by Mike Breen
Tonight's the big night for local fans of The Afghan Whigs, as the reunited rockers host a homecoming concert at Bogart's in Corryville. If you don't have a ticket, try an online reseller or hit up the Short Vine scalpers because the show sold out instantly. There are, however, still tickets available for the Whigs' New Year's Eve show at Bogart's (click here). Another one of Cincinnati's greatest musical exports, Wussy, opens tonight's show (the band has been doing several dates with the Whigs on this first leg of the band's U.S. tour). CityBeat previewed the Whigs' return with a cover-story package in our issue out last week. Click here, here and here to read up on the group, then click below for a playlist of Whigs music videos. And check this space tomorrow for a full report from the show.UPDATE: According to the Bogart's Facebook page, doors open at 7:30 p.m.; the show starts at 9 p.m. (previously stated showtime was 7:30 p.m.). • R. Ring, the duo project from Kelley Deal of Dayton's The Breeders and Northern Kentucky's Mike Montgomery of Ampline/thistle fame, performs a free show tonight at Shake It Records in Northside at 7 p.m. The in-store is in honor of the twosome's debut official release, an orange-vinyl 7-inch single from Misra Records. Check out the single's "Fallout and Fire" below and click here to listen to R. Ring's live session for Daytrotter. Click here for even more live music events in Greater Cincinnati tonight.
Kelley Deal and Mike Montgomery try not to make too many plans for R. Ring
0 Comments · Wednesday, August 29, 2012
In musical parlance, "organic"
describes a process free from self-conscious overthinking and
blueprinted deliberation, resulting in a pure, unplanned outcome. That is exactly how Ampline/thistle
guitarist Mike Montgomery and Breeders
guitarist/vocalist Kelley Deal formed their powerful
acoustic-based duo R. Ring.
by Emily Maxwell
Kelley Deal and Mike Montgomery of R. Ring rock Austin for the first time
Kelley Deal of The Breeders and Mike Montgomery of Greater Cincy bands like thistle and Ampline debuted their newest project to eager SXSW crowds Thursday and successfully left them craving more.Deal (from Dayton, Ohio) and Montgomery (from Dayton, Ky.) formed R. Ring about a year and a half ago. Even though they have yet to release a record, the group attracted a substantial crowd to Frank's on Colorado Street, despite the fact that hundreds were waiting in line to see Tenacious D next door.Earlier in the day R. Ring played at the DOWN showcase, which was a collaborative effort between Jason Snell, of the Cincinnati bands Chocolate Horse and Ohio Knife, and the local branch of design firm Landor. R. Ring charmed the crowds not only with their performance, but also with their wit and gentle demeanor.Before the show, I managed to snag an interview with the pair inside their van. Below is what Deal, a SXSW veteran, and Montgomery, a first time attendee, had to say about the festival.CityBeat: What do you think of SXSW compared to other music festivals?Kelley Deal: When I think "festival," I think like a main stage and over here's a secondary stage … I 'm used to it being in one kind of area, so It never feels like a festival here. It always just feels like a gig. I hear about all these fabulous things going on and I'm not from here so it seems like, yeah, I need to see this, but where is it? Mike even downloaded a SXSW app today. Mike, how to do you feel about that?Mike Montgomery: I haven't used it yet. I just asked one person a simple question — where's this band playing — and this guy said, "I don't know, fuck off, get the app," so I got the app. Neither one of us have looked at anything to do at SXSW yet. I just wanted to get here and figure it out as we went. I already feel overwhelmed, like there were a million bands and all this stuff happening. It feels like there's too much to think about, so I need to protect my brain as much as possible. CB: What's the best way for bands to approach the festival?KD: I prefer to get here and meander about instead of planning this rigid itinerary that you have to adhere to — that sounds like a job, not fun. The first thing we did was pull in and go to a knitting store, because I love to knit.MM: It's overwhelming, I looked at the app briefly. There were so many words … that I put it back in my pocket. CB: How does the scene in Cincinnati compare to a music town like Austin?KD: It does have this trailer-park feel, but all the good parts, like the camaraderie … it's got this very informal quality/type of living, in a way. I haven't seen big beautiful houses with people just showing wealth for no reason other than they have it. All the places we look at they're very cute houses and it seems like they value art.MM: (Cincinnati) is all I really know. I've been playing and working there for 20 years. You hear people bitch, "Oh, the local scene sucks," but get out there and go to another town, get out and travel. If you're only looking to play at your local club once a month, then it does get boring, it does get old and you play with all the same bands. But go to another city, meet some new bands and bring them home, get it going. I'm always impressed there's always new bands I've never heard of, there's always people doing stuff. It's inspiring that there's a lot of youthful energy and a constant supply of talent in the Cincinnati music scene — but everyone bitches about their hometown.KD: That's what we're saying about Austin, that's what they're good at — supplying that lifestyle for themselves. CB: What expectations do you have for SXSW? What do you hope to accomplish down here?KD: I don't know, what are they offering? Is someone offering some shit? It seems like any band you can ever think of is inside their box (at SXSW).MM: We have no expectations. We're here to have fun and play some shows. When I talk about feeling overwhelmed by the conference and bands, I feel like there's something in the air with people thinking this is going to be an advantageous career move or something like that. So that's what neither of us are excited about — that we're going to get something — but it's nice to see people doing stuff in different cities. It's cool to see friends from home here, too. I was surprised to see so many guys from Cincinnati. CB: Would you come back to SXSW?MM: I'm not going to make it a life goal, but if someone invited us again, I'd definitely do it.
by Mike Breen
Mike Montgomery/Kelley Deal project releasing 7-inch single this spring
R. Ring, the acoustic duo project featuring veteran Greater Cincinnati musician/engineer Mike Montgomery (thistle, Ampline, The Light Wires) and Dayton, Ohio's Kelley Deal (The Breeders), is preparing a debut 7-inch single due for release in late spring, according to Tiberius Records (home to thistle, Ampline and many other solid acts from this area and beyond). The vinyl platter is set to be issued on the Misra Records imprint out of Dayton, which is notoriously artist-friendly (founded by artists in 1999) and has put out work by acts like Destroyer, Phosphorescent, Shearwater, Centro-matic, Jenny Toomey, Great Lake Swimmers and Southeast Engine.
Long history and fresh motivations fuel Northern Kentucky band's sophomore release
0 Comments · Monday, November 8, 2010
Outside of Alone at 3am's core fan base, it's natural to consider the Northern Kentucky quintet as one of the local scene's newest shining lights. The band’s acclaimed 2008 debut album, 'City Out of Luck,' and the about-to-be-released and even better sophomore disc, 'Cut Your Gills,' suggests a band with just over a couple of years of history. "We've been playing for 10 years and for nine years had no idea what the hell we were doing," Max Fender says.
The Lions Rampant dials everything up a couple notches with debut album
0 Comments · Monday, March 8, 2010
After two excellent EPs, The Lions Rampant's full length album, 'It's Fun to Do Bad Things' (released next week), is a masterstroke of snarling, primal Garage Rock with extra helpings of deep fried Soul. "I can definitely see a change from the beginning to these songs," Stuart MacKenzie says. "This album is a lot more diverse than the EPs."