by Mike Breen
29 days ago
Cincinnati singer/songwriter emerges for a rare performance tonight with Mark Olson
Outside of singing at his church occasionally, brilliant Americana singer/songwriter David Wolfenberger
hasn’t performed in the area for quite some time. After working with the group The Marshwiggles in the late ’90s, Wolfenberger put out three stellar solo albums between1999-2006, earning him high praise both domestically and abroad. But besides occasional performances and scant new material (what he has released has been for charity), the 1999
Cincinnati Entertainment Awards winner for Artist of the Year has kept a low profile for the past several years.Tonight, Wolfenberger is coming "out of exile"
to join an old friend in concert. Wolfenberger is re-teaming with Mark
Olson, half of the brain trust behind the best work of The Jayhawks, at
Newport’s Southgate House Revival. Wolfenberger
toured extensively with Olson in the early ’00s as a member of The Original Harmony Ridge
Creekdippers, the group Olson formed with then-wife Victoria Williams
after he left The Jayhawks. Wolfenberger opens tonight's show with a solo, acoustic set at 8 p.m. and he
will also join Olson during his set (along with Olson's current touring partner — and wife — Ingunn Ringvold). Tickets are $12 at the door. Wolfenberger has been posting some of his older material on his Reverbnation page and, in an email, he said he will be posting new songs "on occasion in the future." Here's one of his earlier cuts, "Tentatively Vince Foster," from his 1999 solo debut, Tales from Thom Scarecrow, released on the local Blue Jordan Records.Get Band email for free at ReverbNation.com
Heavy Northern Kentucky rockers Moonbow release anticipated debut album
0 Comments · Wednesday, October 30, 2013
With their singer finished with his run on TV's Survivor and the rest of the members' schedules aligning, The End of Time, the debut full-length from heavy Northern Kentucky band Moonbow, is finally released.
by Mike Breen
52 days ago
• The first time I saw Neko Case was a complete accident. I
was in Chicago around the most recent turn of the century and went to
see Indie Rock singer/songwriter Edith Frost at the small (but popular)
club Lounge Ax and Case and her “Boyfriends,” as her backing band was
then called (really Canadian Roots rockers The Sadies), opened the show
with a great set. Though I’d heard of Case, seeing her live was
revelatory — the singer/songwriter (also part of Canadian Pop collective
The New Pornographers) has one of the most soulful, mesmerizing voices
in music today and, once I’d heard it, I was hooked for life. Case’s
transcendent pipes are only comparable to legends like Patsy Cline
(though Jenny Lewis has made quite the solo career aping Case).
Working in a folksy musical realm (though not tethered to
any specific style), Case has yet to release a bad album, though her
latest for Anti- Records, the recent The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You,
has received mixed reviews (likely more indicative of a press corps
bored with her astonishing consistency than the actual album itself,
which is excellent). I’ve seen Case numerous times since that happy
accident in Chicago — including dates at Chicago’s Metro and at
Newport’s Southgate House — and I’ve never left in any other state
Case comes back to the Cincinnati area tonight for a show
at downtown’s Taft Theatre (her largest local appearance yet) with
special guest and fellow red-headed singer/songwriter Karen Elson.
Tickets are still available for $35 at the door.
Check out Jason Gargano's feature story on Case from this
week's CityBeat. Here's the "lyric video" for The Worse Things Get track
"Night Still Comes."
• Over the past two decades, Built to Spill has become a legendary cult band, remaining a solid concert draw across the nation and
releasing some of the most brilliant guitar-driven Indie Rock albums of
the ’90s and ’00s. Led by singer/guitarist Doug Martsch, BtS formed in
Boise, Idaho, in the early ’90s, and worked with a lot of Pacific
Northwest musical institutions on its way up. In 1995, as the major
labels were winding down their signing frenzy in the wake of Nirvana's
huge success (signing seemingly every band even loosely associated with
the words "Seattle" or "Grunge"), Built to Spill inked with Warner
Brothers Records, which has released six stellar albums by the band
since 1997, including the crew's masterful debut for the label, Perfect
From Now On, and 2009's There is No Enemy, the group's most recent album.
Like label mates The Flaming Lips, BtS has been the rare
band that has sold consistently enough to remain signed to a major label
for well over a decade thanks to the consistent quality of its work,
heavy touring and an incredibly dedicated following. It's refreshing to
see a big-time label stay so loyal to a group that will probably never
sell a million copies and even more probably won't ever have a big hit
single. (Despite rumors, BtS is not breaking up; a new album is in the
works and expected by the end of 2014.)
