0 Comments · Wednesday, March 25, 2015
Urban Cincy founder Randy Simes offers 10 forward-thinking concepts to aid the region today and in the future.
Friday • U.S. Bank Arena
0 Comments · Tuesday, June 24, 2014
Aloe Blacc is a great believer in keeping
things smooth. When the Laguna Beach, Calif.-bred, Los Angeles-based
singer, born Egbert Nathaniel Dawkins III, was choosing the first name
of his alias, he went with a plant associated with a famous kind of
What Springsteen should play at his Cincinnati tour stop
0 Comments · Tuesday, April 1, 2014
In light of reports from shows in Australia and New Zealand (and with a heavy dose of wishful thinking), here are some suggestions for Bruce Springsteen and the E Street Band's set at their tour stop in Cincinnati.
by Amy Harris
Danish metallers play U.S. Bank Arena this Sunday
Volbeat has been headlining huge shows in Europe for
nearly a decade and now they are bringing their Metal sound to the
States. In the position of up-and-comer again, they bring their high
level energy to American, which has translated into sold out shows
across the country. Currently Volbeat is touring on its new album, Outlaw Gentlemen and Shady Ladies.
CityBeat was able to catch up with new band member
and former Anthrax lead guitarist Rob Caggiano in preparation for the
band's upcoming show in Cincinnati to discuss the transition into a new
band and his broad musical influences that have helped him evolve since
childhood. He definitely has brings a strong, veteran presence to a band
that was already rising to new heights. Check out Volbeat headlining
the Rock Allegiance Tour at US Bank Arena this Sunday with HIM, All That
Remains and Airbourne.
CityBeat: Could you tell me about the
moment in the studio working with Volbeat on their new album that you
realized you really could be in the band or it would be a good fit?
Rob Caggiano: They had asked me to be a part of it
two weeks into the process of recording. So it was pretty early on into
the whole thing. I think it really stemmed from the first meeting we had
when they called me initially when I left Anthrax and put the press
release out there. A couple days later I flew to Denmark and sat down
with Michael and went over the tunes and then ideas for the new record.
We ended up collaborating and making music together. It was such a fun
vibe and such a great chemistry. I think that was kind of a catalyst for
CB: I saw you guys at Rock on the Range
for the first time playing together. It was really amazing. What was
your favorite Rock on the Range moment this year?
RC: We definitely had a really good time during our
show. It was a lot of fun. Rock on the Range, to me, is one of the
coolest festivals here in the States. It seems like America is catching
up finally with what is going on in Europe with these outdoor festivals.
Rock on the Range is very well put together, very organized, just very
pro and well done. It’s always a good time. I did get a chance to see
Lamb of God play, about half their set and that was killer. It was great
to see Randy back up on stage.
CB: Has there been any hazing or initiation since you joined the band?
RC: Not really, I was doing all the hazing. It has
been pretty cool, pretty seamless, the whole transition. The way it went
down, it was very organic and felt very comfortable from the beginning.
It has been cool. We are having a blast.
CB: I know it must have been a difficult
decision to leave Anthrax which had been your job for the last 12 years.
What were the factors for moving on?
RC: I just had this feeling of being stuck. I just
felt like I was on a conveyor belt, doing that for so long. I still love
those guys dearly and they are like my family. I just wasn’t happy. It
got to the point where I just wasn’t happy and I was questioning myself
and what I am doing here. What are we doing? What’s going to happen in
the future? I just came to the conclusion I needed a change.
I think the main part of the problem was that Anthrax was
never a creative outlet for me. By no choice of my own, that was just
the way it had been. I think after all those years my heart wasn’t in it
anymore and I needed something different. It was definitely an
emotional, difficult decision to make but it was something that needed
to be done.
CB: What is your favorite guitar solo to play on the new Volbeat record and out on tour?
RC: I have two favorites. I enjoy playing the “Lola Montez” solo and the “Doc Holliday” solo.
CB: I know you have been producing for
several years helping out bands and doing Anthrax and Volbeat records.
Do you ever see yourself stepping out of Rock or Metal and producing
other genres? There are a lot of collaborations happening right now with
different genres of music.
RC: Absolutely. I never saw myself as a solely a
Metal producer. To be honest, when I am at home, I don’t really listen
to Metal. It’s probably because it is what I do all the time. My
influences are really varied and I listen to so many different albums
and genres of music. I just consider myself a musician. I put 100% of my
heart into whatever I am working on. With all these different
influences, I can definitely do a lot of different things and have done a
lot of different things in the past.
CB: What are you listening to right now? What is influencing you?
RC: My favorite record right now, if we are talking
about new bands and newer records, is this band called The National. I
think (they're) phenomenal.
CB: They are actually from Cincinnati.
RC: Yeah, it seems like they are doing pretty well
all over the world. Their new record is phenomenal. I think it is just
great, the production is amazing, the songs are great. I have never met
the band. I had heard the name but I had never heard the music. We were
doing a record signing in Copenhagen and I asked one of the girls at the
store what was her favorite record, what should I check out, what came
in that is the new hot record. She said to get the new National record. I
said “Ok, I’ll give it a shot.” She was right. I dig it. I like Lana
Del Rey too.
CB: Do you ever plan to sit down and write your Rock biography?
RC: Maybe one day down the road. I don’t know if I’m ready yet.
CB: I’m sure you have plenty of stories. What is your craziest tour story with Volbeat right now?
