0 Comments · Wednesday, October 23, 2013
The Requiem Project amended its lawsuit against the University of Cincinnati over the Emery Theatre, arguing that UC have systematically failed their charitable purpose.
by German Lopez
Shutdown ends, homeless sue county, Requiem makes demands in battle for Emery Theatre
Early voting for the 2013 City Council and mayoral elections is now underway. Find your voting location here. Normal voting hours will be 8 a.m. to 4 p.m., although some days will be extended.
Congress last night voted
to end a partial government shutdown that lasted for more than two
weeks and avoid defaulting on the nation’s debt. In the end, House
Republicans, including Speaker John Boehner and local Reps. Steve Chabot
and Brad Wenstrup, got less than nothing for their threats of default
and shutdown: Obamacare wasn’t repealed or delayed, taxes weren’t cut
and federal spending remained flat. Instead, Republicans were left with the worst polling results
Gallup measured for either political party since it began asking the question in 1992. Meanwhile, President
Barack Obama and congressional Democrats got the clean budget and debt
ceiling bills they were asking for all along. But the funding measures only last until Jan. 15 and the debt ceiling increase remains until Feb. 7,
leaving some groups on both sides of the aisle to ask whether the
dramatic showdown will happen all over again in a few months.
Four local homeless sued Hamilton County Sheriff Jim Neil
over his attempts to evict homeless people sleeping at the courthouse
and Hamilton County Justice Center with the threat of jail time.
Homeless advocates argue the policy punishes homeless people for being
homeless; they say the county should focus on creating jobs and housing
opportunities, not arresting people who are just trying to find a safe
spot to sleep. But the Hamilton County Sheriff’s Office says it’s
addressing a public health issue; Major Charmaine McGuffey, head of the
Hamilton County Justice Department, says that every morning county
officials are forced to clean up urine and feces left by the homeless
the night before, and often the county doesn’t have the resources to
completely disinfect the areas.
In the ongoing legal battle for the Emery Theatre, the Requiem Project amended its lawsuit
against the University of Cincinnati and lessees and asked the courts
to remove UC from ownership of the building. Requiem argues UC has
failed to live up to the goals of Mary Emery’s charitable trust by
allowing the building to fall into disrepair and non-use over the years.
Courts originally approved the development of apartments in the
building as long as the profits went toward renovating the theater, but
after 14 years apartment operators say there are multiple mortgages on
the property and no profits. The trial is scheduled for February.
Commentary: “Governor Finally Accepts Federal Funds.”
Now in print: Mayoral candidate John Cranley, who’s running for mayor against fellow Democrat and Vice Mayor Roxanne Qualls, rejected support
from the Coalition Opposed to Additional Spending and Taxes (COAST),
and the conservative organization’s history of anti-LGBT causes helps
Qualls scored higher across the board
than Cranley in the scorecard released today by the African-American
Chamber of Commerce. Gene Beaupre, a political science professor at
Xavier University, previously told CityBeat that the black vote
will likely decide the mayoral election. Council candidates Charlie
Winburn, P.G. Sittenfeld, Vanessa White, Yvette Simpson, David Mann and
Pam Thomas also topped the scorecard.
Ohio House Republicans may sue
Gov. John Kasich for his decision to bypass the legislature and instead
get approval from a seven-member legislative panel for the federally
funded Medicaid expansion, which would use Obamacare dollars to extend
eligibility for the government-run health insurance program to more
low-income Ohioans for at least two years. The Health Policy Institute
of Ohio previously found the expansion would generate $1.8 billion for
the state and insure nearly half a million Ohioans over the next decade.
CityBeat covered Kasich’s decision in further detail here.
Meanwhile, the Ohio House and Senate are debating three different ways
to approach an overhaul of Medicaid and bring the program’s costs down.
State Rep. Barbara Sears’ bill pushes for a swathe of reforms and cost
controls, while State Rep. John Becker’s bill aims to significantly
weaken the program to the absolute minimums required by the federal
government. Becker’s proposal would likely leave hundreds of thousands
of low-income Ohioans without health insurance.