Built to Spill performs tonight at Newport, Ky.'s
Southgate House Revival with guests Slam Dunk and Genders. Showtime is
8:30 p.m. and tickets are $25 at the door.
CincyPunk Fest to be first shows at Southgate House Revival, Cincinnati Metal Family Reunion rocks Reading and Vacation comes home
0 Comments · Wednesday, October 10, 2012
This weekend's CincyPunk Fest is now set to be first event at the new Southgate House Revival after an aborted opening last weekend, plus Cincinnati Metal Family Reunion rocks Reading and Vacation comes home
Weekend shows for anticipated Newport club's grand opening halted
The grand opening for the Southgate House Revival, the new venue from the former owners/operators of Newport's beloved Southgate House, has been canceled. The club was supposed to open tonight, but it has been announced that this weekend's shows (including tomorrow's album release party for The Newbees' latest) are to be rescheduled. We'll update with any information we hear as soon as possible, but it appears the CincyPunk Fest scheduled for next weekend is still on for now.The Southgate House Revival's Facebook page made the announcement around 4 p.m. this afternoon. Here's the post:"ATTN: Biggest bummer post-summer? Our grand
opening weekend has been postponed. This weekend’s shows have to be
delayed due to a few last minute construction challenges. We
are completely committed to opening the right way to make your
experience the best it can be. We just can't in good conscious present
anything below the very best. Says Morrella: “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern
will always be to make sure that it is safe and ready for public
occupation. The City of Newport, our wonderful construction crews and
crew of volunteers have all been working very hard to make this happen.
We thank them so much. We look forward to seeing everyone next weekend
for CincyPunk Fest. We will announce rescheduled dates for these shows
very soon.” Anyone who had pre-purchased tickets for this
weekend’s dates may be issued a refund through ticketfly.com or may hold
on to their original tickets for the soon to be announced rescheduled
dates"UPDATE: Here's the press release sent out: The grand opening of the Southgate House Revival at 111 East Sixth Street in Newport, Kentucky scheduled tonight at 9 p.m. and The Newbees CD Release show scheduled for tomorrow night, Saturday, October 6 have been postponed. This weekend’s shows had to be delayed due to a few last minute construction challenges. The 1866 property, the former Grace Methodist Episcopal Church, has been under a massive renovation since May that includes all new electrical, plumbing and HVAC systems, as well as roof repairs and new flooring. “We set a very ambitious goal,” said Morrella Raleigh “and we were very, very close.” “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation.The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”
New space for Southgate House set to open Friday
0 Comments · Wednesday, October 3, 2012
After hosting their last, bittersweet
blowout concert at the Southgate House just across from Newport on the
Levee on Dec. 31, the Raleigh family, which operated the venue for years
and brought it to regional (and national) acclaim w, is ready to open their new venue in Newport this weekend.
The returns of the Southgate and Whispering Beard festival, plus a tribute to Bones
0 Comments · Wednesday, August 22, 2012
A “new” Southgate House is booking shows and
nearly ready to open for business. The new Southgate
House Revival is located at another historic Newport property, the
former Grace Methodist Episcopal Church and opens for business Oct. 5.
by Mike Breen
Former Southgate House locale hosts first concert under new management
Tonight, the Venue Formerly Known As The Southgate House hosts its first big show. The Thompson House — as it's now called after a family dispute went to court and resulted in the longtime operators getting the boot and the owners of faux-strip club the Brass Ass taking over — opens its doors tonight to the public for a 7 p.m. concert headlined by modern Ska/Reggae revivalists The Aggrolites.A recent Enquirer story about the "new" venue drew an avalanche of comments, the vast majority of which suggested that those who were fans of the Southgate House despise the look and direction of the Thompson House, with its purple decor and Rock star murals. Check out this pic from the Thompson House's website:But the new venue's origins and the relative abruptness of the closing of the Southgate House is angering people more than the color scheme. The wall colors are just purple icing on the cake, so to speak. The Thompson House has been developing a schedule that seems to be attempting to mimic the eclectic nature of the old Southgate House — a little Jazz, some open mic stuff, a Hard Rock band, some Metal, some Country. Often, the Southgate House's eclectic nature harvested a following whose tastes crossed over. And as diverse as the bookings were, rarely were there shows at the old club that made you go, "Why would they bring THAT show to the Southgate." For much of its run, whoever was booking the Southgate House seemed to have good and, more importantly, consistent taste in a wide-range of music. They wouldn't just book a random Country band; they'd book an interesting, great or unusual one. The Thompson House bookings so far seem like they will be able to attract