Saturday only, just three performances, much shorter that Broadway in Cincinnati's two-week presentation of touring Broadway musicals. I can vouch for this one, since I saw it a year ago during a similar tour stop in Dayton. It's the story of three disaffected guys who take different downward spirals when confronted with the numbing boredom of everyday life — "alien nation" — as they sing in the opening number. The recording was conceived as a "Punk Rock Opera" and turned into a Tony Award-nominated Broadway show in 2010, with a lot of involvement by Green Day's lead singer Billie Joe Armstrong (who actually appeared onstage in New York at various performances; that's not happening here in Cincinnati). There's a day-of-performance lottery for a limited number of $25 tickets; you need to show up two-and-a-half hours before the performance you're hoping to see (8 p.m. Friday, and 5 and 8 p.m. on Saturday) with a valid photo ID. Complete an entry form and wait 30 minutes to find out if you're a winner. If you prefer to just go ahead and buy your seats ($38-$91), you can call the Aronoff box office: 513-621-2787. In the classic musical Gypsy, Rose has very concrete ideas regarding how to turn her daughters into stars (long before Green Day was punking out, to be sure): Back in the 1920s and ’30s she pushed her kids onto vaudeville stages whether they liked it or not. Things never went quite as she imagined, which was really a desire for her own fame and stardom. It's one of the great musicals, and the role of Rose has been compared to King Lear. That might be a bit of a stretch, but she's a tragic character who's fascinating to watch. There's a ton of great music, composed by Jule Styne with lyrics by a very young Stephen Sondheim and lots of humor along the way, especially the hilarious number by three strippers, "You Gotta Get a Gimmick." Cincinnati Landmark opened its production Thursday night, and it will be onstage at the Covedale Center for the Performing Arts through May 4. Tickets ($21-$24): 513-241-6550. Mary Chase's comedy Harvey won the 1945 Pulitzer Prize and had a four-year Broadway run (1,800 performances). The story of Elwood P. Dowd and his invisible friend, a 6-foot tall rabbit named Harvey, is perhaps best known for the 1950 movie featuring Jimmy Stewart in an Oscar-nominated performance. That's all well and good, but it's a show that audiences love to see live and in-person, and you can do just that at Covington's Carnegie for the next three weekends (tonight through April 27). It's directed by Buz Davis, who produced shows at the Carnegie when it was a dilapidated wreck back in the ’80s and ’90s. Now he's returning to stage Harvey in the beautifully renovated Otto M. Budig Theatre. (Tickets ($17-$24): 859-957-1940.) Davis has assembled a strong cast for this family-friendly comedy, you can catch a few of them in this charming promotional video:Still onstage are several recommended productions: The Mountaintop at Ensemble Theatre (final extended performance is Saturday evening; 513-421-3555); A Delicate Ship at the Cincinnati Playhouse (through April 20; 513-421-3888; CityBeat review here); and The Twentieth-Century Way at Know Theatre (through May 3; CityBeat review here.) And if Monday comes and you want still more: Check out True Theatre's next installment — True Dating (7:30 p.m. at Know Theatre). This round of monologues of real experiences will feature stories of dating that led to true love, and some that went off the tracks along the way. Tickets ($15): 513-300-5669.
 
 

Wicked (Review)

Touring production is certifiable, guaranteed entertainment

0 Comments · Saturday, March 8, 2014
The word I use to describe the Broadway musical hit Wicked is “juggernaut,” defined as “an overwhelming advancing force or event.”   
by Rick Pender 02.28.2014
Posted In: Theater at 08:32 AM | Permalink | Comments (0)
 
 
stage door for 2-28 - lesmiz @ ccm - blaine alden krauss as valjean & kimber sprawl as fantine - photo mark lyons

