by Brian Baker
Cincinnati Folk singer/songwriter Matt Baumann goes on a prolific release spree with much more music coming soon
Five years ago, Matt Baumann was exploring the fringes of avant garde Jazz and creating sparse Ambient soundscapes with nothing more than his alto/tenor saxophones (he occasionally duoed with friends Eric Barnett and Jim Feist, but largely worked on his own) and a vision of crafting a quietly powerful body of work. At the time of our last interview, in late 2008, Baumann namechecked all the right Jazz influences — John Coltrane, Albert Ayler, Jan Garbarek — but he also ticked off a number of singer/songwriters whose work had been more inspirational than influential, from Warren Zevon and Tom Waits to Jason Molina and David Bazan, saying that he attempted to channel their passion and not necessarily their method of expressing it.In 2011, disillusioned with the local Jazz scene, Baumann opted for the singer/songwriter route, learning to play the plectrum banjo but maintaining his lone wolf performing status. That may well have been Baumann's inspiration for adopting the nom de plume of WolfCryer, as well as his desire to begin a fresh new direction. His acclaimed eponymous debut EP dropped in 2012 and he's been steadily working the Folk/Americana scene ever since, but the last few months have been especially productive with the release of a trio of evocative, emotionally engaging and typically atmospheric EPs. The first,The Long Ride Home, dropped quietly last September and showcased a new WolfCryer of sorts, as Baumann added acoustic guitar and harmonica to an arsenal already loaded with melancholy melodicism ("Roll Call of Ghosts") and intelligent wordplay ("Never Carry More Than You Can Hold"). <a href="http://wolfcryer.bandcamp.com/album/the-long-ride-home">The Long Ride Home by WolfCryer</a>The next two WolfCryer EPs, sporting four tracks each, have come in fairly rapid succession; Hell's Coming Down came out at the end of November and Wild Spaces dropped on New Year's Day, both generally following the template of The Long Ride Home and both stacked with highlights, like the lovely "Andromeda" and winsome "whiskeyheart" (where Baumann's banjo makes a welcome reappearance) on the former, the expansive "Lonely Country" and the heartrending "Better to Be" on the latter.<a href="http://wolfcryer.bandcamp.com/album/wild-spaces">Wild Spaces by WolfCryer</a>Baumann was a cluster recordist back in his Jazz days, and that aspect of his creative life hasn't changed much; on the heels of his last three EPs, released over the course of the last three months, his plans for the new year include both his debut and sophomore full-length albums (the proposed title track for the latter, "Box of Bones," is posted below). Originally slated for next month, WolfCryer's debut album, The Ivory in the Narrows, has been pushed to a summer release, but his Feb. 15 release show at Southgate House Revival remains intact as Baumann is re-releasing The Long Ride Home, which was never given an actual official release in the first place. <a href="http://wolfcryer.bandcamp.com/album/box-of-bones">Box of Bones by WolfCryer</a>If you think a guy and a guitar is drab, give WolfCryer a shot; given the slightest opportunity, he'll build a quiet and beautiful new room in your heart.
by Mike Breen
Area Folk/Roots musicians team up to try and save Covington club/hangout Geez'l Pete's
Musician Matt Baumann, who performs as the Folk act WolfCryer, and several area Folk/Americana musicians are teaming up this Wednesday to help a local music venue that has given them a home over the years. The club Geez’l Pete’s (508 Madison Ave., Covington) is having financial difficulties to the point where the electricity has been shut off. This Wednesday, a “Save the Pete!” benefit will be held at the club, with music starting at 6 p.m. and running on three performance spots — busking on the street outside, “backporch” jamming and acoustic performances inside the club by candlelight. “Geez'l Pete's is a hub for many local musicians,” Baumann says, “and the only one that I know of that keeps a library and store on site for the albums from most of the local musicians.”There is a suggested donation of $5 and beer and booze will be available to purchase. Artists scheduled to appear include WolfCryer, Daniel Van Vechten, Dave Rohs, Tim Caudill and Tony Hall. Mark Utley of Magnolia Mountain headlines the night at 10 p.m. Click here for more info.Next Wednesday, April 17, Baumann and Co. will present another similar benefit at Geez’l Pete’s for the same cause. Kelly Thomas is the scheduled headliner, performing at 9:30 p.m.
Plus news on MPMF.12, WolfCryer, MidPoint Indie Summer and more
0 Comments · Wednesday, June 27, 2012
Grasshopper Juice Records presents the sixth annual Adjust Your Eyes Music & Art Festival this weekend at downtown's Mainstay Rock Bar Friday-Saturday.
by Mike Breen
Former experimental artist Matt Baumann shows Americana prowess on new self-titled release
Former experimental Jazz artist Matt Baumann has totally shifted gears and is now performing as banjo-playing Americana artist WolfCryer. Tonight at MOTR Pub in Over-the-Rhine, Baumann (as WolfCryer) celebrates the release of his debut, self-titled EP by performing the recording live in its entirety starting at 10 p.m. From the sounds of the EP, WolfCryer is going to be a very welcome addition to Greater Cincinnati's eclectic, thriving Roots/Americana scene.Baumann’s music partner Eric Barnett (a.k.a. whiskeyheart) then takes over the stage after the live EP presentation, followed by popular local Indie Folk group Evans Collective. Wolfcryer comes back to close out the night at around 12:30 a.m. To listen to and then purchase the EP online, visit nobleoakrecords.bandcamp.com. Here's a little sample to whet your appetite. <a href="http://nobleoakrecords.bandcamp.com/album/wolfcryer-ep">WolfCryer EP by WolfCryer</a>Click here to read an interview with Baumann from CityBeat's Brian Baker in 2008, when he was crafting adventurous music with a saxophone.
Matt Baumann explores the eerie power of saxophone in a solo context
0 Comments · Wednesday, December 17, 2008
Matt Baumann does not look like a wild-eyed, avant garde Jazz experimentalist. The 28-year-old St. Louis native who moved here two and a half years ago has the intense, contemplatively quiet demeanor of a bassist, a tall anchoring presence grounding a loud Indie Rock band's chaos.