Speaking in Cincinnati yesterday, Health and Human Services Secretary Kathleen Sebelius said the federal government is working to correct the many errors plaguing Obamacare’s online marketplaces. The glitches and traffic overload have made HealthCare.gov,
which acts as Obamacare’s shopping portal for Ohio and 35 other states,
practically unusable for most Americans since the website launched on
Ohio’s prison agency reassigned
the warden and second-in-command at the Correctional Reception Center
weeks after Cleveland kidnapper Ariel Castro was found dead in his cell.
A 20-year-old woman is expected to recover after her car crashed into a Winton Hills building while she overdosed on heroin, according to Cincinnati police.
Cincinnati is the only Ohio city to make Livability.com’s top 100 places to live.
Headline: “Bad sperm? Drop the bacon.”
A new study argues ancient climate change led early humans to adapt and evolve.
by German Lopez
Judge says case is too early to call either way but refuses to grant restraining order
Hamilton County Judge Carl Stitch today ruled against
granting a temporary restraining order that would prevent the trio that
owns and leases the Emery Theatre from evicting the nonprofit seeking to
renovate the building.
The ruling comes as a minor victory to the University of
Cincinnati, Emery Center Apartments Limited Partnership (ECALP) and the
Emery Center Corporation (ECC), the groups that own and lease the Emery
Theatre, and a loss to the Requiem Project, the nonprofit formed in 2008
to restore the theater to its former glory.
Still, Stitch cautioned that both sides potentially have a
case and the rejection shouldn’t be seen as indicative of who will
ultimately win the legal battle.
Given the ruling, both sides agreed to come back to the
judge in 30 days with a status report on what their legal intentions are
Requiem argued that it needs the temporary restraining
order to continue with the momentum the organization has built to
renovate the theater. The nonprofit says it needs a permanent lease to
use and raise funds that would go toward restoring the theater, which is
cited as one of the few “acoustically pure” complexes in the nation.
On the other side, the various groups that own and lease
the Emery Theatre claimed Requiem has shown little progress in raising
funds to renovate the building. They said they would still like to see
the theater restored, but not under the management of Requiem.
UC also continued denying any direct involvement in the
case, instead arguing that ECALP handles the Emery building in its
entirety for the university.
Tina Manchise and Tara Gordon, the two women who founded
Requiem, said after the hearing that the three organizations are trying
to eschew responsibility by pointing fingers at each other. In
particular, they pointed out that UC has consistently claimed a lack of
culpability, yet it’s also getting involved by asking the city to take
over the building.
Last week, emails revealed that UC is offering to give the Emery Theatre to the city.
UC Vice President of Governmental Relations Greg Vehr wrote in a June 21 email
to Councilwoman Laure Quinlivan that giving the building away would
allow the university to avoid becoming “a lightning rod in the private
dispute between (ECC and ECALP) and the Requiem Project.”
If the city takes over the building, the legal dispute
would likely become unnecessary and Requiem would probably be allowed to
carry on with its plans.
For an in-depth look at the situation and history between Requiem and UC, ECALP and ECC, check out CityBeat’s original coverage here.
0 Comments · Wednesday, August 14, 2013
The city of Cincinnati might take over
the Emery Theatre following a legal dispute between the nonprofit seeking to renovate the theater, and the group of leasers and owners trying
to push the nonprofit out of the building.
by German Lopez
CPS gets national attention, city might take Emery Theatre, SoMoLend accused of fraud
New York City mayoral candidates see Cincinnati Public Schools’ (CPS) community learning centers as a model for their city’s schools.
The centers bring members of the community, including dental clinics,
mental health therapists and mentors from local banks and churches, to a school hub to
keep students engaged after traditional classroom hours end. But an
analysis from The New York Times also finds that progress has
been fairly modest, with some schools in the district still struggling
and graduation and attendance rates showing little sign of improvement.
Still, CPS officials argue the initiative has helped mitigate the
effects of poverty and hunger in the classroom. CityBeat covered CPS and its community learning centers back in October here.
