WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 
by Rick Pender 12.09.2014 8 days ago
Posted In: Theater at 11:00 AM | Permalink | Comments (0)
 
 
clooney copy

Call Board: Theater News

Actors Sought. Ensemble Theatre Cincinnati hosts its third annual Meals for Monologues on Monday and Tuesday between 11 a.m. and 5 p.m. at 1127 Vine St. in Over-the-Rhine. It's an open casting call to Equity and non-union actors for theater, film, TV and/or commercial projects cast by the theater's artistic director D. Lynn Meyers. Interested performers should bring two non-perishable food (pasta, canned goods, etc.) or toiletry items (soap, toothpaste) to the theater — to be donated to the Freestore/Foodbank as well as a current headshot and résumé and a short prepared monologue, song or two monologues. (No accompanist, so songs need to be performed a capellla.) Time slots are five minutes maximum and are available by appointment only. The deadline was last Friday, but a quick email to Ben Raanan (braanan@ensemblecincinnati.org) will let you know if any slots are still available. Meyers is a member of the Casting Society of America, and she has tons of projects and connections beyond shows at ETC; she recently did a lot of casting during two locally shot films, Carol and Miles Ahead. Seasonal Fundraiser for New Edgecliff. The classic holiday story, Miracle on 34th Street — yes, the one with Kris Kringle and Natalie Wood as a child actor — will be brought to life as a radio production on Sunday evening at the Northside Tavern (4163 Hamilton Ave.) as an old-time radio drama. Produced by New Edgecliff Theatre with sound effects by WMKV's Mike Martini, it's a benefit to the theater group. Admission is $35, and it includes a dessert buffet at intermission provided by Cincinnati State's Midwest Culinary Institute. Tickets: 888-428-7311 (or at the door). Rosie Keeps Singing. The Cincinnati Playhouse's production of Tenderly: The Rosemary Clooney Musical seems to be a big hit. The show, onstage in the Shelterhouse, opened on Nov. 20, and on its first night artistic director Blake Robison announced that sales were brisk enough to make it possible to extend the production a week beyond its intended closing date (Dec. 28) to Jan. 4. Demand for tickets has continued, so the Playhouse has extended the show another week, now closing on Jan. 11. Tickets: 513-421-3888. Welcome to Dystopia. If you've read Margaret Atwood's 1985 novel The Handmaid's Tale, you know it's a creepy vision of the not-too-distant future in which the United States has become a theocracy called the Republic of Gilead. An oppressive regime forces women to bear children for population growth, but Offred resists the demands made of her. Cincinnati Shakespeare gave Joe Stollenwerk's adaptation of the show a workshop in 2009 and a short-run production in 2011 featuring veteran Cincy Shakes actress Corinne Mohlenhoff as Offred. Next month Know Theatre fills in a TBA slot in its season with the show's first full-fledged production (Jan. 23-Feb. 21). Cincy Shakes' Brian Phillips will stage the one-woman piece with Mohlenhoff. They are married, so this is an unusual opportunity for them to work together on a new work rather than the classics that Cincy Shakes usually stages. Tickets ($20) are now available: 513-300-5669.CityBeat's Rick Pender posts theater notices on CALL BOARD every Monday morning.
 
 
by Rick Pender 10.03.2014 75 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
antoinette lavecchia in i loved, i lost, i made spaghett_ photo sandy underwood

