by Mike Breen
'Idol' grey fox wins and the only Cincinnati Bengal ever covered by Bon Iver turns 65
On this date in 2006, Taylor Hicks won that year's American Idol karaoke contest, laying waste to runner-up Katharine McPhee. Soul Patrol!!! McPhee would bounce back and is currently starring in the hit network TV show Smash. Hicks, of course, went on to superstardom, scoring major hits with songs like … oh, wait. What ever did happen to that guy? Best guess: manager of a suburban Applebee's somewhere? Post-Idol, Hicks did score a role in the traveling production of Grease and his self-titled album went platinum, but Hicks was dropped from his label in 2008 and hasn't been heard from much since. Last night, a fella named Phillip Phillips (no lie! that's his name!) won this year's American Idol, beating a lady named Jessica Sanchez. I must confess I've not watch one second of American Idol this year (or the year before, or the year before, etc.), but reading The New York Times story on him from today, it appears Phillips actually can play guitar pretty well and covered songs by Damien Rice and The Box Tops when he was allowed to chose his own material to perform. Will Philly Phillips be a star, post-Idol? These things are hard to predict (ask Taylor Hicks), but it seems — from my admittedly peripheral view — that Phillips is more David Gray or Dave Matthews than Clay Aiken or Adam Lambert. Born This Day: Musical movers and shakers sharing a May 24 birthday include creative Jazz saxman Archie Shepp (1937); American music icon Robert Allen Zimmerman, better known as Bob Dylan (1941); big-voiced and bigger-haired R&B diva Ms. Patti LaBelle (1944); producer and guitarist (with Stevie Nicks, Linda Ronstadt, Warren Zevon and others) Waddy Wachtel (1947); singer/songwriter and eldest daughter of Johnny Cash's, Rosanne Cash (1955); frontman for Soul/Funk group Cameo ("Word Up"), Larry Blackmon (1956); former keyboardist for Beastie Boys pals Luscious Jackson, Vivian Trimble (1963); bassist for Redd Kross and current member of old-school Punk supergroup OFF!, Steve McDonald (1967); guitarist for rockers The Black Crowes, Rich Robinson (1969); and singer/songwriter and Country artist Mike Reid (1947).Born in Altoona, Penn., Reid attended Penn State, where he excelled on the football field. The tackle finished fifth in Heisman Trophy voting his senior year (1969) and earned a Bachelor's degree in music. In the 1970 NFL draft, Reid was the Cincinnati Bengals' top first-round selection (seventh overall). Known for his pass-rushing, Reid was a dominant defensive player selected All-Pro at his position in 1972 and 1973 (both years he made the Pro Bowl, as well). In ’74, an injured Reid posted lower numbers and retired at the end of the season as the Bengals all-time leader in sacks with 49. (Remember, the Bengals had only been a team since 1968.)During the off-season, Reid played piano with orchestras in Utah and Dallas, as well as the Cincinnati Symphony Orchestra. With some help from Larry Gatlin, he was ready to go into music full-time after retiring from professional football. Focused on songwriter, Reid won his first Grammy in 1984 for writing Ronnie Milsap's "Stranger in My House." We would go on to write several songs that hit No. 1 on the Country charts, including "Walk On Faith," the only No. 1 he also performed. Reid's songs were recorded by the likes of Etta James, Conway Twitty, Willie Nelson, Alabama, George Jones, Wynonna, Lee Greenwood, Kenny Rogers, Shelby Lynne, Shania Twain, Oak Ridge Boys, Collin Raye, Alabama and Tim McGraw over the years. But his "time capsule" tune has to be his 1992 hit with Bonnie Raitt, "I Can't Make You Love Me," his biggest Pop chart success. Reid is a member of the Nashville Songwriters Hall of Fame. In honor of his 65th birthday, here's Reid's biggest song sung by himself, followed by a pretty chilling more recent version by Justin Vernon of Bon Iver.
Classic story lacks much plot, but it can dance
3 Comments · Thursday, January 22, 2009
The musical 'Grease' has been around for nearly four decades. It was fun and retro back in 1972, but 37 years later it's more like a cartoon, at least in the touring version currently at the Aronoff Center for the Arts.