WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 
by Mike Breen 10.23.2014 55 days ago
Posted In: Live Music, Local Music at 09:06 AM | Permalink | Comments (0)
 
 
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Music Tonight: We Were Promised Jetpacks and More

It’s a double bill of Scottish Indie Rock at Bogart’s tonight as We Were Promised Jetpacks and The Twilight Sad pull into town for a free, all-ages 8 p.m. show. The concert was originally scheduled for Over-the-Rhine’s Woodward Theater, but was moved due to the new venue not quite being ready yet to host events yet (the legendary Ian McLagan’s Oct. 29 show slated for the Woodward has been moved to Southgate House Revival in Newport for the same reasons). The Woodward’s selling tickets to shows beginning Nov. 10, so hopefully it will be all set by then. CityBeat’s Brian Baker spoke with WWPJP’s guitarist/singer Adam Thompson for a feature in this week’s paper. Thompson spoke of mixing things up on the band’s most recent album release, Unravelling. “It’s still got the same emotional pull as the last two albums, it’s just that the whole sound is a lot more varied,” Thompson notes. “It’s got a bit more groove or something and I think that’s what we were trying to achieve, but it’s still very much a We Were Promised Jetpacks album. If you don’t like the first two, you’re not going to like this one, but I do think it offers something different.”Click here to read Jason Gargano’s preview of openers The Twilight Sad.• While it’s true that “Ska Punk” had its mainstream flash-in-the-pan moment in the’90s, it’s a shame that Ska often gets dismissed today as a sort of punchline. (“Ha, remember when Ska and Swing music were popular?”) From its origins in late-’50s Jamaica through today, Ska has endured thanks to new, young bands rediscovering the music and a loyal cult following. America’s Ska kings are unquestionably The Toasters, who were formed in 1981 (just as the U.K.’s 2 Tone Ska craze was beginning to lose steam) by British ex-pat Robert “Bucket” Hingley. When The Toasters (who eschewed the distorted “Ska Punk” concept for a style more reminiscent of the pioneers and 2 Tone bands) were looking for a label to release their debut EP, Hingley formed Moon Ska Records, which became the top independent Ska label on the planet and was home to practically every America Ska band worth a listen.The Toasters play a free show tonight at 10 p.m. at Over-the-Rhine’s MOTR Pub. • Irish music trio Socks in the Frying Pan, from County Clare in Ireland, is in the midst of its first tour of the U.S. and tonight the group plays Molly Malone’s in Covington. The young band is becoming known for its creative spin on traditional Irish music, which has earned it numerous accolades in its homeland (the Live Ireland Awards and Tradition in Review Awards both have named them New Group of the Year and Irish American News calls them “simply stupendous”).   Tonight’s Covington show starts at 7:30 p.m. Tickets are $12.  • A pair of great, rootsy singer/songwriters perform at Newport’s Southgate Revival tonight — in separate rooms and as part of separate shows. Tommy Womack, once dubbed “Nashville’s best loved musical eccentric,” headlines the Revival Room at 8:30 p.m. with special guests Wild Ponies. Tickets are $12. • Meanwhile, the stellar Robbie Fulks plays the club’s Sanctuary room with guests Woody Pines. Showtime is 9 p.m. and tickets are $15.  Fulks has long recorded for the esteemed label Bloodshot Records and his song “I’ll Trade You Money for Wine” is featured on the label’s awesome, recently-released 20th anniversary compilation, While No One Was Looking, which features a variety of artists performing songs from Bloodshot’s back catalog. Fulks’ tune is covered by Andrew Bird and Nora O’Connor.
 
 

The Twilight Sad with We Were Promised Jetpacks

Thursday • Bogart’s

0 Comments · Wednesday, October 22, 2014
The Scottish trio specialize in mood-altering music that ranges from hushed melancholia to swirling, rhythmically dynamic rave-ups.  

Nirvana, Feist, Gillian Welch, Marianne Faithfull and more

0 Comments · Wednesday, November 9, 2011
In 1991, Nirvana roared out of Northwest obscurity and into the global consciousness with Nevermind, an album of almost incomprehensible magnitude and influence. Three short, tempestuous years later, Kurt Cobain turned his back on his brief run and enormously potent legacy in a horrible, irrevocable act of abdication.  

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