Stage Door: Spaghetti, Macbeth and More

Last night I was at the Cincinnati Playhouse for the opening of I Loved, I Lost, I Made Spaghetti, a charming one-woman play based on Giulia Melucci's foodie memoir from 2009. The frame of the show is that it's set in a stylish kitchen where actress Antoinette LaVecchia prepares a meal while sketching out her numerous disconnects in search of love, feeding boyfriends but finding herself starving. Four couples pay a bit more ($35 apiece beyond the ticket price) to sit at tables directly in front of her kitchen where she serves antipasti, salad and spaghetti Bolognese that she prepares as she talks about a series of amusing but unpromising relationships, convincingly painting portraits of her ill-fated choice in men. La Vecchia is so natural in the role (which she originated in 2012 and has played at several regional theaters since then) that you'll feel like you're one of her best friends. Running through Oct. 26, this Shelterhouse production gets a Critic's Pick. Tickets ($30-$75): 513-421-3888I also thoroughly enjoyed New Edgecliff Theatre's production of The Little Dog Laughed (at Hoffner Hall, 4120 Hamilton Ave., Northside). The four-actor comedy by Douglas Carter Beane is about Diane, an acerbic agent, and Mitch, the actor whose career she's advancing. He's found a boyfriend he really likes (even though boyfriend is a male prostitute with a girlfriend), but she's convinced that this news could ruin his chances … and hers. Kemper Florin is a hoot as the motor-mouthed agent, spouting all sorts of crazy theories about how things should be in monologues that directly address the audience. The entire cast does a fine job, and I gave this one a Critic's Pick. Tickets ($20-$27): 888-428-7311 Area universities have two classics to offer. At UC's College-Conservatory of Music in a brief weekend run (through Sunday) it's Shakespeare's classic tragedy, Macbeth. In an unusual twist, the production features third-year female drama student Laura McCarthy as the power-mad military man who seizes the throne of Scotland. Tickets ($27-$31): 513-556-4183 … South of the Ohio River, Northern Kentucky University presents Euripides' The Bacchae, a play first performed in 405 B.C. The tale of power, revenge, decadence and debauchery takes place in Thebes, where citizens are torn between worship of the god Dionysus and the centrality of reason and humanism. Sunday will be the conclusion of a two-week run of the production. Tickets ($14): 859-572-5464 The musical Dirty Dancing, based on a hit movie from 1987 about young love at a family resort in the Catskills, wraps up two weeks of performance at the Aronoff Center. The touring production, presented by Broadway in Cincinnati through Sunday, features some dazzling video and lots of dancing. The story is pretty predictable, but it's one that people love. "Don't put Baby in the corner." Tickets ($39-$89): 513-621-2787
 
 

The Little Dog Laughed (Review)

New Edgecliff Theatre's Little Dog has crackle and snap

0 Comments · Thursday, October 2, 2014
There’s some deliciously nasty storytelling going on upstairs at the Hoffner Lodge on Hamilton Avenue in Northside thanks to New Edgecliff Theatre’s production of Douglas Carter Beane’s The Little Dog Laughed.  

New Faces and Places for Know, New Edgecliff

0 Comments · Wednesday, October 1, 2014
A new theater season is bringing changes to several local theater companies.   
by Rick Pender 04.25.2014
Posted In: Theater at 08:12 AM | Permalink | Comments (0)
 
 
stage door 4-25 - venus in fur @ cincinnati playhouse - greta wohlrabe & pj sosko - photo sandy underwood