RC: It really isn’t that crazy on the road with
these guys. It’s pretty mellow. It is a very focused thing. We do our
show … the thing about being on tour, especially with Volbeat, we are
headlining a lot of these festivals in Europe so we are going on late.
We get there early at these festival sites and have a whole day of
nothing. It is kind of boring just waiting to go on stage. Nothing
really crazy has happened yet but I will keep you posted.
CB: I am shocked you haven’t seen crazy things at the European festivals with fans.
RC: I guess it depends what you call crazy.
CB: Yeah, your idea of crazy may be different than mine. You may be like, “That’s totally normal.”
CB: What was the name of your first band?
RC: My first band ever was when I was 14 years old. We were called “Wild Heart.”
CB: Do you keep in touch with those guys?
RC: Kind of. I saw the other guitar player recently in
Florida. He has been a friend of mine forever. The rest of the guys I
have not spoken to in a long time.
CB: Do you play any other instruments?
RC: Yeah, I play drums. I play keys. I do our
programming when I need to. I just make noise basically. I can pretty
much get anything to sound decent. As a kid, I started out playing drums
so that has always been in my heart. I went to the guitar from that.
CB: Your parents were supportive of the drums in the house?
RC: Well they bought them. Yeah, my parents were
huge supporters of my music. My Dad is really into the music thing. It
was definitely a very healthy atmosphere growing up for creativity and
inspiration. There was always music around which was cool.
CB: I started hearing about Volbeat and
listening to Volbeat about two years ago when they were just coming to
the U.S. Obviously they are huge in Europe, beyond headlining. What do
you think is the biggest difference so far in the U.S. shows and the
RC: In the U.S. it is very much on the rise, the
shows over here are getting bigger and bigger and bigger. With them, we
did two legs, two U.S. legs and every show was killer. Back in 2010,
that is when I first met these guys with my other band, The Damned
Things, they took us on tour. That’s when I first heard the music and
met the guys and became friends. Even that tour was sold out every
night. It was an awesome tour. Volbeat is definitely on the rise in
America. In Europe obviously it is crazy. It is just a really good
feeling all around. There is a lot of excitement about this band and the
new record, just good vibes.
June 6 • U.S. Bank Arena
0 Comments · Monday, June 4, 2012
In July 2011, Esquire writer Andy Langer argued that
Little Dragon's sound bears great resemblance to Prince's.But
even with those similarities, Little Dragon is far too capable and
confident to ape another artist without showing its own personality. They are careful both when they go fiery
and when they chill out, and with an extra dash of the right je nais se quoi, their sound has legit potential to be big on the right radio stations.
by Deirdre Kaye
Posted In: Live Music
at 09:45 AM | Permalink
There are concerts that are fun and there are concerts that kick your ass. If you were at the sold-out U.S. Bank Arena Friday night for the opening date of The Black Keys first headlining arena tour, you probably got your ass kicked. First up, Arctic Monkeys caused a ruckus on the floor. Most (but not all) of the folks in the seats wandered around aimlessly or sat there, watching listlessly. There was certainly uproar in front of the stage, though. But as the English boys played, sang and sassed, the crowd in the arena filled in and loosened up. It helped that their lighting guys strobed the shit out of them, too. The seizure-inducing lights may have been Morse code for “Love Arctic Monkeys. Swoon over our accents.” If so, it worked. By the time Arctic Monkeys closed with “When the Sun Goes Down,” the crowd on the floor had nearly doubled and, at the very least, those in their seats were nodding their heads and smiling. Those boys put on a fun show. After spending the entire intermission only getting halfway through the beer line, nearly everyone gave up and fled to their seats when The Black Keys began. Not that anyone sat, though — they were all too busy dancing and freaking out. Strictly speaking, The Black Keys may not be from Cincinnati but it’s safe to say we treat them like hometown boys, anyway. Dan Auerbach (singing/guitar) even recalled playing Southgate House a few years ago. Upstairs. In the small room. From a titanic disco ball that lowered from the rafters (for only one song) to the graphics on the screens behind them, the show was far different from their days playing tiny rooms. With each beginning there was an outburst of recognition. The middles of songs gave way to dancing, flailing and air guitar (or drums) and each ending note was drowned out by thousands of shrieks, whistles and catcalls. Two things were learned last night. First, if you have any doubt about the amount of noise that one guitar and a set of drums can make, go see The Black Keys. Their albums don’t do justice to the sheer volume Auerbach and Partrick Carney (drums) are capable of producing. Second, you haven’t lived until you’ve heard an entire arena try to whistle. If you weren’t there, you missed the best kind of Friday night possible. If you were, you’re probably already making plans for the next time The Black Keys come to town.
Feb. 14 • U.S. Bank Arena
0 Comments · Thursday, February 2, 2012
New Edition in town on Valentine’s Day? Babies will be made (hopefully after
the concert). Inspired initially by the Jackson 5, New Edition’s “cute”
early material (“Candy Girl,” “Cool It Now”) gave way to a more
innovative sound that combined R&B and Hip Hop and helped pave the
way for the still-influential New Jack Swing movement.
Nov. 20-21 • U.S. Bank Arena
0 Comments · Monday, November 16, 2009
Oh, Phish, how do we love thee? Let us count the ways. We love Trey Anstasio's sublime guitar ministrations. We love Mike Gordon's rapturously fluid bass lines. We love Jon Fishman's percussive range, from subtle Jazz inflection to hammer-and-tong Rock thunder. We love Page McConnell's magnificent organ ... and his playing's pretty solid, too. And we'll love seeing the reunited band Friday and Saturday at U.S. Bank Arena.