There is this joke among black people —
remember first that humor about cultural diminishment ain’t funny and
not all blacks know one another — that says Black History Month is in
February because it’s the shortest month of the year.
With two buzzed-about awards shows coming
up this week — Sunday’s VMAs and the Emmys on Monday — this space would
typically be dedicated to one of those. In a selfish but necessary
decision, I must instead turn to True Blood, which ends its seventh and final season this week.
Chris Lilley is a master of disguise. The
Aussie multi-hyphenate creates, writes, directs and stars in
mockumentary-style comedies in which he plays a collection of diverse
characters — sometimes all at once.
While The Knick is a drama, written by Jack Amiel and
Michael Begler, its basis is in true medical history with the earliest
surgeons at the start of the 20th century. Director Steven Soderbergh paints a
beautifully grotesque picture of New York’s Knickerbocker Hospital, with
imagery that leaves viewers covering their eyes … only to peek through
Sex may still be considered a taboo topic
in America today, but 60 years ago many were completely in the dark
about what was going on “down there.” Researchers Bill Masters and
Virginia Johnson pushed to relate activity between the legs to activity
between the ears with the science of sex.
Prank shows are nothing new. Candid Camera spanned seven decades, Punk’d targeted celebs and now even Betty White has a prank show for old people called Off Their Rockers. Nathan For You (10:30
p.m. Tuesdays, Comedy Central) is pegged as a prank show or parody of
the dime-a-dozen business-rescue programs on today, but it’s actually
The haunting trailer for The Leftovers
(Series Premiere, 10 p.m. Sunday, HBO) sets the scene perfectly: A busy
mom, on the phone, secures her fussy infant son in his car seat before
buckling up and heading home. As she details the day’s schedule on the
phone, the baby cries in the background.