The Magician (originally released as The Face) is an unjustly overlooked Ingmar Bergman film, sandwiched between cinema monoliths The Seventh Seal and Wild Strawberries and early-’60s classics The Virgin Spring and Through a Glass Darkly. It’s as vibrant as any work in his oeuvre — an odd mix of drama, bedroom farce and horror deep with critical, religious and existential symbolisms.
