We’ve been here before, but it wasn’t quite the same. The frequently sun-struck paintings in the engaging exhibition, Continuity and Change: The Return to Figurative Painting,
now at Cincinnati Art Galleries, are the work of seven area artists...
For the past three years, Building Value has included a “designer challenge” element at their ReUse-apalooza fundraiser, which demonstrates the remarkable work that artists and creative types can make out of the materials the nonprofit acquires from various deconstruction jobs, donations and retail recycling projects.
Not many libraries can claim to be a room
with a view. The Mary R. Schiff Library of the Cincinnati Art Museum,
now in its new space and again open to the public, has a spectacular
one.
Both Smith and Mapplethorpe found their
place, of course, and became famous — she as a quintessential
alternative-rocker and he as one of the country’s top fine-art photographers.
The Hilton Brothers — photographers
Christopher Makos and Paul Solberg — have arrived in Cincinnati with
food on their minds. They don’t specify that it needs to be organic, but
it might as well be. The term pops up repeatedly as the New Yorkers
discuss their natural, open-ended approach to life, art and
collaboration.
The huge stone quarries that hide in the
landscapes of Ohio, Indiana and Kentucky are strange things, monsters of
ruggedly carved-out negative space that — when abandoned and filled
with water — attract illicit swimmers and divers.
In advance of last year’s FotoFocus
festival, probably the largest photography-related event in Cincinnati’s
history, I asked James Crump — the festival’s co-chair and then chief
curator/curator-at-large at Cincinnati Art Museum — if there wasn’t an
unspoken spirit hovering over the proceedings: Robert Mapplethorpe.
Matt Distel, an almost constant presence
in the Cincinnati art scene for the last couple of decades, suddenly
seems to be everywhere at once. But no, he’ll not be working three jobs
Visionaries and Voices (V&V) has
experienced many changes in the decade since it was first incorporated
as a nonprofit organization...As the organization has evolved, so has its administrators’
approach to curating exhibitions.