May 9 • Taft Theatre
0 Comments · Tuesday, May 7, 2013
While his music is uniquely stylized, Lyle Lovett
was Americana before Americana music was cool. When he appears at the Taft Theater this
week, he will be with his all-star Acoustic Group, playing cuts off his
new album, Release Me, and more.
Warren Haynes and Gov’t Mule return to shake the rafters at the Taft Theatre
0 Comments · Wednesday, April 24, 2013
many groups who may draw a “music lesson” crowd that tends to sit on its
hands and complain when somebody dares to stand up and trance up, Mule
audiences rock it from note one. The band’s upcoming gig at the Taft
Theatre this weekend should be no exception.
March 27 • Taft Theatre
0 Comments · Monday, March 25, 2013
As the old adage says, “preparation meets opportunity” is
often the path to success in the music world. However, a little luck
doesn’t hurt, either. When you talk about the career of Ryan Bingham,
all of the above is true.
From jam band frontwoman to chart star, Grace Potter and her band keep focus on their craft
0 Comments · Wednesday, January 9, 2013
In 2010, after years of work in on the jam band circuit, Grace Potter and the Nocturnals
pushed their way into the mainstream with their eponymous third album for
Hollywood Records and the hit single, “Paris (Ooh La La).” With their latest album, The Lion The Beast The Beat,
Potter and her team seem to have their sights set on taking things to
an even higher level.
Jan. 11 • Taft Theatre
0 Comments · Monday, January 7, 2013
At age 14, Sean Scolnick started writing his first songs,
penning Nirvana-inspired missives about authority, school and “stuff that a lot of 14-year-old
kids probably write about.” Now in his early 30s, Scolnick doesn't
employ those subjects as inspiration anymore. Listening to his
story-heavy goulash of Folk and AltCountry reveals nary any traces of
Cobain and Co. at all.
Dec. 8 • Taft Theatre
0 Comments · Monday, December 3, 2012
The title of Wanda Jackson’s new album is Unfinished Business.
Really, Wanda? If anyone can claim to have finished business, it’s you.
Nov. 21 • Taft Theatre
0 Comments · Tuesday, November 20, 2012
There’s a case to be made that musicians often draw on
their acting skills as performers and that actors channel their inner
Rock star when working a crowd. Chris Isaak has totally blurred the line
between those two constructs.
• Instrumental Avant Metal veterans Earth bring their adventurous, spontaneous Dronecore to downtown tonight for a hypnosis session at the Ballroom at the Taft Theatre. Showtime is 8:30 pm. Stebmo, Earth collaborator and progressive Jazz pianist/multi-instrumentalist/composer Steve Moore, and psychedelic, noisy Doom duo Eagle Twin open the show. Tickets are $15.Guitarist Dylan Carlson gave birth to Earth in Olympia, Wash., circa 1990, and remains the only original member in a band that has seen numerous lineup and stylistic shifts. The group put a pair of albums out on Sub Pop during the "Grunge Revolution" (which they had little in common with), got booted from the label briefly and then welcomed back for three more albums. While Earth's aggressively experimental sound didn't quite fit the Grunge buzz, the group actually used the genre's concept of "slowed down Hard Rock and Metal" and took it to the extreme, decelerating even more and replacing Grunge's Punk and Garage influence with inspiration from avant grade composers and musicians and Carlson's singular vision.Earth didn't survive the ’90s but returned in the early ’00s to start a run that has included several releases for Southern Lord Records, a haven for "Metal" artists on the more experimental side of the music. Earth's latest release is the improvised Angels of Darkness, Demons of Light II, the follow-up to part I (and actually recorded at the same time) which has been praised for its gradual, natural exploration of different tones and approaches. Earth's trippy, glacial sound on Demons of Light II is infused with evocative cello and smoky atmospherics and often sounds like a new slant on modern Jazz, something Mingus might have come up with had he been into Black Sabbath. Here's Demons II track "The Corascene Dog":• Acclaimed by both fellow artists, critics and her dedicated fan base, Iris Dement has been one of the more compelling singers in the Americana movement since she put out her first album in 1992; her mesmerizing voice has a timeless soul that recalls the best early Country female vocalists. Dement's sound has evolved and taken detours over time. After two straight-forward Country/Folk Pop LPs, the 1996 album The Way I Should showcased a Rock vibe and some serious political commentary. She followed that up by collaborating with John Prine on his In Spite of Ourselves album, which scored her a Grammy nomination, but Dement took a break from music after that. In 2004, Dement returned with her first album in eight years, Lifeline, released on her own label after her Warner Brothers contract expired. But Lifeline was primarily a collection of centuries'-old Gospel covers. This year, Dement released Sing the Delta, her first album of new material in 16 years. The songs harken back to that purity of her first couple of albums, but also shows how Dement has matured as a composer and performing. She writes with more confidence and has become an even better lyricist, creating an album that is mournful, poignant and poetic. Dement performs tonight at the 20th Century Theatre in Oakley with The Tillers, one of Cincy's finest Folk acts who are coming off of a successful release party for their recent live album. Showtime is 8 p.m. and tickets are $25-$30. Here's DeMent's "Go On Ahead and Go Home" from Delta. • Milwaukee-based Psych rockers Moss Folk perform a free show tonight at MOTR Pub in Over-the-Rhine with like-minded locals Children of the Emerald Fire. Showtime is 10 p.m. Formed in Michigan in the mid-’00s by founder Andrew James Shelp, Moss Folk entrancingly collages influences into a sound that draws from a wide range of music that could fall into the "Psychedelic" category. You'll hear elements of Kraut Rock, Pink Floyd, World music, Tangerine Dream and Spacemen 3 mingling in Moss Folk's ambient, hypnotic melange and the band has been known to match the lysergic sonics with fitting visuals (from video projections to cameos by various non-musical performing artists). Here's a live clip of Moss Folk: moss folk - red from brownshoesonly on Vimeo.