Stage Door: Options Abound

There's ample evidence at the Cincinnati Playhouse as to why David Ives' Tony-nominated play Venus in Fur is the most produced script in America this season. I saw the opening performance last evening, and it's an entertaining attention-grabber. Inspired by an erotic Victorian novel, it's the story of a playwright who's adapted it for the stage but despairing of finding the right actress — until Vanda appears. Despite the initial impression she makes, she proves to be almost too good to be true. Greta Wohlrabe is a marvel in this role, flipping between being an ambitious, over-enthused wannabe and a commanding, demanding, sophisticated paramour who knows the character she wants to play and how to get what she wants. It's sexy and funny — and a great evening for grown-ups. Through May 17. Tickets ($30-$75): 513-421-3888. Want to try something new this weekend? A new theater company, Women in Theatre (WIT) is staging Joe Calarco's Walter Cronkite Is Dead at St. John United Church of Christ in Bellevue, Ky. Two women stuck in an airport together end up sharing a table: One, from Washington, D.C., is reserved and educated, yearning for peace and quiet; the other is a chatty Southerner who can't stop talking. Their conversation, according to the show's publicity, is "funny, difficult, deeply revealing and astonishingly frank." Through May 3. Tickets: 859-441-6882. Stacy Sims, my CityBeat colleague, thought that New Edgecliff Theatre's production of Other People's Money was pretty good. (CityBeat review here.) Jerry Sterner's 1989 play remains timely, the story of a rapacious business guy who stands to destroy a small town when he buys a company that is pretty much the sole livelihood of the residents of a small Rhode Island town. Stacy called the show "good entertainment" and added, "it just might provoke you to consider whom you are listening to today." It's onstage at the Aronoff's Fifth Third Bank Theater through Saturday evening.  Stacy liked Know Theatre's production of The Twentieth-Century Way enough to give it a Critic's Pick in her CityBeat review here. It's two actors playing two actors in 1914 who are hired to play gay men in Long Beach and entrap "social vagrants" — that is, gay men. It's a multi-leveled script, playing with concepts of what's real and what's "enacted." Heady but fascinating, and it features two excellent actors, Jens Rasmussen and Michael McKeough. You won't be bored if you go to see this one. Through May 3. Tickets ($15 in advance; $20 at the door): 513-300-5669. Two productions that will appeal to audiences who like old-fashioned theater remain onstage. With its final performance on Sunday, Mary Chase's gentle comedy, Harvey, at the Carnegie in Covington, is about Elwood, a guy who's a little off-kilter — who sees a six-foot-tall white rabbit that no one else believes is real (except the audience). Tickets ($17-$24); 859-957-1940. The classic musical Gypsy — full of great show tunes — continues at the Covedale through May 4; it's about Rose, the pushy stage mother who launched her rather unwilling daughter into a burlesque career as Gypsy Rose Lee. (CityBeat review here.) Tickets ($21-$24): 513-241-6550.
 
 

Other People's Money (Review)

New Edgecliff Theatre production is right on the 'Money'

0 Comments · Tuesday, April 22, 2014
Directed by Greg Procaccino, Other People’s Money is both thoughtful and funny. While we understand that the corporate raiders of the 1980s decimated entire communities, it feels more like a nostalgic and wistful take on gentler times.  
by Rick Pender 12.20.2013
Posted In: Theater at 10:33 AM | Permalink | Comments (0)
 
 
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Stage Door: Wrapping up Holiday Shows

It's the final weekend for most holiday shows, and there are lots of good choices. I'm ranking today's listings according to the laugh-o-meter, starting with the most hilarious: No. 1: Every Christmas Story Ever Told (and then some). This is the eighth year the Cincinnati Shakespeare has put this show together, but it's fun even for if you've been before. The cast of four talented actors who usually do Shakespeare and the Classics prove adept at silly, in-the-moment humor. While they're poking fun at many things local, they also manage to touch on just about every Christmas story you can imagine, all with laugh-out-loud results. The biggest challenge is getting a ticket, since the run (through Dec. 29) was nearly sold out when it opened last Sunday. A performance has been added on Saturday at 2 p.m., which might be your best bet to score a seat or two. Tickets: 513-381-2273, x1. No. 2: The Complete History of Comedy (abridged), a show by the same guys who came up with The Complete Works of William Shakespeare (abridged). The Cincinnati Playhouse is presenting the show's world premiere, and it's a wide-ranging evening of every kind of humor imaginable by three very adept performers. They can impersonate people and characters, they can do improv, they can satirize the classics — and they can keep everyone in the audience paying attention lest they get a pie in the face. Seriously. Our should I say "humorously"? It's an evening of fun, through Dec. 29. Tickets: 513-421-3888. No. 3: The 12 Dates of Christmas is the story of a gal who struggles through a year of awful dating after she loses her fiancé when she sees him making out with another woman on national TV during the Macy's Thanksgiving Day parade. Lots of losers, lovers and louts — and a few nice guys who aren't quite right. It's a one-woman show with a good heart and a great performance by Annie Kalahurka. New Edgecliff Theatre is presenting the production at Know Theatre. Tickets: 513-621-2787. No. 4: A Klingon Christmas Carol. This one isn't really laugh-out-loud, but it's a lot of fun to see actors telling the familiar story of Scrooge and his ghosts through the filter of Star Trek's fierce warrior race, the Klingons. SQuja' (he's the central character) isn't a miser, he's a coward — which is sinful for these tough guys. Find out how he gets retuned. It's a good bet for Trekkies; others venture in at your own risk. Tickets for this one ($20) can be obtained at the door, in the lobby of the Art Academy of Cincinnati (1212 Jackson St., Over-the-Rhine).  Lots of more traditional fare elsewhere, of course, including Christmas Carols at the Playhouse and Covedale, as well as the family-oriented Around the World in 80 Days at Ensemble Theatre.
 