The city of Cincinnati could take control of the Emery Theatre
following a legal dispute between the Requiem Project, a nonprofit
seeking to renovate the theater, and the University of Cincinnati, Emery
Center Apartments Limited Partnership and the Emery Center Corporation,
the group of leasers and owners trying to push Requiem out of the
building. Requiem stated in a letter Friday that it would approve of the
city taking over the building, a possibility currently being analyzed
by Cincinnati’s legal team. CityBeat first covered the Emery Theater situation in further detail here.
SoMoLend, the local startup and city partner that connects small businesses seeking loans and lenders, is being accused of fraud by the state of Ohio.
The charges could force the high-profile business to shut down; for the
time being, it’s not giving out any loans in the state. In December,
the city of Cincinnati teamed up with SoMoLend in a partnership that was meant to land local small businesses and startups much-needed loans through crowdfunding.
Ohio will spend $6.2 million this fiscal year to combat gambling addictions.
With casinos, racinos and gambling generally expanding in Ohio, the state government is directing more
money to county mental health and addiction boards to ensure problem
gamblers are treated.
The two officers who were on the clock when death row inmate Billy Slagle hung himself have been put on paid administrative leave
while the Ohio prisons department investigates what happened. Slagle
was convicted of murder and sentenced to death — a punishment the Ohio Parole Board and Gov. John Kasich upheld in July despite pleas from a county prosecutor — but he hung himself days
before he was supposed to be executed. CityBeat covered Slagle’s case in further detail here.
Attorney General Mike DeWine is asking Ohioans to be cautious of unsolicited phone calls offering medical alert devices.
Cincinnati’s Horseshoe Casino accidentally awarded two $1 million prizes
on Saturday night. It turns out the casino gave a $1 million check to
the wrong Kevin Lewis, so it decided to keep course with the original
check and give another $1 million to the Lewis the check was
originally intended for.
Cursive might get kicked from the classroom.
U.S. Attorney General Eric Holder is directing federal prosecutors to minimize the use of mandatory minimum drug sentences.
The change will mostly benefit drug offenders with no ties to
large-scale organizations, gangs or cartels and no history of violence.
Ohio gas prices dropped this week and remain below the national average.
Actual headline: “Video shows thief stealing cigarettes.”
Check out Kings Island’s new roller coaster: Banshee.
Sanjay Gupta, neurosurgeon and CNN’s medical respondent, is now down with marijuana.
by Hannah McCartney
FirstEnergy fined $43 million, worrisome child poverty rates in Hamilton County child poverty, Cleveland altweekly strikes a beer ransom
Ohio energy provider FirstEnergy, who last June won a bid to provide Cincinnati with “100 percent green” aggregated energy, was fined $43.3 million yesterday by the Public Utilities Commission of Ohio for grossly overcharging its customers for renewable energy credits, or RECs. The issue dealt with FirstEnergy’s overcharging of customers across Northern Ohio from 2009-2011, so new FirstEnergy customers in Cincinnati are unaffected. A Cincinnati spine doctor, Abubakar Atiq Durrani, accused of performing millions of dollars worth of unnecessary surgery on unsuspecting patients was indicted yesterday for five counts of health-care fraud and five counts of making false health-care claims. Staff members of the Cleveland Scene yesterday snatched up the Twitter handle @PlainDealer after the Cleveland daily accidentally forgot to claim/reclaim it along with @ThePlainDealer. The Scene earned a delivered case of Great Lakes’ Oktoberfest and a six-pack of PBR in ransom. Hamilton Country fares worse than Ohio overall when it comes to the economic well-being, health, education and safety of our children, according to a report released Aug. 7 by the Children's Defense Fund and Annie E. Casey Foundation. Although median income is higher in Hamilton County than the statewide median, our rates are worse in child povery, fourth-grade reading and math proficiency, felony convictions and the amount of babies with low birth weights, an early sign of bad health. If you don't have anything nice to say about living in North Korea, you will get stuck working in a coal mine. Last week