WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 
by Rick Pender 08.21.2015 7 days ago
Posted In: Theater at 10:32 AM | Permalink | Comments (0)
 
 
stage door 8-14 hundred days @ know theatre - id from left - lindsey mercer - abigail bengson -brian koch - shaun bengson -colette alexander - photo by daniel r. winters

Stage Door

A few end-of-summer theater choices

Theater slows down this time of year as most local companies are readying to launch their 2015-2016 seasons in September. You’ll find two newish productions on local stages — Company at The Carnegie in Covington and 9 to 5 at the Incline in East Price Hill. Stephen Sondheim’s Company is a solid production with a nice turn by Zachary Huffman in the central role of Robert. There are lots of well-performed tunes by a young cast and some able musicians. Here’s my review. I’m not so enthusiastic about the third show of the Incline’s inaugural season: 9 to 5 is a weak offering after the successes of The Producers and 1776. That’s largely due to a script that’s pretty stale and silly, as I mentioned in my review. It’s based on a 1980 movie about a chauvinistic boss and three women who give him his comeuppance. Dolly Parton played a feisty secretary in the movie and had a hit with its title song. When the movie became a 2009 stage musical, she wrote the songs. They don’t add much. Cincinnati Landmark must have pulled out all the stops for the first two shows this summer; this one looks like they cut some corners. These two productions continue through Aug. 30. This is the final weekend for Hundred Days at Know Theatre. This Rock opera has been an unqualified hit for the 18-year-old Over-the-Rhine venue. I gave it a Critic’s Pick and I’ve talked with several friends who have gone back to see it a second time. Abigail and Shaun Bengson sing their way through a tragic love affair — a marriage cut short by a terminal disease — that ends up feeling pretty joyous since they choose to celebrate their “100 days” as if it was the 60-year marriage they had hoped for. Great concept, great execution. Get a ticket if you can: 513-300-5669 Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 

The Carnegie Is Off to a Fresh Start with 'Company'

0 Comments · Thursday, August 20, 2015
It’s an ambitious artistic director who opens her first full theater season with a show by Stephen Sondheim. But Maggie Perrino has show biz in her blood — her father, Tim Perrino, is the force behind Cincinnati Landmark Productions — so she doesn’t do things halfway.   

The Cuckoo Clock Might Need Some Fine Tuning

0 Comments · Monday, April 13, 2015
When you hear the name Steve Martin, you surely think of a funny guy — "wild and crazy," in fact — both as an actor and a comedian. But he's also a playwright, and you have the opportunity to see one of his most amusing works at the Carnegie where The Underpants is onstage through April 26.  

Regional Artists Explore the Boundaries of Landscapes in 'Now Here'

0 Comments · Tuesday, March 31, 2015
Matt Distel’s smartly curated exhibition, Now Here: Theoretical Landscapes, is a broad sampling of more than 20 regional artists who mine personal and universal landscapes to present hypothetical meditations on locations of space and time.    

Carnegie Candy Land

Chefs and artists reflect the popular children’s board game at The Carnegie for 'The Art of Food'

0 Comments · Wednesday, February 18, 2015
There is absolutely nothing run-of-the-mill about The Art of Food exhibit opening Friday. The popular event is expected to attract as many as 700 guests. And it’s safe to say that this year’s over-the-top extravaganza with a Candy Land theme might be the zaniest ever.  

West Side Story (Review)

'West Side Story' demands singers and dancers — but youth is essential, too

0 Comments · Monday, January 12, 2015
Despite its cramped stage, The Carnegie’s staging of the show has many elements that pay homage to the original.  

Attend the Tale of Sweeney Todd

0 Comments · Tuesday, August 5, 2014
It was 35 years ago when I first heard about a new Broadway musical, the story of a Victorian serial murderer whose victims were ground up for meat pies. My first reaction to Sweeney Todd: The Demon Barber of Fleet Street was disbelief.  
by Rick Pender 04.18.2014
Posted In: Theater at 11:24 AM | Permalink | Comments (0)
 
 
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Stage Door: Weekend Theater Picks

There are several good theater choices south of the Ohio River this weekend.The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.
 
 

The Formula at Covington's Carnegie Is Working

0 Comments · Wednesday, April 16, 2014
You won’t find cutting-edge material onstage at the Carnegie. The theater’s managing director Joshua Steele has mastered two elements: He collaborates with a wide array of local theater artists and companies, and he produces works that are, by and large, familiar fare.  

Local Stages Kept Things Interesting in 2013

0 Comments · Monday, December 23, 2013
How was 2013 as a year for plays and musicals in Cincinnati? From where I stand — or sit, since I’m most often in a seat at one of our local theaters — it stacked up pretty well.  

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