by Savannah Burke
Beck helps end Forecastle's 2014 edition on a perfect note
The third and final day of Forecastle finally arrived. The fest’s weekend felt much longer than, well, a weekend, though each day seemingly flew by. By this point, the festival started to feel like home. I entered the media tent expecting familiar faces, waited like a patient puppy in front of its food bowl for happy hour, snagged a band interview or two and wandered from stage to stage. Despite my tired eyes, I knew that I could get used to this. Like all good things, though, Forecastle had to come to an end. But not before one last day of fun.I got to the fest just in time for The Weeks at the Boom Stage. After interviewing the band the previous day, I was looking forward to seeing what they would present live, and I wasn’t disappointed. A Southern-rooted band (Mississippi-rooted, to be exact), the Rock vibe was heavy with lead vocalist Cyle Barnes belting out his husky, Caleb Followill-esque lyrics. These young and rowdy dudes proved to be the perfect start to a sunny afternoon of music.I scooted away from the stage to browse through the artist tents behind me. As I’ve said, I’m a total sucker for band posters, so off to shop I went. Thankfully my new friend Coltin found me before I could spend too much and we made our way to happy hour in the media tent.It is quite possible that this is the most pizza I have ever consumed in a three-day period, but when free food calls, one must answer. After taking advantage of the day’s free amenities, Coltin and I attempted (and failed) to get into the Bourbon Lounge, so found our way to the Mast Stage for Brett Dennen. The songs that Dennen write are simple — They aren’t trying too hard, but they’re pleasant, and Dennen’s vocals tie everything together quite nicely. After several songs, though, it was time to wander again, so to the Boom Stage I returned.Trampled By Turtles was next on my list, as I was scheduled to interview them that evening. Day 3 was much hotter than the others — the cool breeze that carried us through Days 1 and 2 had left us, and bodies glimmered in the summer sun. If you’re getting the idea that this stopped anyone from basking in the heat for their favorite bands, you’re wrong. I realized this as TBT began their set, the audience dancing without hesitation. Perhaps this proves to be true for most shows, particularly at a festival such as this — our bodies ache, our feet hurt, we are “hangry,” but once the music begins we forget it all. We are taken to a different place. TBT did this for their audience as the incredibly fast-fingered Erik Berry on the mandolin drove the crowd wild. It was a sight to see. Day 3 required much more wandering on my part and floating between bands, so, knowing that I needed to at least catch a few songs from Jenny Lewis’ set, I made my way to the Mast Stage. Wishing my beagle Rilo (named after Rilo Kiley) was with me, I swayed to Lewis’ songs from her latest album, The Voyager, and was quickly reminded of why I fell in love with her old band some years back. Lewis is a little sassy and a lot of fun, rocking out on stage with her band dressed in white and rainbow suits. After a few songs it was time for my last interview of the fest.I met with a few guys from Trampled By Turtles in the media tent for a quick chat, though I was admittedly distracted by the sounds of Nickel Creek in the distance. I wrapped up our interview and bolted to the stage like I’ve never brisk-walked before. With a smile on my face and happy tear in my eye, I was thrilled to watch a band that I’ve adored since middle school. I cannot begin to describe how happy I was to see Nickel Creek, especially considering they played so much of their early material. Songs like “The Lighthouse’s Tale”, “Reasons Why” and “When You Come Back Down” from their 2000 self-titled album and “This Side,” along with the instrumental tunes from 2002’s This Side, were all featured, and each song sounded as perfect as the recordings. After so many years, Nickel Creek sounds as beautiful as ever and the band even has a new record out, A Dotted Line. I think I could have died a happy gal after seeing them.After Nickel Creek, until Beck’s Forecastle-ending performance, I travelled from stage to stage (mostly in search of food) and ran into Adam, a fellow photojournalism pal from school. It was nice to see a friend after only briefly seeing familiar faces throughout the day, so together we went to dance to Flume. It was quite literally a party under the freeway as the Australian DJ blasted his beats from the stage, hands in the air and a sea of bodies moving in sync. Once that set ended it was time for Beck, and Adam and I ran to the stage. Over the course of Beck’s first few songs we managed to weasel our way toward the front, getting closer to the main stage than I had been the entire weekend. There couldn’t have been a more perfect end to Forecastle. Beck sang the beautifully airy and springtime-sounding songs from his latest release Morning Phase, but didn’t fail to bring the party with old favorites like “Loser”, “Girl” and more, eventually ending the night with “Sexx Laws” for the encore. One would never realize that Beck has been at this for as long as he has. His energy was amazing; bouncing across the stage between band members, the party atmosphere was what we needed to wrap up the night (and fest). The audience was immense but was perhaps one of the friendliest crowd I encountered over the weekend — not sure if that’s due to the realization that our tired feet would soon get the rest they needed or perhaps it was just the booze. Either way, Forecastle ended with one of the best shows of the weekend, and we left on the perfect note to wrap up the fest.Things to know for Forecastle if you plan to go next year: Wear comfortable shoes. Know that if you come in sandals, you will leave with very dirty feet. Stay hydrated. Keep water with you, especially if the weather is as hot as Day 3 this year. Music festivals require long days, so don’t forget to take care of yourself.Come with a schedule. You can create a custom schedule on the Forecastle website and print it out, something that helped me immensely this year in keeping track of things. Don’t be afraid to go outside your comfort zone, though. Discovering new music is what festivals are all about!
