0 Comments · Tuesday, August 5, 2014
It was 35 years ago when I first heard
about a new Broadway musical, the story of a Victorian serial murderer whose
victims were ground up for meat pies. My first reaction to Sweeney Todd: The Demon Barber of Fleet Street was disbelief.
by Rick Pender
Posted In: Theater
at 11:24 AM | Permalink
There are several good theater choices south of the Ohio River this weekend.The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.
0 Comments · Wednesday, April 16, 2014
You won’t find cutting-edge material
onstage at the Carnegie. The theater’s managing director Joshua Steele
has mastered two elements: He collaborates with a wide array of local
theater artists and companies, and he produces works that are, by and
large, familiar fare.
0 Comments · Monday, December 23, 2013
How was 2013 as a year for plays and
musicals in Cincinnati? From where I stand — or sit, since I’m most
often in a seat at one of our local theaters — it stacked up pretty
0 Comments · Wednesday, December 18, 2013
New exhibitions director Matt Distel’s
first big show at The Carnegie gallery in Covington, Ky., which opened
last week, is important in its own right as well as for what it says
about Distel’s curatorial desires for the institution.
by Rick Pender
Posted In: Theater
at 10:42 AM | Permalink
The theater season
takes a bit of a pause around Thanksgiving, since many companies are readying
holiday productions. But there are plenty of choices available this weekend.
I'm not the only
one who enjoyed the laugh-fest that is The Complete History of Comedy
(abridged) at the Cincinnati Playhouse. I've heard numerous people who
saw it say they were recommending it to others. In two hours the Reduced
Shakespeare Company puts forth more humor than you can shake a stick at. (But
be careful shaking sticks. You might get a pie in the face.) No matter your
tastes in comedy — witty, loud or rude and crude — you'll find it in this
production. How about Abe Lincoln as a deadpan rapper? This could be a good
outing this weekend or a lot of fun for out-of-town guests who descend on you
next week. Tickets: 513-421-3888.
Tonight is an
opening at Cincinnati Shakespeare Company, the very frothy comedy Twelfth
Night. (It's subtitle is "or What You Will," indicating that
it's a lot of foolishness, which is an apt description.) In fact, Twelfth Night
is a beautiful piece with clever situations, amusing characters, a bit of
intrigue and a lot of mistaken identities. And several of the most laughable
characters Shakespeare ever created, from the bombastic Malvolio to his
persecutor Sir Toby Belch and Sir Andrew Aguecheek, plus the best of all
Shakespeare's fools, Feste. It's a safe bet that this is a production that even
those who fear Shakespeare will truly enjoy. Tickets: 513-381-2273 x 1.
If you're more
into storefront theater, you might check out the current production by
Untethered Theater at Clifton Performance Theatre on Ludlow, just east of the
business district. It's a tiny space (only 50 seats), but that makes it all the
more interesting. The current production is Wendy Macleod's The House of
Yes, a very dark comedy about a weirdly dysfunctional family. The story
focuses happens while there's a Thanksgiving hurricane outside, so it's timely,
too. Performances Friday and Saturday (through Dec. 7). Go here
This is the last
weekend for Boeing Boeing, a crazy farce about a guy juggling
three fiancees who happen to be flight attendants. It's at the Carnegie,
featuring performers from the drama program at UC's College-Conservatory of
Music. Tickets: 859-957-1940.
0 Comments · Monday, August 12, 2013
The Broadway revival of Chicago, the satirical show about
murder, celebrity and corruption, is the longest-running American musical in
Broadway history; the 2002 film of Chicago
won the Academy Award. All the more reason to make a call immediately
to the box office at The Carnegie in Covington to get a ticket for an
eye-popping local production.
by Rick Pender
Posted In: Theater
at 08:20 AM | Permalink
Production to complete the Carnegie's 2013-2014 theater series lineup
say whether the hills will be alive, but The Carnegie in Covington
certainly will be in January when it presents a "lightly staged"
production of Rodgers and Hammerstein's The Sound of Music in partnership with the Kentucky Symphony Orchestra. Presented Jan. 17-26, 2014,
under the direction of Brian Robertson and KSO conductor J. R. Cassidy,
the production continues a popular series that has appealed to
audiences at the Carnegie's Otto M. Budig Theatre.The story
of a free-spirited nanny who brings joy and love back to the family of
the Von Trapp family will be presented with an emphasis on words and
music in this "lightly staged" production. That means a minimum of
costumes, scenic design and props. The small orchestra will be onstage,
and the performers fully enact scenes and sing the score from memory as
they would in a full production.
production completes the Carnegie's 2013-2014 theater series lineup,
taking advantage of the renovated 465-seat Budig Theatre. Single tickets
for The Sound of Music are priced at $28 for adults, $19 for students.
The full series — which also includes the musical Chicago (Aug. 10-25); the comedy Boeing Boeing (Nov. 8-24), in a collaboration with CCM Drama; and the comedy Harvey (April 11-27, 2014) — can be purchased as a subscription for $63 to $69. For details, call 859-957-1940 or go to thecarnegie.com.
0 Comments · Wednesday, May 1, 2013
One national arts trend which Cincinnati
lags behind is the rediscovery of silent movies — especially the public
screening of them to live musical accompaniment.
At the helm of the local visual arts scene, Matt Distel explores new positions at Cincinnati Art Museum and The Carnegie
0 Comments · Wednesday, April 10, 2013
Matt Distel, an almost constant presence
in the Cincinnati art scene for the last couple of decades, suddenly
seems to be everywhere at once. But no, he’ll not be working three jobs