The charge to local arts leaders and CityBeat writers was simple yet also complex and difficult: What is the one thing you would change or add to the local arts scene to make it better? Well, maybe it wasn't worded quite so bluntly, but that was the point. There are plenty of exciting things happening locally in the arts; what should be next?
David Bar Katz's story about Superman and his comic book creator might sound like an amusing, nostalgic show. The Shelterhouse Theatre is papered with comic book panels, and the lights come up on Superman (handsome Steve Wilson) with a confident "I'm in charge" look as he begins to describe his genealogy. The true subject, however, is vulnerability rather than invulnerability.
Imagine one of René Magritte's paintings brought to fulminous, razzle-dazzle life. That's Sarah Ruhl's highly, wryly comic new play, 'Dead Man’s Cell Phone.' Ensemble Theatre of Cincinnati offers this regional premiere in a well conceived but mostly impenetrable production directed by Michael Evan Haney and brilliantly designed by Brian c. Mehring.
Sexual contact between an adult and a child is always and automatically abusive. Or is it? Unsettling questions and uncertain answers take the stage at Cincinnati Playhouse in director Michael Evan Haney's flawless production of 'Blackbird,' the 2005 David Harrower script that won an Olivier Award, the English theater's equivalent of a Tony.
A provocative play can take you to places you don't expect, says Michael Evan Haney, assistant artistic director at Cincinnati Playhouse in the Park for seven seasons. That's exactly what happened to him and what he expects will grab audiences who come to see David Harrower's 'Blackbird,' opening this week at the Playhouse.