Cincinnati Playhouse takes on beloved Austen characters
0 Comments · Friday, March 21, 2014
Austen’s familiar characters in Pride and
Prejudice have all but taken on the status of real people. Everyone who loves
this 1813 novel of love and manners “knows” Elizabeth and Mr. Darcy, to be
by Rick Pender
Posted In: Theater
at 08:17 AM | Permalink
The three-week run of the tour of Wicked wraps up this Sunday at the Aronoff Center. It's a faithful reproduction of the Broadway hit, with performers who can give you the experience of seeing the original, a kind of prequel to The Wizard of Oz. (Tickets, $38-$188: 513-621-2787, but each performance has a pre-show lottery; if your name is pulled, you can buy a ticket for $25). If you've already seen this one, I suggest you check out one of the great new productions on local stages.Ensemble Theatre Cincinnati has offered another powerhouse season this year, but I'll venture to say that The Mountaintop is aptly named: It's at the peak. It's an imagined story about Rev. Martin Luther King Jr. on the night before he was assassinated. I'll venture to say that you've never seen him in quite this altogether human light, as portrayed — dare I say wholly embodied — by Gavin Lawrence. And then he's visited by Camae, a sassy maid who evolves into something so much more as he contemplates the meaning of his life. The always watchable Torie Wiggins takes on this role, and it might be one of her best performances yet at ETC. The Mountaintop won London's Olivier Award for Best New Play in 2011, and in my opinion, it's one of the best productions we'll see here in Cincinnati this theater season. Through April 6. (Tickets, $25-$43: 513-421-3555).I caught up with the Cincinnati Playhouse's production of Pride and Prejudice at the Playhouse earlier this week. (It opened a week ago, but I was out of town.) It's a faithful rendition of Jane Austen's beloved novel, gorgeously staged and costumed. It has a big cast, so all the characters, quirky and memorable, are present and accounted for — a few actors need to play more than one role. If you're an Austen fan, I suspect you'll like this one; if not, you might find it kind of uneven, since some characters come across as cartoons (especially Elizabeth Bennet's meddlesome, garrulous mother and the arrogant Lady Catherine de Bourgh) while others are more naturalistic. Kate Cook's Lizzie has all the right notes (she ought to, as she's played the role several times elsewhere) and Loren Dunn's Mr. Darcy, while a bit slow out of the gate, eventually captures the character's aloof charm. Director Blake Robison has done a good job with an interesting adaptation that has scenes that flow swiftly one into the next, sometimes with overlapping elements that recall past moments. Through April 5. (Tickets, $30-$80: 513-421-3888).Back in the early 1980s, the musical A … My Name is Alice had a long run at New York City's The Village Gate. Northern Kentucky University is producing its version of this collection of songs focused on the paradoxes women face — beauty, strength and heart. The show, created by an array of comedians, lyricists and composers, has 20 songs. It's being staged by Corrie Daniely, the newest faculty member in NKU's theater and dance department. Through April 30. (Tickets, $8-$14: 859-572-5464).
by Rick Pender
Posted In: Theater
at 08:25 AM | Permalink
I had a glimpse of Broadway's future last
night on campus at UC. I attended Not Yet Famous, the 22nd edition of
CCM's musical theater showcase, featuring the about-to-graduate senior class.
The 19 vibrant performers presented a 45-minute program that they'll take to
New York City on April 7 to present to casting agents, producers and others.
It's how they begin to land contracts and establish relationships that will
give them solid professional careers. With accompanist Julie Spangler at the
piano, the singers worked as a large ensemble and smaller sets, but each one
had multiple chances to show off her or his strengths as a singer, dancer and
actor — they're all trained to be "triple threats" with a polished
arsenal of vocal and movement skills. They were warmly received by the Friends
of CCM, the support group that helps keep various programs at the conservatory
going; the evening was a benefit. You have a chance to see the showcase for
free if you act quickly: There will be performances on Saturday at 5 and 8 p.m.
at Patricia Corbett Theater. No charge, but you need to call CCM's box
office to reserve a seat (limit of two per order). I suspect tickets will be
snapped up, so call right away: 513-556-4183.
Wicked is in the
midst of its three-week run at the Aronoff Center. This is one of the most
popular Broadway shows of the 21st century (it's been running for a decade, as
well as spawning productions around the world plus two national tours, one of
which is in our midst). It's here through April 23, but tickets are expensive
(cheap seats are $38 and anything else is more), so you might want to try your
chances in the daily lottery for a $25 orchestra seats. Grab your valid ID and
show up in person 2.5 hours before the curtain time to enter; if your name is
chosen, you can purchase one or two tickets. Of course, if you're flush you can
guarantee seats by buying what you need at 513-621-2787.
The Playhouse just opened Pride and
Prejudice, a theatrical adaptation of Jane Austen's most popular
200-year-old novel. I won't see it until next week (busy schedule), but if
you're a fan — and it seems that everyone loves her novels of manners and
romance — you probably need to line up to see this one. Director Blake Robison calls
his production "epic," adding, "The story is a satire of the
marriage market and an exploration of true love. What could be more fun than
that?" It's onstage through April 5. Tickets: 513-421-3888.
What with St. Patrick’s Day coming on
Monday, this might be the perfect weekend to see Clifton Players’ production of
The Irish Curse (at Clifton Performance Theatre, 404 Ludlow Ave.).
Lots of folks have told me they enjoyed this tale about a group of
Irish-American men who meet weekly in a self-help group in a Catholic church
basement to discuss a sad “shortcoming” — let’s call it “small equipment,” a
curse they believe has ruined their lives. It gets its final performance on
Sunday, right before you line up for your first green beer. Tickets: 513-861-7469.
Jane Austen adaptation saved by rewarding climax
0 Comments · Wednesday, February 23, 2011
Patience. That’s Jane Austen’s prescription for love woes of any kind, and it’s my advice for enjoying Pride and Prejudice, a Cincinnati Shakespeare Company production with a lot of talking, a lot of dancing and a romantic climax that makes it all worthwhile.