WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 

An Iliad (Review)

Cromer gives an astonishing, memorable performance in ETC’s An Iliad

0 Comments · Thursday, October 16, 2014
Bruce Cromer's embodiment of Poet is an acting performance to cherish, one of the most powerful I have ever witnessed onstage.  

The Birds (Review)

Suspense flocks to Cincy Shakes

0 Comments · Monday, October 20, 2014
Put aside what you think know about the narrative of The Birds if you’ve seen Hitchcock’s classic movie  

Moby Dick (Review)

0 Comments · Monday, October 13, 2014
Know Theatre’s 17th Season theme is “adaptation,” and on the evening of Oct. 10, the company opened Julian Rad’s 2003 take on Herman Melville’s 1851 novel Moby Dick.  

I Loved, I Lost, I Made Spaghetti (Review)

Playhouse serves up a tasty show about boyfriends and cooking

0 Comments · Friday, October 3, 2014
 The show’s gimmick is that it’s set in a working kitchen where LaVecchia prepares an aromatic three-course Italian meal while animatedly describing her romantic adventures, starting at age 16 and continuing into her 40s.  

The Little Dog Laughed (Review)

New Edgecliff Theatre's Little Dog has crackle and snap

0 Comments · Thursday, October 2, 2014
There’s some deliciously nasty storytelling going on upstairs at the Hoffner Lodge on Hamilton Avenue in Northside thanks to New Edgecliff Theatre’s production of Douglas Carter Beane’s The Little Dog Laughed.  
by Rick Pender 09.05.2014 103 days ago
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stage door 9-5 - etc hands on a hardbody - dallas padoven as chris alvaro - photo ryan kurtz

Stage Door: 'Tis the Season for Theater

If you'd like to go to the theater every evening for the next four days, there are plenty of options for you to consider as the 2014-2015 season is getting underway on stages all over town. Here are some good choices to consider: Hands on a Hardbody opened on Wednesday at Ensemble Theatre Cincinnati, and CityBeat reviewer Stacy Sims called it "effervescent" and "offbeat" in her review, giving it a Critic's Pick. I was there, too, and couldn't agree more about the infectious, heartfelt joy coming from the big cast of 15. The show is based on a true story (the subject of a 1997 documentary) about people in a downtrodden Texas town who enter a contest to win a Nissan pickup truck by outlasting others who vow to keep one hand on the vehicle. The cherry-red truck is as much a character as any of the contestants, the physical embodiment of their hopes and dreams — which take the form of songs by Trey Anastasio (of Phish) and Amanda Green. The script by Pulitzer Prize winner Doug Wright treats these diverse, down-on-their-luck folks with dignity, and the performers (who often perform with the truck as their dance partner) bring every one of them to life in vivid ways. This one is a must-see, a great way to kick-off ETC's theater season. Through Sept. 21. Tickets ($28-$44): 513-421-3555 The Great Gatsby kicks off Cincinnati Shakespeare Company's season tonight. You didn't know Shakespeare wrote it? Well, he didn't. This theater company focuses on the Bard, to be sure, but it frequently branches out to present stage versions of other classics, in this case an adaptation of F. Scott Fitzgerald's 1925 classic about a mysterious nouveau-riche millionaire who's obsessed with a one-time debutante. Set in the Jazz Age and inspired by lavish parties the high-flying Fitzgerald attended on the prosperous North Shore of Long Island, Gatsby is a story about the ups and downs of the American Dream. Simon Levy's script is the only one authorized by Fitzgerald's estate, and Cincy Shakes is presenting its regional premiere. (And here's a tip: on opening nights at 6 p.m., the theater offers ticket holders a complimentary catered meal, beer and wine.) Through Oct. 4. Tickets ($22-$36): 513-381-2273 Sherlock Holmes and the Adventure of the Suicide Club opens next Thursday at the Cincinnati Playhouse, but previews begin for the season opener this Saturday (through Wednesday). Tickets for these performances are discounted, and you'll be seeing a show that's pretty much ready to go. Jeffrey Hatcher's script should be lots of fun for fans of the Victorian sleuth. He's taken the character created by Sir Arthur Conan Doyle and dropped him into a tale conceived by another inventive writer, Robert Louis Stevenson, for a mash-up that will keep even Baker Street regulars guessing. Tickets: 513-421-3888 Serials! at Know Theatre, which has presented episodes of six Fringe-like shows at two-week intervals all summer long, culminates on Monday evening at 8 p.m. with finales of each tale. Who will win the ultimate fist fight with the Devil in Flesh Descending? How long can Luke really stay in his bedroom during The Funeral? Will we ever find out what's really happening in Mars vs. The Atom? These questions and more will be answered on Monday. Even if you've missed a few episodes, don't worry: Each 15-minute performance begins with a brief recap of the story so far. Zany and fun for anyone who's enjoyed the annual Cincinnati Fringe Festival. Tickets ($15): 513-300-5669 Finally, a tip for an eye-opening theater experience next weekend: On Sunday, Sept. 14, the Cincinnati area's first-ever South Asian Theater Festival happens in an all-day event at the Anderson Theater (7850 Five Mile Rd.). Five plays are scheduled to be presented, as well as panel discussions, seven hours of programming in all. The day begins at 12:30 p.m. and is set to conclude around 8 p.m. A limited number of tickets remain ($19-$29): SATFCincy.org
 
 

Behave Yourself 2.0

0 Comments · Wednesday, September 3, 2014
The dos and don'ts of theater attendance, version 2.0.  

Plays By Women: Where Are They?

0 Comments · Wednesday, August 20, 2014
A crowd of female playwrights came together in New York City in 2008 to express their concern that works by women were not getting produced by that city’s theaters. More than 150 playwrights attended the gathering, resulting in standing-room-only at the venue.  

The Brothers Sklar

The shtick works for twins and sports-skewed comedy partners Jason and Randy Sklar

0 Comments · Wednesday, August 20, 2014
A lot of comedy falls under great scrutiny and derision, often unnecessarily so. Impressions, props, magic, duos — anything slightly out of the ordinary seems to open itself up to criticism...Fortunately, the Sklar Brothers have avoided such slings and arrows by developing a truly organic stand-up act.  

Harry & the Thief (Review)

Twerking time with Harriet Tubman at the Know

0 Comments · Wednesday, August 13, 2014
Harry & The Thief by Sigrid Gilmer is a wonderfully ridiculous, history-twisting, large cast mash-up of a play about Harriet Tubman (Harry), slavery and time travel. It is also the first play in Know Theatre’s 17th season, with Andrew Hungerford now at the artistic helm. This bodes well.   

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