Stage Door: Hapless Heroes at Cincy Shakes

There's a magnificent production of the legendary musical Les Misérables at the University of Cincinnati's College-Conservatory of Music. I attended the opening performance at Patricia Corbett on Thursday evening, and a show that I've seen umpteen times has been given new life with fresh direction, impassioned staging and innovative design — even if you've seen the legendary original with its turntable and massive barricades, you'll find CCM's rendition, directed by Aubrey Berg, an eye-opener. It's simpler and more dramatic (that's quite a claim for a show designed to pluck your heart-strings), and it's especially noteworthy for the leads' strong vocal performances — Jean Valjean and Inspector Javert are double-cast, a demonstration of the depth of talent in this nationally renowned program — as well as each and every every performer in an ensemble of more than 40. The 16-musician orchestra, conducted energetically by Steve Goers, sounds larger whole lot more, since several players handle three to five instruments. Berg's staging gives the show a clarity and power that makes it feel fresh and new. It has vivid feature characters and storytelling with momentum and emotional impact. This one is a must-see, so it's great that the production runs longer than many at CCM, where it's usually one-weekend and done: There are nine more performances through Sunday, March 9, which means that more tickets ($31-$35; $18-$24 for students) are available. Nonetheless, they'll be snatched up quickly, so you should call right away to get yours. 513-556-4183. I saw Cincinnati Shakespeare's Rosencrantz and Guildenstern Are Dead a week ago, and gave it a Critic's Pick in my CityBeat review here. It's a one-off from Hamlet, which Cincy Shakes just staged, using the same cast — but Tom Stoppard's 1966 script puts two throwaway characters in the limelight. Just like the Prince of Denmark, his college chums are perplexed and bedeviled by questions of existence and the meaning of life. They're caught in the swirl of the court — the characters of Hamlet dart in and out around them and add to their confusion — which adds to their confusion about their own roles, the expectations they need to fulfill and their ultimate fate. Billy Chace and Justin McCombs have a firm grasp on their hapless characters: Their sure-handed comic portraits of loquacious Guildenstern and bewildered Rosencrantz might remind you of the movie comedy team of Laurel and Hardy. This classic modern work of absurdity drawn from perhaps the greatest Elizabethan tragedy makes for a fine evening for lovers of great drama. Tickets ($22-$31): 513-381-2273, x1.  Andrew Lloyd Webber’s classic musical Evita is at the Aronoff Center through Sunday. It looks great with some epic scenery and excellent choreography. Josh Young as Che is charismatic and strong-voiced in his role as the show’s commentator. But Caroline Bowman’s Eva Perón is shrill, and Sean MacLaughlin's Juan Perón lacks the sinister gravitas that the role requires. So there's not nearly enough of the complex passion and manipulation that bonded them as a political machine. The tale of the ambitious woman who rose to the highest levels of power in Argentina then crashed and burned at age 32 is a memorable modern tragedy, and Andrew Lloyd Webber’s rock-opera tunes by will stick in your head. Tickets: 513-621-2787.
 
 
by Rick Pender 02.21.2014
Posted In: Theater at 08:46 AM | Permalink | Comments (0)
 
 
stage door 2-21 - cynthea mercado as scheherazade in arabian nights @ nku - photo provided by northern kentucky university14an press photo 3 copy

