by John Hamilton 01.15.2015
at 01:39 PM | Permalink | Comments (0)

Forgotten Classics: Ed Wood

Reviewing lesser-known films that stand the test of time

Last year, director Tim Burton released a film that many are considering his strongest film in a while — Big Eyes. It follows the story of the artist Margaret Keane (Amy Adams) her husband Walter (Christoph Waltz) and the scandal of Walter taking credit for Margaret’s famous ‘big eyes’ portraits. While the film itself is by no means perfect, I will say it is pretty good and it is awesome to see Burton do this type of film again. I remember hearing about this film early in 2014 and getting excited about it. For starters, it was a Burton movie that didn’t star Johnny Depp and Helena Bonham Carter, and it wasn’t a reimagining of anything (like Charlie and the Chocolate Factory or Sweeney Todd). But the defining factor that made me excited was the screenwriters, Scott Alexander and Larry Karaszewski. These two were responsible for writing what I think is Tim Burton’s best movie, Ed Wood. Sadly, it seems a lot of people aren’t aware of this film’s existence, which amazes me considering how big Tim Burton’s fan base is. Shot gloriously in black-and-white, Ed Wood tells the tale of Edward D. Wood, Jr. (Johnny Depp), who has been called by many the worst movie director of all time. And given how his resume consists of movies like Glen or Glenda, Bride of the Monster and the movie that has been labeled as one of the worst movies of all time — Plan 9 from Outer Space — it’s easy to see why he was given that honor. While this film does take jabs at the guy and his movies, it doesn’t beat him up or make him look pathetic; by the end of the film, you’ll be rooting for him and feel slightly motivated. Like a lot of biopics, this movie does take some liberties with real-life events. The script just focuses on the production of the three aforementioned films and nothing else. It portrays some of the people involved in a unpleasant light, the worst being Woods’ girlfriend and future songwriter Dolores Fuller (Sarah Jessica Parker). But I’m more than willing to ignore that, mainly due to what the story wants to do. This story is of a guy who keeps being told he shouldn’t make movies. People are constantly telling him his movie are terrible — at one point someone literally tells him that Bride of the Monsters is the worst film he’s ever scene. But Eddie keeps going. That’s what makes the film so strong: You cheer for Ed because, at one point or another, we have all felt like him before — especially those in the creative community. A recurring subject in Tim Burton movies is the social outcast, and Ed Wood features that in more than one front. We of course have Ed who is an outcast not only his bizarre filmmaking but also due to a lifestyle he has. What is it? To quote Ed himself, “I like to dress in women's clothing.” The film doesn’t exploit it to make you laugh at him (granted, seeing Johnny Depp wearing an angora sweater is funny), but the comedy comes more from people’s reaction. The only time Ed is used as the butt of a joke is when his almost infinite optimism shines in on an inappropriate time. The film saying, “Yeah, he’s an odd duck, but there’s nothing wrong with it.” A highlight of the film is the friendship Ed forms with the aging horror icon Bela Lugosi, portrayed by Martin Landau, who won an Oscar for his brilliant performance. He hopes that his newfound friendship with Ed (or Eddie as he calls him) will revive not only his stardom but the same love and passion he had for the craft back in the old days. Eddie ends up helping him in another way, but I won’t ruin it for you. One of the best scenes in the movie after the botched premiere of Bride of the Monster is when Lugosi thanks Ed and tells him how great it has been. Ed replies with, “I just wish you could’ve seen the movie.” Lugosi goes on say that he knows it by heart, then the camera tilts up, making the background resemble a theater, and he recites a speech from the movie gaining an applause from some bystanders at the end. The reason why this is one of my favorites is that it shows that even when go through dark times, we should still pursue our dreams. A quote from Orson Welles (portrayed by Vincent D’Onofrio, voiced by Maurice LaMarche in the movie) sums it up best: “Visions are worth fighting for.” Ed Wood is an amazing film that more people need to see.


0 Comments · Wednesday, October 3, 2012
Tim Burton goes back to an idea from his early days as a filmmaker, exploring the Frankenstein monster from the perspective of childhood. Young Victor, a more modern child, has the perfect pet that dies, so he endeavors to bring him back to life with a little lightning and a lot of love, but there are always consequences.  

Alice in Wonderland (Review)

Tim Burton's adaptation a big disappointment

0 Comments · Friday, March 5, 2010
It's expected that a 2009 adaptation of Lewis Carroll's Victorian-era 'Alice in Wonderland' and 'Through the Looking Glass' would engage in some major contemporary revisionism, and the biggest change in Tim Burton's new 3-D movie version is to make Alice the kind of defiantly strong-willed, proto-feminist, no-nonsense action-hero suitable for a PG-rated action-fantasy seeking to do 'Lord of the Rings'-level box-office business. It's a mistake. Grade: C.  

9 (Review)

Extending Shane Acker's short film improves its action, but not its story

0 Comments · Wednesday, September 9, 2009
The title refers to the number scrawled on the back of a rag doll (voiced by Elijah Wood) who wakes up with no knowledge of the world. Wandering through a crumbling, corpse-strewn city, he soon spots a similar figure marked as 2 (Martin Landau) and learns that a dangerous mechanized predator stalks the streets. Because '9' is an animated feature, it’s inevitable that some potential viewers are going to assume it's kid-friendly, which it most decidedly is not. Grade: B.