If you're looking for an unusual but gripping theatrical production this weekend, you should head straight to UC's College-Conservatory of Music for The Threepenny Opera. Don't think that this is some stuffy old piece from 1928, although that's when the show with a script by Bertoldt Brecht and music by Kurt Weill was first performed. It was radical and challenging, mocking the establishment and paying no heed to social structures. This musical theater production, staged by CCM Opera Chair Robin Guarino, feels lethal and threatening. You'll recognize a tune or two ("Mack the Knife" is the show's familiar tune), and if you've seen Cabaret or Urinetown, you'll recognize how this piece influenced those works. Guarino's production, with a big cast and an imaginative set (designed by Tony Award winner John Arnone), captures the vitality and spirit of the original work. I doubt we'll see another production of this one very soon, so here's your chance to catch a bit of theater history — and be both entertained and provoked. Definitely worth seeing. Through March 10. Box office: 513-556-4183. If you haven't yet seen Know Theatre's production of When the Rain Stops Falling, that's another one you should have in your sights. Andrew Bovell's dense, imaginative script is a compelling story of multiple, intersecting generations of two families. (Review here.) The taut, engaging 100-minute production, staged by Cincinnati Shakespeare's Brian Phillips, features several of that company's best actors, as well as several other local standouts. One of the best productions from Know Theatre in several seasons. It's onstage through March 16. Tickets: 513-300-5669.I haven't seen it (alas, my schedule just doesn't have room for everything), but Legally Blonde: The Musical at NKU has received props from the League of Cincinnati Theatres as an entertaining production. It's the story of Elle Woods, spurned by her fiancé, off to Harvard Law School in pursuit of him, only to discover that she's got the smarts to be more than just a girlfriend. Not profound, but surefire entertainment. Through Sunday. Tickets: 859-572-5464 This is the second and final weekend for Catie O'Keefe's world premiere, Slow Descent from Heaven, presented by New Edgecliff Theatre. (O'Keefe is NET's playwright-in-residence). It's being performed in a converted classroom at the Clifton Cultural Arts Center, directed by Ed Cohen. The central character, Molly (Elizabeth A. Harris), is a NASA scientist whose story is bookended by space shuttle disasters in 1986 and 2003. An angry, tense character, her involvement with men has affected her career and her attitude. The story has a reverse chronology, so we peal backwards in time to learn more about why she's the way she is. This is a good chance to see an original script by a local writer. Tickets: 513-399-6638.

You'll have to pick and choose this weekend because there's so much theater onstage. In addition to our professional theaters, it's worth checking out production at universities: Tonight through Sunday, CCM's esteemed musical theater program is offering the cult favorite Chess, with music by ABBA's Björn Ulvaeus and Benny Andersson. The story is set in Bangkok and Budapest during a mid-1970s world chess championship — and it's driven by gamesmanship between nations, between lovers and, of course, between chess players. I saw the opening on Thursday, and it's a BIG show with a gigantic cast. Several leading roles are double cast (with more juniors than seniors, in fact, which bodes well for CCM productions for this season and next). In particular, Matthew Paul Hill, playing the Russian grand master Anatoly, lifted the roof of Corbett Auditorium with his powerful baritone voice singing the stirring "Anthem," the Act 1 finale. Tickets ($30) Box office: 513-556-4183. At Northern Kentucky University you'll a production of Royal Gambit by German playwright Hermann Gressieker (translated into English in the late 1950s). The subject is King Henry VIII and his six wives, and this looks to be a beautifully costumed show, featuring senior Seth Wallen in the leading role. Tickets ($14). Box office: 859-572-5464. Neil Simon's funny and endearing Brighton Beach Memoirs is onstage at the Cincinnati Playhouse. I gave it a Critic's Pick (review here), and I'm sure audiences will love this sweet portrait of growing up in Brooklyn in the 1930s, where a loving but fractious family copes with hard times. It's told from the perspective of  Eugene, a precocious adolescent (he's really Simon as a 15-year-old), who takes notes on his family's behavior. Well acted and beautifully staged. Box office: 513-421-3888l. My schedule hasn't permitted me to see several shows that are getting good notices, including recognition from the folks evaluating productions for the League of Cincinnati Theatres. I'm catching up this evening with Cincinnati Shakespeare Company, which is offering two shows this month. Romeo & Juliet is its mainstage show, and Sara Clark is getting high marks for her portrait of romantic but tragic young love. Brian Phillips' staging picked up an LCT nod, and the show received an overall recommendation from LCT. On the evenings when R&J is not onstage, there's another Shakespeare work for thrill seekers, specially selected and staged for the Halloween season: the bloody, gory tale of revenge, Titus Andronicus. Veteran actor Nick Rose plays a crazed Roman general, and just about everyone I've heard from says his performance is memorable. (It earned him an LCT nomination, too.) Box office: 513-381-2273. This weekend is the final one for Mrs. Mannerly at Ensemble Theatre. When Harper Lee reviewed this one for CityBeat (review here), she gave it a Critic's Pick, and I agree wholeheartedly. (LCT named it a recommended production, too.) CEA Hall of Fame actress Dale Hodges is great fun to watch as a strict etiquette teacher in 1967, and Raymond McAnally plays all the other characters — a bunch of kids who are learning how to behave in a "mannerly" way. It's funny from start to finish, but there's a heart-warming message within the story. Definitely worth seeing. Box office: 513-421-3555. At Clifton Performance Theatre, Clifton Players are staging A Bright New Boise, which also picked up an LCT recommendation. I haven't seen it, but the show won an Obie Award (that's for outstanding off-Broadway plays) in 2011, and it has a strong cast. This is a newish venue that's specializing in "storefront theater." Should be worth supporting. Tickets ($20): 513-861-7469. 