 
by Rick Pender 12.13.2013
Posted In: Theater at 11:37 AM | Permalink | Comments (0)
 
 
stage door

Stage Door: Holiday Cheer

It's Friday the 13th, but if you're in the mood for holiday shows, this is your lucky weekend. Just about every theater in town has something onstage aimed at getting you into the Christmas spirit, making you laugh, diverting you from the stress of being cheerful or just poking fun at the ways of the world (at least the world of commercialism we see in America today).Perhaps you've already done your annual brush-up on Dickens' A Christmas Carol at the Playhouse (another fine production, now in its 23rd season with Bruce Cromer back as Scrooge and a new interpretation of Bob Cratchit, featuring the very angular Ryan Wesley Gilreath, who seems to be all arms and legs and stringy hair — very Dickensian) or the musical version being presented by Covedale Center. With the story of Scrooge's dark night of the soul fresh in mind, perhaps you're ready for A Klingon Christmas Carol, presented by Hugo West Theatricals at the Art Academy of Cincinnati (1212 Jackson St., Over-the-Rhine). This is a newish theater group that knows its way around satirical work (their Don't Cross the Streams, a goofy derivative of Ghostbusters, was a popular piece in the 2012 Fringe festival), they are giving this unusual piece its local premiere. (It's been staged in Chicago and Minneapolis.) It's actually a rather faithful retelling of the story with SQuja' (Donald Volpenheim), a cowardly, money-grubbing member of Star Trek's warrior race, taking the place of Scrooge. It's presented by a deadpan Vulcan narrator (Lauren Carr) who positions the work as the "original" of the tale. Klingons don't celebrate Christmas, but they are bound by traditions, the greatest of them being the "Feast of the Long Night." The 70-minute piece closely matches with Scrooge's story, but it's all through a Klingon filter — lots of angry outbursts and hearty laughter, grunting, growling, drinking and chest-thumping by characters with wrinkled foreheads, bushy eyebrows and fierce demeanors. Eileen Earnest handles timHom (a Muppet-like equivalent for Tiny Tim), son of Quachit (David Dreith), whose training as a warrior is being neglected because of greedy SQuja'. If you've never yearned for a visit to Qo'noS, the Klingon homeworld, you might find this production a bit impenetrable since it's performed in the guttural Klingon language, but there are projected subtitles that add humor to the action. This won't be a show for everyone, but if you're a Star Trek fan, you'll have a good time. Tickets ($20 at the door or here). Elsewhere in OTR, there's no need for subtitles for New Edgecliff Theatre's The 12 Dates of Christmas, presented this year at Know Theatre (1120 Jackson St.). It's a remount of NET's 2012 holiday, again featuring Annie Kalahurka as Mary, a New York actress whose chipper view of the holidays is trashed when she sees her fiancé kissing another woman on national TV at the Macy's Thanksgiving Day Parade. The one-woman show recounts her trajectory through a year of dating a dozen men, a few with potential, others with "what were you thinking?" qualities. Kalahurka does it all, from her central character, her oppressive matchmaking aunt, her nervously worried mother and a parade of bad choices marked by ornaments she hangs on a tree — an old friend, a doctor, a bartender, guys met at weddings, a musician and more. Along the way, she's in a production of Macbeth and A Christmas Carol (she plays Christmas Past) adding more humor with references to theater and such. This is a contemporary show with language to match (so it's not for the kids), but Kalahurka is a charming performer who makes this one totally worth seeing. Tickets: 513-621-2787. On Sunday evening, Cincinnati Shakespeare Company kicks off two weeks of Every Christmas Carol Ever Told (and then some) for the eighth consecutive year. As the title implies, it's a mash-up of everything from A Christmas Carol to the Grinch, with stops for Charlie Brown, It's a Wonderful Life, Frosty the Snowman, Rudolph, the Nutcracker and more. It's been a great evening of adult entertainment in past incarnations: This year returns last year's cast intact — Miranda McGee, Sara Clark, Justin McComb and Billy Chace. They're individually funny, and together they can be downright hilarious. Even if you've seen this one before, it's worth a return trip. Tickets: 513-381-2273, x1. For those who want to take the kids to a show, you can't go wrong with Around the World in 80 Days at Ensemble Theatre through Jan. 4 (513-421-3555) or the Children's Theatre of Cincinnati's production of The Day Before Christmas with performances today and Saturday at the Taft Theatre (800-745-3000).
 