Stage Door: Options Abound

I’m not making up a story when I suggest you could be charmed by Mary Zimmerman’s Arabian Nights at Northern Kentucky University. After all, her play is about telling tales: Scheherazade, the latest bride of a cruel king who has a history of marrying and executing his wives, survives by stringing him along with stories she promises to finish the next night — for a “Thousand and One Nights.” (Read my profile of Mary Zimmerman here.) She plies him with tales of Sinbad and Ali Baba. Audiences at NKU will likely be strung along, too. Senior Cynthea Mercado plays Scheherazade, whose life, she says, “is threatened with the reality of her situation, and yet she is still able to enjoy her own tales and sometimes get lost in them.” No need to get lost. Find your way to Highland Heights and NKU’s Corbett Theatre for this production, through March 2. Tickets: 859-572-5464. If a classic musical is to your taste, you might try Andrew Lloyd Webber’s epic musical Evita, in a touring production at the Aronoff Center through March 2. I caught a performance last evening, and it looks great — some epic scenery and excellent choreography. Josh Young as Che is charismatic and strong-voiced in his role as the show’s commentator. Unfortunately, Caroline Bowman’s Eva Perón gets too shrill way too fast and becomes a grasping harpy before there’s a chance to be won over by her Machiavellian charms. As Juan Peron, Sean MacLaughlin looks young and slimy, without the sinister gravitas that the historical figure possessed. That doesn’t leave much opportunity to convey the complex chemistry — passion and manipulation — that bonded them as a political machine. But the tale of the ambitious young woman who rose to the highest levels of power in Argentina then crashed and burned is a memorable modern tragedy, and the show’s rock-opera tunes by Andrew Lloyd Webber will stick in your head. Tickets: 513-621-ARTS. Cincinnati Shakespeare is keeping the cast of its recent production of Shakespeare’s Hamlet intact with its current production of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead. This time around, it’s the story of Hamlet’s college buddies Rosencrantz and Guildenstern, who move from Shakespeare’s sidelines to Stoppard’s center stage. In this classic 1967 script, the pawns become the central characters, while Prince Hamlet, Queen Gertrude, King Claudius, Ophelia and others wander by. The classic tragedy is turned on its head, and it becomes an existential tragedy for two guys who everyone has a hard time telling apart. Through March 9. Tickets: 513-381-2273. The Cincinnati Playhouse in the Park’s production of Amy Herzog’s Pulitzer Prize finalist script, 4000 Miles, is onstage at the Shelterhouse Theatre. It’s about a 91-year-old grandmother and her 21-year-old grandson bridging a giant generation gap and finding that they actually have a lot in common. Through March 9. Tickets: 513-421-3888.  It’s the final weekend for several shows that have been pleasing audiences. Nina Raine’s Tribes at Ensemble Theatre Cincinnati was originally scheduled to close last Sunday, but to meet ticket demand for the show about coping with deafness — and contentious families — ETC added performances through Saturday. (CityBeat review here.) Tickets: 513-421-3555. … A block away at Know Theatre, the off-kilter script by Steve Yockey, Pluto, winds up on Saturday, too. It’s about dealing with tragedy and grief, told in an inventive, sometimes even humorous, manner. Two of Cincinnati’s finest actors — Annie Fitzpatrick and Tori Wiggins — are in this one, making it very watchable. (CityBeat review here.) Tickets: 513-300-5669 … For the younger set, this weekend offers the final public performance, Saturday at 2 p.m., of Children’s Theatre’s Pinkalicious at the Taft. It’s the story of a girl who can’s stop eating pink cupcakes. Tickets: 800-745-3000. And here’s a tip for Monday evening: Dayton native Daniel Beaty, who pleased a lot of Playhouse patrons last season with his tour-de-force one-man show, Through the Night, will be in town for a one-night performance to promote his new book, Transforming Pain to Power. His performance (6:30 p.m. in the Marx Theatre) and the book signing afterward in the Rosenthal Plaza) are free, but you need to make a reservation with the Playhouse box office: 513-421-3888.
 
 

From The Ground Up

World premiere of 'King Arthur's Camelot' is the centerpiece of Cincinnati Ballet's 50th anniversary season

0 Comments · Wednesday, February 12, 2014
Honor, valor, love, betrayal — these are the thematic elements of Cincinnati Ballet artistic director and CEO Victoria Morgan’s full-length world premiere, King Arthur’s Camelot, opening this weekend with five performances at the Aronoff Center.   

Book of Mormon (Review)

No joke (well, maybe): This show will change your life

0 Comments · Thursday, January 9, 2014
Have faith. That’s the hilarious lesson of The Book of Mormon, crusading for laughter in its current missionary effort, er, touring stop, Cincinnati’s Aronoff Center.   

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