• Tennessee ElectroJam/Livetronica trio Arpetrio performs tonight at The Mad Frog in Corryville. The show starts at 9 p.m. with locals Don't Fear the Satellites. Admission is $5. Bringing their Rock and Jazz chops together with a creative technological prowess, guitarist/keyboardist Alex Mindermann, bassist Trent Little and drummer Wes Taylor have performed with the likes of EOTO, Papadosio and RJD2, as well as at numerous Jam fests across the country. The group's fluid sound and deft use of loops, synths and samplers puts them on par with some of the bigger artists making this kind of warm, spontaneous, beat-heavy Trance/Fusion (Sound Tribe Sector 9, The Werks, Big Gigantic, etc.). Click below to sample the group's 2012 release Triggology, then click here to download your very own copy for free. Triggology by ArpetrioClick here for even more live music events tonight in Greater Cincinnati.
by Amy Harris
American music legend's final tour comes to Cincinnati Sunday
Singer/guitarist Glen Campbell is truly Country music’s “Rhinestone Cowboy.” Starting out as a masterful, much-used session musician, in the ’60s and ’70s, Campbell represented the genre as one of its premier stars and was also embraced on the pop charts, scoring huge crossover hits with singles like "Wichita Lineman," "Galveston," "Southern Nights" and "Rhinestone Cowboy." This past year, Campbell's 50 years in the music business was celebrated at the Grammys, where he was given the Grammy Lifetime Achievement Award and honored with a musical tribute by The Band Perry and Blake Shelton that was capped off by Campbell joining the musicians for a version of "Rhinestone Cowboy."After his Alzheimer’s diagnosis in the summer of 2011, Campbell decided to hit the road one last time while he still could. After releasing the collaborative album Ghost on the Canvas (featuring covers of songs by modern artists like Jakob Dylan, Teddy Thompson, Paul Westerberg and Guided By Voices' Robert Pollard), Campbell kicked off his extensive “Goodbye Tour," which comes to the Taft Theatre in downtown Cincinnati this Sunday. For ticket info, click here. CityBeat was privileged to have the opportunity to speak with Campbell about changes in music from when he started to today and how close he stays with his family on tour. CityBeat: How did you choose songs and artists to collaborate with on Ghost on the Canvas?
Glen Campbell: Julian Raymond is my producer. He found the majority of the material. However, he kept notes of things I said or did and some of this material makes its way into the album. (Closing track) “There’s No Me…Without You” is an example of this. CB: What has it been like to see the changes in music technology from vinyl to 8-track to cassette to CD to IPod? Do you think music sounds better or worse with the new technology, analog vs. digital? GC: It has been wonderful to see all of the technological advances with recorded music. I think the music sounds better with the new technology. CB: You are often highly autobiographical in your own songs. Do you regret ever sharing any of your stories through your music or songs?
GC: I have no regrets about the autobiographical songs I recorded.CB: Are your children still on tour with you? What is the best part of having them on the road with you?
GC: My son plays drums for me. Shannon is on guitar and Ashley plays keyboards and bass. It’s wonderful sharing the stage with them. I love it. They are terrific musicians in their own right. The best part of having them with me is that our whole family and my wife Kim are all together and doing great shows which people have warmly embraced.CB: What is your favorite guitar solo on any recording that you have done?
GC: One of my favorite guitar solos I recorded was for Frank Sinatra on his “Strangers in the Night.” I also like my guitar solo on “Wichita Lineman.” Jimmy Webb never finished the song so I just filled the hole with the guitar solo.CB: What is your favorite guitar to play?
GC: Ovation.CB: What is the longest time you have gone without playing guitar?
GC: I play every day.CB: Would you ever consider playing with a Beach Boys reunion? (Campbell filled in for Brian Wilson on tour in the mid-’60s and recorded on Pet Sounds and other records.)
GC: I would not want to do a Beach Boys reunion at this point. They just celebrated their 50 years together with a big tour. I think that more than covered it.CB: How has music helped you cope or deal with your Alzheimer's diagnosis?GC: The music has brought me much joy and comfort.
Nov. 9 • Taft Theatre
0 Comments · Monday, November 5, 2012
Very few people fit the true definition of prodigy, but
Joe Bonamassa could be the poster child for prodigies. By age 7, after
three short years of playing guitar, Bonamassa was regurgitating
note-perfect renditions of Stevie Ray Vaughan and Jimi Hendrix.