There is a staggering amount of high-quality live music events tonight in Greater Cincinnati, especially for a Wednesday. Here are a few of the best.• Though Jazz is the music saxophonist Jeff Coffin is most closely identified, his experience and passion extends well beyond the genre. Coffin’s and his Mu’tet make dynamic, progressive sounds, most recently heard on the studio effort, Into the Air, which draws from mainly from modern and vintage Jazz. But Coffin first came to many music fans’ attention when he joined Bela Fleck’s Flecktones in 1997, a fittingly adventurous gig for the diverse musician/composer. Coffin left the Flecktones after he was invited to join the Dave Matthews Band full time, replacing late founding member LeRoi Moore in 2009. As if he wasn’t busy enough, Coffin — who has also shared stage/studio time with everyone from McCoy Tyner and Branford Marsalis to Willie Nelson and Widespread Panic — is equally acclaimed as an educator and clinician, working with students of all ages around the world. “The spirit and breath of the music is what I take away from the listening and playing,” he says of his influences, which, collectively he dubs “Spirit Music.” Coffin and his Mu’tet come to Northern Kentucky University tonight to share their musical wisdom and spirit. After an afternoon lecture and clinic for NKU music students, Coffin and Mu’tet perform an 8 p.m. concert at the school’s Fine Arts Center’s Greaves Concert Hall. Admission is $10 ($5 for students with ID). Visit nkuconnections.nku.edu for more info. • Nick Zammuto may have broken up his acclaimed experimental sound-collage project The Books, but he's not given up music. Tonight, his new band, appropriately named Zammuto, performs at MOTR Pub in Over-the-Rhine. The show is free and features a warm-up set from Lymbyc Systym. Click here to read about Zammuto and here for more on Lymbyc Systym.• Innovative guitarist Bill Frisell is in town to perform with his 858 Quartet at The Emery Theatre. The concert is related to the current, ongoing FotoFocus events around town. Click here for more details. • Popular rockers Band of Horses, whose upcoming tour with Willie Nelson was sadly cancelled recently, play at Bogart's in Corryville tonight. Click here for a preview.