popular stand-up comedian Lee Choon Hong was sentenced to an indefinite period of hard labor in a COAL MINE after she told a bad joke that "satirized" aspects of North Korean society. She was apparently yanked off statge in the middle of her performance and sent straight to the mine without the chance to say goodbye to her family. This week in news: The historic building that houses the Emery Theatre is threatened by controversy between the owners of the building, the two organizations that run it and the nonprofit group The Requiem Project, who was billed in 2008 to program the theatre and raise money for the its renovation. Last week the Requiem Project sued the University of Cincinnati, which owns the building, Emery Center Corporation and Emery Center Apartments Limited Partnership (ECALP), for violating a "letter of intent" and attempting to forcefully evict Requiem from the building, although its leaders, Tara Gordon and Tina Manchise, say they've never been told why they've been "backed into a corner."A public housing project in Paris is the subject of an experimental heating project through which the warmth generated by human bodies milling around a nearby Metro station will be used to heat the building. This intern for NextMovie.com fucking cited every single line of Mean Girls by heart in less than 30 minutes. Get More: NextMovie.com: More Videos | Trailers | Movie News | New on DVD & Blu-Ray
The Requiem Project sues UC over its Emery Theatre contract; UC and its lessees shift the blame
14 Comments · Wednesday, August 7, 2013
The University of Cincinnati and the chain of command
between it and the Emery Theatre are giving conflicting explanations about
whose decision it was to cut the Requiem Project out of the picture.
by Mike Breen
Cincinnati MC Buggs Tha Rocka featured in unique one-shot video series filmed at historic Emery Theatre
Deft local MC Buggs Tha Rocka, who balances his excellent solo work with performances and recordings with the group Gold Shoes, has become the first Hip Hop artist to participate in the ongoing "Emery Sessions," a series of excellent music videos, filmed in one-shot by world-class photographer Michael Wilson at the restored classic Cincinnati venue, The Emery Theatre. Audio was handled once again by local musicians Cameron Cochran and Henry Wilson. The series not only celebrates local music but also showcases the grand old theatre, a century-old Cincinnati treasure that fell into disrepair but has recently returned to "active venue" status thanks to the work of The Requiem Project. Buggs and DJ Ghost performed "Stephanie's Song" for their Session. Unlike previous clips (which have spotlighted a host of local artists, from Over the Rhine to Jeremy Pinnell and the 55s, as well as Bluegrass legend Ralph Stanley and many others), Buggs and DJ Ghost don't perform on the theatre's stage, but in another nook and cranny elsewhere in the building. "Stephanie's Song" is from Buggs Tha Rocka's fantastic The Wrath of Zeus mixtape, which is available for free download here. Take a look at some of the other Emery Sessions here.
by Steve Rosen
Posted In: Visual Art
at 12:38 PM | Permalink
From now on, when anyone mentions “Octoberfest” in
Cincinnati, I’m going to think first of FotoFocus. This year, its first, it has
clearly established itself as an artistically meaningful and rewarding addition
to Cincinnati’s cultural calendar. The next is planned for 2014.
It is also, like that other
Oktoberfest (which actually occurs in September), fun. No, it doesn’t have
the World’s Largest Chicken Dance, but it may have come up
with something even better in Contained:
Gateway Arts Festival, which opened last Saturday and continues with
limited hours through Nov. 3.
It was produced by the Requiem Project, which is managing
and hoping to restore Over-the-Rhine’s Emery Theatre (where there is a Mike
Disfarmer photo exhibit that I blogged about last week). Saturday’s
opening was hampered by cold weather that kept attendance small on the grounds
of Grammer’s in Over-the-Rhine. (Grammer’s is a place that’s probably seen
quite a few Oktoberfests in its day.) But the weather didn’t dampen the
creative imagination that went into the event.
Using 11 trailer-size steel shipping containers as gallery
walls, artists displayed their photography and video-based work, some
interactive, as visitors wandered in and out. The standards were quite high and
one project — David Rosenthal’s “Everything at Home Depot (Series)’’ — struck
me as outstanding.
