by Steven Rosen
122 days ago
Rock & Roll Hall of Famer with Small Faces/Faces plays Southgate House Revival this Wednesday
Ian McLagan, who performs at Southgate House Revival on Wednesday, is a Rock and Roll Hall of Fame inductee. And for good reason.In 1965, he replaced one Jimmy Weston as keyboard player in Small Faces, one of the two great Mod bands (the other was The Who) who captured the youthquake mood and sense of liberation that swept the Swinging London of the mid-1960s. In Britain, Small Faces had hit after hit featuring vocalist/guitarist Steve Marriott — “Sha-La-La-La-Lee,” “All or Nothing,” “Tin Soldier,” “Lazy Sunday,” “Here Come the Nice,” “The Universal” and more. Their one U.S. hit, the psychedelicized “Itchycoo Park,” has been a Rock-radio staple from the day it hit the charts in 1967.When Marriott departed, the remaining group members — McLagan, bassist Ronnie Lane and drummer Kenney Jones — decided to carry on by recruiting two members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. Called Faces, they became one of Britain’s most successful bands of the early 1970s with their rough-hewn, pub-friendly style of rowdy-yet-tender acoustic-electric Rock. Among their classics are “Stay With Me,” “Cindy Incidentally” and “Ooh La La.”With all the talent in that band, it didn’t stay together too long. Stewart’s concurrent solo career got too big, while Wood was wanted by The Rolling Stones and Jones by The Who. McLagan, whose vocal duties were limited in Small Faces and Faces (who were simultaneously inducted into the Rock Hall in 2012), became an in-demand session and touring keyboardist for Bonnie Raitt, Billy Bragg, Bob Dylan, The Rolling Stones and many others. He also began occasionally releasing his own mostly small label albums, solo and with The Bump Band, that showcased his ruggedly naturalistic voice and songwriting talents. He has lived in Austin, Texas, since 1994, after moving to the U.S. from Britain and living in L.A. for 16 years. At the time of his Austin move, Lane was also there. But the latter’s worsening multiple sclerosis soon prompted a move to less-humid Trinidad, Colo. In fact, Lane already was planning that move when McLagan told him he was coming to Austin. So their time together in the same town only lasted for one and a half months. Lane died in 1997. McLagan’s solo career took a great leap forward with 2009’s Never Say Never, filled with sometimes-rueful, sometimes-redemptive songs, melodic and rhythmic, prompted by the loss of his wife, Kim, in an auto accident. The songs have some of the majesty of Paul McCartney’s “Maybe I’m Amazed,” another high point of early-1970s British Rock.That album, in turn, inspired the label Yep Roc — home to still-vital veteran singer/songwriters like Nick Lowe, Dave Alvin and Robyn Hitchcock — to distribute his follow-up, this year’s fine United States. It’s been getting rave reviews and is helping McLagan finally emerge as a bandleader.The album is bringing McLagan (with Bump Band bassist Jon Notarthomas) to Southgate House Revival in Newport Wednesday. As far as he can recall, this is his first show as a headliner in the Cincinnati area since his first solo album, Troublemaker, came out in 1979.“This year I’ve toured as much as I have in last 10 years,” the affable, sunny-dispositioned McLagan says in a phone interview. “Now I have a record company that wants me to tour and that’s great.”It’s also a little strange. McLagan, 69, is a member of British Rock & Roll royalty — of the same generation, and often friends with, those who have been arena-filling superstars for six decades and counting. Yet his Cincinnati area date is surprisingly low profile, with little advance publicity. (For a variety of reasons, Southgate House didn’t announce it until just two weeks before the show.)It’s an odd situation. He’s been making music professionally for 50 years, yet is still establishing himself as a touring attraction. “The funny thing is, if I’d made several albums in the 1960s and had some success, the people that like my albums now would have grown up liking them,” McLagan says. “I didn’t have that, and I realize I’m stumbling around this wonderful world trying to attract attention now. “It’s pretty funny, really. But I just love what I do,” he says. “I am so blessed that all I’ve done in my professional life, since I was 17-18, is play music and somehow make a dollar here and there.”One thing that remains constant in McLagan’s shows — in his psyche — is his love for his late wife. He met her when she was estranged from husband Keith Moon. He always performs several songs from Never Say Never. “I sing to my wife; it helps me,” he confides. “She was my muse. I’ve written so many songs about her, to her, with references to her, and still do. She’s a big part of my life. We were together for 33 years. It actually does me good — she’s with me all that time in that way.”Even though McLagan isn’t that famous as an individual, he was in groups whose records sold millions. So shouldn’t his royalties afford him such a cushion he can treat work like a hobby?