Your best bet for theater this weekend, based on several enthusiastic recommendations, seems to be Daniel Beaty's one-man performance at the Cincinnati Playhouse in Through the Night. Harper Lee gave it a Critic's Pick in her CityBeat review this week, and the League of Cincinnati Theatres panel described Beaty as a "brilliant showman and interpreter” whose “beautifully and powerfully acted” performance “weaved in, out and through real people — multifaceted people.” The show was praised as “moving and full of hope — an evening of pure joy, celebration and a mournful reminder as well.” Through the Night “shatters the stereotypes of the ‘African American’ plight and shows beautifully that these predicaments and life choices are ‘human’ ones." I caught a performance this week and found Beaty's ability to shift from character to character quite astonishing — he plays six men and boys, as well as numerous other figures in their lives, each well defined and believable. It's a tour de force performance in the Shelterhouse, presented simply with some projected images and nothing more, not even costume changes. Box office: 513-421-3888. College theater has good choices for you at both UC's College-Conservatory of Music and Northern Kentucky University. Each is presenting a classic, although from very different eras. NKU continues its run of You Can't Take It With You (through Sunday), a classic comedy by George S. Kaufman and Moss Hart that won a Pulitzer Prize back in 1937. It's about a wacky family that marches to the beat of several different drummers and how their "normal" daughter and her boyfriend (the product of truly straitlaced parents) try to figure out how to make a relationship work in the midst of a lot of craziness. At CCM there's another form of craziness in Michael Burnham's staging of Shakespeare's A Midsummer Night's Dream, a tale of mistaken lovers and magical transformations. In both cases, there's a happy ending and most of the right people end up with suitable partners. Both shows are sure to offer offer a lot of laughs, as well as plenty of opportunities for young actors to take on entertaining roles. Either show should make for a fun outing that doesn't require much serious thought. CCM Box Office: 513-556-4183; NKU Box Office: 859-572-5464. Finally, on Sunday night at 7:30 p.m. you have a very special opportunity to see a brand-new musical as a work-in-progress at the Carnegie Center in Covington. It's a one-night-only presentation of The Sandman, a creepy musical created by Cincinnati native and Cirque du Soleil maestro Richard Oberacker and his creative partner Robert Taylor. Using a wildly imaginative story by E.T.A. Hoffmann (the guy who wrote the wildly imaginative story of battling mice and toys coming to life that became The Nutcracker), Oberacker and Taylor have crafted a show that's getting a workshop locally with some serious star power. Narrated by Van Ackerman (who turned in a great performance as the Man in the Chair in CMT's recent production of The Drowsy Chaperone), the performance will feature Tony nominee (and early CCM grad) Pamela Myers, always watchable Bruce Cromer (fresh off his powerful turn as Atticus Finch in To Kill a Mockingbird at Cincy Shakes), Charlie Clark and Sara Mackie. While it's a "reading," it will have sound effects and some slide projections to set the eerie scene. You can call 859-957-1940 for tickets, or order them online at www.thecarnegie.com. General admission is $25 (theater professionals and students can get in for $15). Sounds like a don't miss event.

More than 17 months after the election occurred, officials finally are ready to count some disputed ballots in a race for a judicial seat on the Hamilton County Juvenile Court. A federal appeals court Monday upheld an earlier ruling that 286 provisional ballots should be tallied in the 2010 race between Democrat Tracie Hunter and Republican John Williams. Hunter seemingly lost by just 23 votes out of nearly 230,000 ballots cast by county voters, but 286 ballots weren't counted because they were cast by people who showed up to vote at the correct polling place but were misdirected by poll workers and voted at the wrong precinct table.Hamilton County commissioners met with state lawmakers Monday to discuss their legislative priorities for this year. They include trying to restore some of the cuts to Ohio's local government fund and reauthorizing a countywide 911 user fee, which is set to expire soon.Monthly customers at the large Central Parking System lot along Cincinnati's riverfront are angry about a provision involving Reds games. Parkers must be out of the garage by 5 p.m. on game days or their key cards won't work, subjecting them to an additional event fee. A county official said monthly customers can get 24-hour access cards, but those cost $25 more than the regular $100 fee. (Just call it death by a thousand cuts.)Northern Kentucky University will make what it calls an "historic" announcement today regarding the schools presidential search. Various reports indicate NKU's trustees have selected Cleveland State University Provost Geoffrey Mearns for the job. Current president Jim Votruba announced last month that he would retire at the end of this school year.Cincinnati officials have selected an empty industrial site in Over-the-Rhine as the location for a streetcar maintenance facility. The property is located on Henry Street, between Elm and Race streets. Based on an independent appraisal, City Hall has offered to buy the site for $1.4 million but the owner is seeking an unspecified higher price, according to The Enquirer.In news elsewhere, the U.S. Justice Department is under fire for remaining quiet about problems in the testing of forensic evidence at the FBI's crime laboratory. Officials have known for years that flawed forensic work might have led to the convictions of potentially innocent people nationwide, but prosecutors failed to notify defendants or their attorneys even in many cases they knew were troubled, The Washington Post reported.President Obama is being accused of ignoring a 2008 campaign pledge to impose a “windfall profits tax” on oil companies. As a candidate, Obama said he would tax large oil company profits that would flow back to families in $1,000 rebate checks, but hasn't mentioned the idea since taking office. An Obama aide told Politico the White House decided that it had a better chance at persuading Congress to repeal tax subsidies than enact the tax on oil and gas company profits.Groundbreaking on homes fell unexpectedly in March, but permits for future construction rose to their highest level in nearly four years, Commerce Department data showed today. March's decline in housing starts was the biggest percentage drop since April of last year, although most of the fall was in the volatile multi-unit category, which declined 16.9 percent. Starts for single-family homes dropped 0.2 percent.Australia has announced that its troops will be withdrawn from Afghanistan nearly a year ahead of a previously scheduled 2014 withdrawal date. Julia Gillard, the Australian prime minster, said today that most of 1,550 remaining Australian troops in the nation were expected to return home by the end of 2013. The timetable means the largest force provided by any nation outside of the NATO alliance would leave Afghanistan a year ahead of the proposed December 2014 withdrawal date for all international forces. The United States currently has 90,000 troops stationed there.A right-wing extremist who killed 77 people in a gun and bomb rampage in Norway last year has called his attack "spectacular,” claiming he would do it again if he could. As his trial continued for a second day, Anders Behring Breivik, 33, called himself a commander in an anti-Communist, anti-Islamic militant resistance movement called the Knights Templar.