a varied audience. But can the people who, say, go to the Blue Wisp Jazz Club every couple of weeks and will probably enjoy the local Jazz lineup at the venue feel at home going to the same club as the younger music lovers who used to hang out at The Mad Hatter (or its current occupier, Bangarang's of Covington) to watch Hardcore and Death Metal bands? We'll see. I have clubs that I like to go to more than others, but I have never gone to a concert because of where it was being held. And I've never not gone to see a concert at a venue I don't feel as comfortable. But I would be less inclined to frequent a venue if I have a bad experience and I'd be less likely to just roll the dice and take a chance on a show at a venue in which I don't feel comfortable. I understand the passion of the Southgate lovers who insist they'll never set foot in the Thompson House, but if a band comes to town that you'd like to see, or your favorite local artist is performing in the "Rock Star Lounge" some night, you'll be hurting those artists as much as the new owners. Over the years, I've had club owners or promoters be dicks to me and occasionally have reached the point of anger where I momentarily think, "Screw them, I'll never write about one of their shows again." But it passes quickly. I've never "blacklisted" a club or promoter, no matter how big of an a-hole their employees are, because I've always felt that it would be unfair to both the musicians that work with them and the music fans who would like to know about the concerts they're promoting. Like I said, I can totally understand the urge to boycott — I haven't stepped inside Clifton movie theater The Esquire since they "banned" CityBeat and its film critic from the theater after we reported how the operators had censored a raunchy part of a film without permission and without informing the audience of the edit. It's just one of those "principled" stands we all take and whether they are "rational" or not is relative and personal. (I'll admit that not going to the Party Source for several years after a manager was a jerk to me there was a little silly … but it made me feel a little better.) Perhaps the hope is that if all these people who say they'll never go to the Thompson House actually don't, the club won't survive. But, from the bookings so far, a big chunk of the Southgate House's old clientele would never have been interested in the Thompson House bookings anyway. And if the Thompson House fails, someone might just come in and turn it into a Toby Keith's I Love This Bar and Grill.Me? I'm leaving the door open. I won't be there tonight, though I am a fan of The Aggrolites (and local openers The Ohms and The Newport Secret 6 are excellent, as well). I just have other plans. But, out of sheer curiosity alone, I will step foot in the Thompson House. And when there's music there I want to check out, I'll step foot it in it again and again. I miss the old Southgate House as much as anyone and I really appreciate the efforts of the previous owners, but I'm not going to deprive myself of a good concert experience. I mean, I never stopped going to Bogart's, even when it was the source of some of the worst concert experiences I've ever had.Although when the Thompson House starts hosting the "Thompson House-produced country (music) revue show, 'Through the Years,' " as the Enquirer reported, I'll probably pass. I'm loyal to Kings Island when it comes to cheesy musical revue numbers. Tickets for tonight's show are $13. You can buy them here and pick them up at Will Call (or buy them at the door). Click here to see who else is performing at the Thompson House, as well as some of the specialty nights.
by Mike Breen
The Thompson House books The Agrrolites and Smile Empty Soul
It looks like the Thompson House, the venue that is taking the place of the much-beloved Southgate House in Newport, will be open by May. Ticketweb has advanced tickets on sale now for a May 18 concert by trad Ska/Soul revivalists The Aggrolites and Punk Bluegrass band Old Man Markley, as well as a May 27 booking featuring "post Grunge" group Smile Empty Soul. Former Avail singer Tim Barry also has a May 12 booking in the "Parlour" listed on his website.A lot of Southgate House diehards have made it clear they won't be attending anything at the "new" venue, staying loyal to the former owners and management, who promised a new "Southgate House" would be reopened by the first quarter of 2012. (For those not so good at math, the first quarter of 2012 ended this past Saturday.) Photos emerged online of some of the interior redesign going on in preparation for the Thompson House opening and it's been a bit of a gut-punch for those who loved the old House, with a gaudy purple and gold color scheme and a lot of the vintage appeal (and woodworking) stripped away. (Check out some pics on the Facebook of former SGH bartendress Kristen Kreft, also a local musician with the band The Perfect Children.)So what say you? If the Thompson House books a show you really want to see, will you attend?
Favorite music club not where you left it? We’re here to help.
0 Comments · Wednesday, February 29, 2012
It seems like in the past, Cincinnati had a reputation for
being the kind of place you could move away from for a decade knowing
that when you returned, the gas station, grocery store and drinking
establishments would be there waiting for you, exactly as you left them.