“Ha, ha, ha — you’re very funny,” he replies. He explains Small Faces were on a modest salary that was paid by their manager, Don Arden, with knowledge of their Immediate record label’s head, Andrew Loog Oldham. They never got royalties during the band’s lifetime.McLagan joined Small Faces in 1965 after original keyboardist Weston left following the group’s first British hit, “Watcha Gonna Do About It.” Although it wasn’t why original Small Faces keyboardist Weston left, he had been the only member of the original lineup who wasn’t actual small, height-wise.McLagan, who was, had been gigging with more Blues-oriented groups, including one led by Boz Burrell (future King Crimson and Bad Company member). “They got me because they read a review of a show I was in with another band that said I played Hammond organ and I was really good, and it had a photograph with my name under it," McLagan says. “But it wasn’t a photograph of me, it was of Boz Burrell. So when they saw me, they laughed and Steve picked me up because they hadn’t known I was short. How cool is that? They said, ‘He doesn’t look like his photograph but he looks all right.’ ”Arden asked McLagan how much he was earning and he said five pounds (the British currency) a week, a very small sum. So he offered McLagan 30 pounds during probation and then an even split with the others. “He was showing off,” McLagan says. “I was thinking, ‘Wow, I’m a millionaire.’ Eventually, I asked Ronnie Lane, ‘What’s going on? Am I still on probation?’ They knew nothing about it. We went up to the office and Ronnie said to Don, ‘Hey, Mac’s in the band, all right?’ My money went down to 20 pounds a week — that’s what they were getting! We never got anything other than 20 pounds a week for two years and then it was 50 pounds a week. Since 1997, we now get our royalties. Of course, Small Faces albums are not selling in the amount they were when we didn’t get paid, but we are at least getting something.“But you know what? It didn’t fucking matter,” he continues. “I’m earning every day, Don Arden’s dead, Andrew and I have made up and we’re friends. The money’s gone so move on.”As for the Faces, McLagan says their record label — Warner Bros. — does pay. But it’s been slow to release archival product. The four-disc Warner/Rhino retrospective Five Guys Walk into a Bar came out back in 2004.“The Faces sell a little bit but Warner Bros. are such a bunch of idiots because they didn’t realize if we haven’t got records out we can’t make any money,” McLagan says. “It’s taken a while, but there should be a Faces live album … out next year.”The album was recorded in the States during the Faces’ heyday. “We’ve just discovered this recently,” McLagan says. “We recorded it and completely forgot about it. I heard a couple tracks and it sounds really good.” McLagan then reveals an enticing possibility. “Hopefully we’ll tour behind it,” he says. “Rod’s keen, I’m keen, Kenney’s keen and Ronnie Wood is keen, so I don’t see anything in the way of it.”In the meantime, McLagan’s Wednesday show at Southgate House is a rare chance to see this great Rock & Roll musician in an intimate setting. (Click here for ticket info.)
Plus, Kiss keeps raising the drama bar for its Rock Hall induction and The Nuge promises to watch his mouth
0 Comments · Wednesday, February 26, 2014
Nicki Minaj gets sued for $30 million over some wig designs, Kiss can't get it together enough to perform at its own Rock and Roll Hall of Fame induction ceremony and Ted Nugent kind of apologizes for calling the president a "subhuman mongrel."
Heart rides Hall of Fame induction and Led Zeppelin tribute into a hot summer tour
0 Comments · Tuesday, July 2, 2013
Heart has had huge
success, selling more than 35 million albums and notching 21 Top 40 hit
singles, headlining the biggest arenas along the way. The Wilson sisters
in particular have had a major impact on music as well, helping open
doors for several generations of female artists.