Installed in vertical pieces on fiberboard along the interior
sides of the container, the color heat-transfer prints set out to do what the
title suggests. In this environment — with the container’s metal sides, the
wood floor and glaring fluorescent lights – the whole project looked just right — a melding of the artistic and the industrial, the soulful and the soulless.
If this is part of a larger series (as the title suggests), it deserves to be
seen in total. But one hopes future showings will get an environment as cool as
In a corner of the grounds, behind one crate and out of
direct view, a band played suitably spacey music. After awhile, musicians moved
atop a crate to play music with a pronounced electronic component. Meanwhile,
video projections were displayed high off the building’s sides — you could see
the images when approaching the site and it was really exciting.
The whole festival, itself, worked as an art installation. It will be open again this Friday from 6-10 p.m.
(it’s ideal at dark), 2-5 p.m. Saturday and Nov. 3 by appointment at firstname.lastname@example.org.
It’s definitely worth a visit, even if not that easy to get to.
Another show you need to see — partly because of its
excellence and partly because it’s in a space rarely open to the public — is
the Using Photography exhibit at
downtown’s Michael Lowe Gallery. He is a private dealer, so it’s a treat to see
his elegant, uncluttered two-floor gallery open to the public. Drawing on his
own collection, he’s put together a show that
works as both top-notch fine-art photography and as a historical exhibition.
In this case, the history that the show addresses is that of
the conceptual/performance art world of the 1970s. Pivotal names in
international contemporary art’s development are represented here — Marina
Abramovic, Vito Acconci, Gerhard Richter, Michael Kelly, Ed Ruscha, Gilbert and
George and many more.
With the richness of work represented, and it way it
stretches our definition of photography and time-based art, it’s one of
FotoFocus’ best shows. To just pick one piece, I was especially moved by
Christian Boltanski’s five touched-up photographs comprising 1974’s
“Anniversaire,” or “The Birthday.” I am used to the French artist’s solemn,
sobering, heart-rending installations that use photography to remember the
Holocaust. They are so strong you wonder if they must drain the artist of all joie de vivre. Yet here he is happy in
this work, and the meaning of that happiness is revelatory if you know his history.
Even if you don’t, it’s a generous and warm piece.
This show originally was going to be open just briefly, but
Lowe has agreed to stay open noon-4 p.m. weekdays through the end of the month.
His gallery is at 905 Vine St. Plan a downtown lunch trip around it.
Meanwhile, only up through this Thursday is Photogenus at the Reed Gallery inside
University of Cincinnati’s College of Design, Art, Architecture & Planning.
Put together by Jordan Tate, DAAP photography professor, and gallery director
Aaron Cowan, this looks at how today’s international artists use photography in
a digital age.
It’s a nice companion to Lowe’s show, as one chronicles
breakthroughs from the 1970s (some of which we’re still trying to understand)
and one shows how today’s international artists are using photography to make
new breakthroughs. Much of it is quite out-there and left me quizzical about
individual work’s obscure intent and technique.
But some were very striking, like Anthony Lepore’s pairing of a photo
(an archival ink print) of a salt field with a piece of carpet of roughly the
I had written earlier about how eager I was to
see Nancy Rexroth’s photographs at downtown’s YWCA Women’s Art Gallery as part
of FotoFocus. The show consists of previously unprinted images from her
influential Iowa project of the early
1970s — she used a toy camera to capture fleeting glimpses of everyday life in
There was always the chance the black-and-white work had
been left unprinted for a reason all these decades, but I’m happy to report
it’s an excellent, evocative show — underscoring just how strong a body of work
Iowa is. Besides the ghostly “Clara
in the Closet, Carpenter, OH,” previously published in CityBeat, I also loved
“House Vibration, Dayton, OH, 1976,” in which the blurry focus produces an
unsteady image that makes one think an earthquake is occurring. It’s a great
metaphor for the here-today-gone-tomorrow nature of life. This show will be up
through Jan. 10 — Rexroth shares the space with Judi Parks and Jane Alden
Stevens. Watch for Contributing Visual Art Editor Steven Rosen’s FotoFocus blog postings all month. Contact him at email@example.com.