 
by Rick Pender 10.11.2013
Posted In: Theater at 09:28 AM | Permalink | Comments (0)
 
 
todo_onstage_raptureblisterburn_ryankurtz

Stage Door: Solid Choices

Several great choices for theatergoing this weekend. At the top of your list should be Rapture, Blister, Burn at Ensemble Theatre Cincinnati. I was at the opening of Gina Gionfriddo's 2013 Pulitzer Prize runner-up on Wednesday, and it's another fine example of the kind of excellent production we've come to expect from ETC. Lynn Meyers has a knack for finding exactly the right actors for her shows, and she's assembled a perfect cast for this one, the story of a twisty relationship between three one-time college friends. Two women, played by Jen Joplin and Corinne Mohlenhoff, were roommates back then, and Mohlenhoff's character had a charismatic boyfriend. She went off to a renowned academic career and Joplin's character ended up marrying Don, played by Charlie Clark. Twenty years later they're back in close proximity, and neither woman is feeling fulfilled by her life. Don is a willing player in trading places, which makes for some amusing drama. Mohlenhoff's character offers a summer seminar in feminism, film and pornography which plays out some interesting theorizing among the show's female characters about the roles women play. It's a great stew of talking and experimenting, which takes some interesting turns along the way. Definitely watchable and entertaining. Onstage through Oct. 27. Tickets: 513-421-3555. At the Playhouse you'll find Martín Zimmerman's much more serious Seven Spots on the Sun, a story set in a Latin American nation torn asunder by civil war. (CityBeat review here.) We see the drama played out between several characters whose lives are tragically intertwined and who struggle to understand how to continue in light of past decisions and tragedies. It's a powerful story that offers small glimmers of hope, not to mention some magical turns that lead you to speculate about fate and hope. Zimmerman is a playwright whose name will become increasingly familiar in the future; the Playhouse is offer his script in its world premiere. Onstage through Oct. 27. Tickets: 513-421-3888. If you're looking for a different kind of theater experience, check out New Edgecliff Theatre's annual fundraiser, "Sweet Suspense," back for its sixth year with a one-time performance on Sunday evening. Playwright Catie O'Keefe has adapted Mary Shelley's classic monster tale of Frankenstein into a radio adaptation, complete with creepy sound effects. Since NET is homeless this season, the event is happening at Know Theatre at 7:30 p.m. The "sweet" part of the evening is a dessert buffet at intermission with treats from many local bakeries, including Holtman's Donuts, the hot new sweet shop on Vine Street in OTR. Tickets are $35 (hey, it's a fundraiser) for adults, $20 for kids 13 and under. Seating is limited, so ordering tickets in advance is advised: 513-399-6638.
 
 

Bus Stop (Review)

A bus stop worth stopping for

0 Comments · Friday, September 20, 2013
Set in a small-town Kansas diner where passengers on bus must wait out a blizzard overnight with a few friendly locals, the show is a tale of love vs. loneliness and staying vs. going.   

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