0 Comments · Tuesday, April 17, 2012
Should Cleveland be offended that almost every major act
being inducted into the Rock and Roll Hall of Fame last weekend had at
least one no show? The Ohio city is supposed to get the induction
ceremony every three years now, but given how many honorees played hooky
this year, should the Rock Hall be thinking of, say, taking their
talents to South Beach?
by Mike Breen
Eddie Cochran dies at 21 and 'Don Kirshner's Rock Concert' says no to lip-synching
On this day in 1960, Rockabilly idol and Rock & Roll trailblazer Eddie Cochran died while on tour in the U.K. at the age of 21. On the night of April 16, Cochran was in a taxi when it blew a tire and crashed into a lamppost. Cochran was reportedly thrown from the vehicle when he dove on his girlfriend, songwriter Sharon Sheeley, to shield her and went out the car door that had been flung open. He died in the hospital the next afternoon. Also in the car was fellow rocker Gene Vincent, who survived the crash but suffered serious injuries. It's hard to overstate how influential Cochran was in the development and increasing popularity of Rock & Roll. A member of the Rock and Roll Hall of Fame and Rockabilly Hall of Fame, Cochran is responsible for such indispensable Rock staples as "Summertime Blues" and "C'mon Everybody," and influenced and/or was covered by artists like The Who, The Rolling Stones, Led Zeppelin, Bruce Springsteen, T. Rex, Hendrix, Rush, The Sex Pistols … pretty much the entire first decade of Rock and Roll Hall of Fame inductees. Legend has it that Paul McCartney elbowed his way into John Lennon's The Quarrymen because his future bandmates were dazzled that he knew the chords and lyrics to Cochran's"Twenty Flight Rock."It's rather stunning that someone who didn't live to see 22 could have such a profound effect on music. Here's a bit of Cochran featured in the 1956 film The Girl Can't Help It.Click on for Born This Day featuring Redman, Maynard James Keenan, Liz Phair and Don Kirshner.
by Mike Breen
Prince is inducted into the Rock Hall and Lightnin' Hopkins' 100th birthday
On this day in 2004, the Rock and Roll Hall of Fame inducted a fairly heady class of artists, welcoming Traffic, ZZ Top, The Dells, Jackson Browne, Bob Seger, George Harrison and Prince. Prince was inducted by Alicia Keys and the notoriously shy singer/songwriter/multi-instrumentalist gave a slightly humbled (for Prince, at least), short speech of acceptance (he couldn't resist mentioning his efforts to get out of his contract with Warner Bros. — at least he didn't paint "Slave" on his face again). Below is his speech from that night (from rockhall.com):"Please be seated. Thank you Alicia ... thank you Rock and Roll Hall of Fame, it’s definitely an honor. I don’t want to take up too much time, but I would like to say this. When I first started out in the music industry, I was most concerned with freedom. Freedom to produce, freedom to play all the instruments on my records, freedom to say anything I wanted to, and after much negotiation Warner Brothers Records granted me that freedom and I thank them. Without any real spiritual mentors other than artists ... whose records I admired ... Larry Graham being one of them ... I embarked on a journey more fascinating than I could ever have imagined. But a word to the wise. Without real spiritual mentoring, too much freedom can lead to the soul’s decay. And a word to the young artists ... a real friend or mentor is not on your table. A real friend and mentor cares for your soul as much as they do the other one. This world and its wicked systems becomes harder and harder to deal with without a real friend or mentor. And I wish all of you the best."Prince's performance during the tribute to Harrison (who had died just a few years before his solo induction) was much ballyhooed for his stunning guitar solo, a reminder of just how multifaceted the eccentric performer's talents really were/are. Check the clip below. This year's R&RHoF induction ceremony should be interesting. Red Hot Chili Peppers' crucial guitarist John Frusciante has said he ain't comin' (early drummer Jack Irons, though, will) and, even though it is now less than a month away, guitarist Slash told the Associated Press he still has no clue whether Guns ’N Roses' original lineup will all be there, let alone perform together. Duff McKagan told Rolling Stone the same thing earlier. (I'm guessing that means it's probably not gonna happen.) The ceremony actually takes place in the Hall's hometown this year (Cleveland) on April 14. HBO, for the first time, will broadcast tape from the ceremony in early May. Here's what Slash has to say about his old band's induction:Click on for Born This Day featuring would've-been 100-year-old Lightnin' Hopkins.