by Mike Breen
Acoustic guitar phenom Andy McKee performs downtown tonight at the Ballroom at Taft Theatre. Admission is $18 for the 7 p.m. show which, unlike most Ballroom performances, will be a seated affair. Though he works his magic with just wood and strings, technology played a big role in McKee’s success story. About seven years ago, McKee’s label at the time posted on YouTube a few low-production videos of the fingerstyle guitar instrumentalist showcasing his compellingly original approach, which involves a lot of rhythmic slapping, alternate tunings, unusual fret fingering and other atypical elements. Those simple videos launched McKee — who counts players like Michael Hedges and Preston Reed among his biggest influences — into the the upper echelon of viral video sensations, not because of something stupid (like most super-popular YouTube videos), but because of his gripping acoustic wizardry. The clip below, featuring his composition “Drifting,” was one of the first posted; it now has more than 48 million views (other clips have a similarly stratospheric number of views).
McKee had released two critically acclaimed albums before 2005’s Art of Motion, which featured the songs that would make him one of YouTube’s biggest musical success stories. By the time 2007’s Gates of Gnomeria was released, McKee was able to successfully tour the globe and play for large audiences everywhere he went, something that continues to this day (though he slowed down just slightly when he and his wife welcomed their first child). The Kansas native moved up to the Razor and Tie label for distribution and would go on to found the Guitar Masters Tour, sharing the spotlight with other acoustic alchemists and also helping the next generation of players with various guitar workshops. McKee’s most recent release is 2010’s Joyland; on his website in June, McKee said that he will be releasing new material gradually over several months instead of saving up material for a single album release. • Tonight in the Taft Theatre’s big room, Trampled By Turtles returns. The Minnesota band has built up a huge following by eschewing most of the traditional music biz support systems, like record labels. The DIY success story is ongoing as the progressive Americana/Bluegrass ensemble’s popularity continues to skyrocket. The band just released its live album/DVD package Live at First Avenue earlier this week. Check out CityBeat’s preview of the show and then take a look at a clip from the new release:
Tonight’s show at the Taft starts at 9 p.m. with Nashville Indie Roots group The Apache Relay opening.Tickets are $22.50.• While it’s likely that most area fans of EDM are going to be checking out the big Ubahn Fest downtown tonight (and tomorrow; click here for details and previews), The Mad Frog in Corryville is also presenting a showcase of diverse, progressive Electronic music. Named after a mini-game within Nintendo 64’s Mario Party video games — a nod to 8-bit and gaming culture influences — Shy Guy Says is the work of rising Electronic music artist Jarrod Linne, who works out of Bloomington, Ind. Linne creatively mixes Hip Hop grooves and other elements with a multitude of EDM styles (Glitch, Trap, Electro, Downtempo House, etc.), never allowing himself to be easily pigeonholed by constantly exploring new sonic realms. The next Shy Guys Says release is the EP The Hellephant, coming out through the Rad Summer label. Look for the EP on Beatport this Monday and everywhere else Dec. 2. On Wednesday, TheUntz.com previewed the new EP track “Round 1 (They Meet).” Check it below:
Shy Guy Says will be joined by Indianapolis’ Magnetic for tonight’s Mad Frog show. Taking the same genre-blurring approach as Shy Guy, Magnetic’s DJ sets blend remixes of other people’s music with original tracks and are said to be uniquely engaging and energized. Rounding out tonight’s bill is another Indy artist, Kodama, and Cincinnati’s own Kaiten (aka Kurt Heer), who works with the label/promo group/management agency, Massive Detroit Records. Doors open at 8 p.m. and music begins at 9 p.m. Cover charge is $5.• Country music star Justin Moore pulls his tour into Bank of Kentucky Center tonight in Highland Heights, Ky. After performing in bands and writing songs for others, Moore scored a deal with Valory Music Group (part of Big Machine Records) in 2008. After a few successful singles, Moore’s self-titled debut album was released in 2009 and promptly shot to No. 3 on the Country charts and No. 10 on the overall album chart. Moore recently released his third album, Off the Beaten Path, which hit No. 2 on the album chart (and No. 1 on the Country chart). Read more about Moore in CityBeat’s preview here. And here’s the video for the new album’s single, “Point at You”:
Tonight’s Bank of Kentucky Center show features openers Randy Houser and Josh Thompson. The show starts at 7 p.m. Tickets range from $26.75-$39.75. Click here for more live music options in Greater Cincinnati tonight.
April 28 • Taft Theatre
0 Comments · Friday, April 20, 2012
Bluegrass band Trampled by Turtles was originally formed as a side
project so the original four members could take a break from their Rock
bands, but the exercise was comfortable and rewarding enough to warrant giving
up Rock and moving full-time to Bluegrass.
0 Comments · Wednesday, February 15, 2012
remodeling and reopening last year, downtown’s Taft Theatre already was
programming a more adventurous concert lineup than usual. This year, the
venue has already announced shows by more “mid-level” groups like Trampled By Turtles and JJ Grey & Mofro, both cult faves and Southgate alumni.
March 24 • Southgate House
0 Comments · Tuesday, March 23, 2010
Trampled by Turtles is no ordinary Bluegrass band. The Duluth, Minn., quintet coalesced seven years ago when vocalist/guitarist Dave Simonett and mandolinist Erik Berry started moonlighting as an acoustic duo outside of the confines of their local Rock outfits. They're about to release their fifth studio album, 'Palomino.'