Last Sunday evening I gave a lecture prior to the Cincinnati Playhouse performance of Stephen Sondheim’s Merrily We Roll Along. I stuck around to see the show again (I attended the opening on March 8 in order to review it for CityBeat). I gave the show a Critic’s Pick, but empty seats on Sunday reminded me that a theater critic’s opinion is not necessarily the only endorsement needed for a show to sell tickets. Although this is a fine production, several reasons come to mind: The show is not well known; if people do know it, they’ve heard it was a flop when it had a brief Broadway run in 1981. John Doyle’s production shows little evidence of the latter and demonstrates amply that there’s much to be appreciated. But there’s not been much buzz around Merrily at the Playhouse, despite the work of Doyle and his excellent cast. The upshot is tickets are still available for most performances, through March 31. Doyle inventively staged Sondheim’s Company in 2006 at the Playhouse, a production that moved to Broadway and earned a Tony Award. This production uses the same approach: actors provide their own musical accompaniment. It’s a showbiz tale about chasing success at the expense of happiness. We start at the demise of a bond between three former friends who wonder what happened to the “good thing going” they once had. We trace back to their earliest, optimistic moments via great music, brilliant design and excellent performances. If you love musicals, you should see Merrily We Roll Along. I’ve talked with several people who have returned the Playhouse production. (Merrily is not likely to transfer to New York as Company did in 2006. The show was presented by Encores! at New York’s City Center in February, so theater critics have not paid attention to the Cincinnati production as they did with Company in 2006, right after Doyle staged Sweeney Todd on Broadway.) Box office: 513-421-3888 You can’t go wrong with Donald Margulies’ very much in-the-moment drama Time Stands Still at Ensemble Theatre of Cincinnati. It’s the story of two journalists who have been addicted to the adrenalin rush of covering wars. He’s now running away and hiding in film reviews (there’s a touch of post-traumatic stress, it seems, because he’s watching classic horror films all the time), and she’s recovering from injuries that resulted from a roadside bomb blast in Iraq. What’s next for them? Well, that’s what the play is about — a return for more or settling for a calmer, safer life, represented by a happy if unlikely couple who visit them, the photographer’s editor and mentor and his naïve young girlfriend. Four intriguing character studies add up to an evening of thoughtful drama. I gave it a Critic’s Pick; here’s a link to my review. Through April 1. Tickets: 513-421-3555 Northern Kentucky University just opened a production of Timberlake Wertenbaker’s Our Country’s Good. It’s about people sent off to a penal colony in Australia in the 1780s. The governor decides to impose order on the criminals by having them put on a play. It’s not an easy undertaking — but it changes the lives of everyone involved. It’s a play about the power of the arts to humanize people and transform them into something new and better. The show’s original Broadway production in 1991 was nominated for six Tony Awards. It’s one of my favorite scripts, a fine choice for NKU’s drama program, where it’s being staged by Daryl Harris. Through April 1. Tickets: 859-572-5464 Finally, if you’d like to instill some interest in the theater in a couple of kids, take them to one of this weekend’s performances of Rapunzel! Rapunzel! A Very Hairy Fairy Tale, presented by The Children’s Theatre of Cincinnati. It’s a world premiere musical created by composer Janet Vogt and writer Mark Friedman, who wrote How I Became a Pirate, a hit from last season. Performances happen at the nicely renovated Taft Theatre on Saturday and Sunday (as well as March 31). Tickets: 513-569-8080, x13.Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.