Friday • Fountain Square
0 Comments · Wednesday, August 6, 2014
Man Man’s greatest sonic attributes could
also be considered its most significant liabilities, particularly by
labels looking to hitch their wagons to a commercial cash cow. And
although Man Man has somehow managed to infiltrate the mainstream to a
small degree with adjustments to their core sound, the band (which
fluctuates from duo to trio to beyond) has retreated only slightly from
its home on the musical fringe.
138 days ago
Free summertime Fountain Square shows feature national headliners and lots of local talent
The first good sign that consistent warmth is on its way is the announcement of the lineup for this year’s MidPoint Indie Summer series at downtown’s Fountain Square. The concerts are part of the Square’s free PNC Summer Music Series, which showcases different types of music (played mostly by local acts) five days a week. (The lineups for the every-Thursday Salsa on the Square shows have also been announced; visit myfountainsquare.com for details.)The eclectic, free Indie Summer shows take place every Friday throughout the summer. This year’s lineup is perhaps the series’ strongest yet, with some higher profile national touring acts and the usual array of top-notch local talent. Here’s the full rundown of Indie Summer shows so far (a few slots are still to be announced): • May 30: WHY?; Yip Deceiver; Bad Boxes; Dark Colour • June 6: Wussy; The Tigerlilies; Honey & Houston; Mason School of Rock• June 13: Betty Who; Vito Emmanuel; Captain Kidd; Pluto Revolts• June 20: Those Darlins; The Harlequins; Those Crosstown Rivals; The Frankl Project • June 27: Moon Taxi; Peridoni; Nevele; Acarya • July 4: Local H; New Strange; Mad Anthony; One Day Steady • July 11: Soledad Brothers; Electric Citizen; Pop Goes the Evil; Grotesque Brooms • July 18: Wesley Bright & the Hi-Lites; DAAP Girls; Mardou • July 25: Clap Your Hands Say Yeah; Public; Danny & His Fantasy• August 1: The Spiders (tribute to David Bowie); Honeyspiders• August 8: Man Man; Injecting Strangers; Ohio Knife; Skeleton Hands• August 15: The Nightbeast (a co-headliner will be announced in July)• August 22: psychodots; Lemon Sky; Tonefarmer; Heavy Hinges • August 29: Islands; The Pass; The Yugos; Joey Cook & The Keepers of the SecretThe Indie Summer series is sponsored by the MidPoint Music Festival, CityBeat’s popular annual music extravaganza, which returns to the clubs and venues of Downtown and Over-the-Rhine Sept. 25-27. (Though all MPMF-worthy, the acts are booked through Fountain Square, not by MidPoint.) There will be a MidPoint booth on Fountain Square every Friday where music fans can find the latest MPMF info and purchase tickets to the three-day festival. A limited amount of discounted early-bird passes for this year’s MPMF are available now at mpmf.cincyticket.com. Nail down your three-day tickets (or VIP Experience tickets) before the prices increase. And be sure to stay tuned to mpmf.com and the fest's various social media accounts for the latest updates.
Tuesday • Southgate House Revival
0 Comments · Wednesday, January 15, 2014
If a band is entirely made up of
musicians operating under eccentric aliases, there’s an incredibly good
chance said band’s music is also eccentric and worthy of your attention. Man Man is a lesser-known but fitting
addition to this class, what with the Philly five-piece sporting members
nicknamed Honus Honus, Turkey Moth and Pow Pow.
by Belinda Cai
Posted In: Reviews
at 11:07 AM | Permalink
Man Man is
a band that thrives on live performances, aka circus-themed Halloween parties
sprinkled with confetti and a touch of grotesqueness. The five-piece
experimental group has an insatiable flair for the dramatic and is never short
of kooky stage props. This held true at Tuesday’s performance at the Wexner
Center of the Arts, where a sleeping Furby, a werewolf-like skeleton holding a
wig and a colorful glow-in-the-dark drum set augmented the band’s theatrical
Honus Honus (Ryan Kattner) dazzled as he frantically played the keys — often
times with his foot, even — and sang with his customary raspy fervor. He was a
shape-shifter extraordinaire, transforming from normal dude to circus
ringmaster of sorts to alien. His manic wardrobe changes were anticipated, as
it is basically a Honus trademark. The rest of the band — Pow Pow, T. Moth,
Brown Sugar, Shono Murphy, as well as talented opening artist Xenia Rubinos — likewise
entertained with lots of dancing and instrumental finesse. All of this is pretty
formulaic for Man Man.
it’s not every day that the audience at a concert gets to share the stage with
the band itself. The show took place in the “black box” space of the Wex’s vast
Mershon auditorium that seats nearly 2,500 people. Guests stood on the stage,
which was blocked off from the rest of the auditorium, to watch the show in an
intimate, tight-knit setting — ideal for moshing and the like.
the concession at show was lacking. There were $1 waters and pops available but
no booze, which perhaps explained why there was little to no moshing. Although
highly energetic crowds and moshing are routine at Man Man concerts, the
Columbus show was just as fun without the raucousness. It had more of a
respectful “in awe” type crowd, which fit nicely with the band’s attempt at
adopting a more mature and refined sound with their new album.
kicked off their set list with “Oni Swan” and “Pink Wonton,” the first and
second tracks off of their recently released album, On Oni Pond. “Oni Swan” is a brief instrumental opener for the
catchy and vibrant “Pink Wonton,” which critics claim most closely embodies Man
Man’s previous musical style.
On Oni Pond was the focal point of the show and
this was made evident by the backdrop that showcased the album art courtesy of
artist Andrea Wan. The band affectionately played tracks such as the sultry
“Paul’s Grotesque,” the boisterous “Loot My Body,” their more relaxed and
heartfelt single “Head On,” “King Shiv” and “Born Tight.” It was apparent that
Man Man embraces its newer, mellower sound, which has a focus on bona fide
lyricism rather than sheer eccentricity.
also made sure to satisfy diehard fans of their previous albums Life Fantastic, Rabbit Habits, Six Demon Bag
and The Man In A Blue Turban With A Face
by playing hits such as “Zebra,” Piranhas Club,” “Mister Jung Stuffed,” “Hurly
/ Burly,” “Doo Right,” “Push the Eagle’s Stomach” and others.
new direction of On Oni Pond, the
overall eccentricity of Man Man was not lost during the concert. In fact, the
band upped the ante in this aspect. Honus came out in a sparkly hooded cloak
during “Haute Tropique,” a song about a serial killer, and proceeded to fling
confetti onto the audience. He did this as he sang, “Oh here's a story of a
lovely lady / Who had three daughters who drove her fucking crazy / She hacked
‘em up with an old machete / And threw a party with dead daughter confetti.”
Grotesque has never been so fun and glittery.
I have to
admit that the best part of the show was the extended encore, during which
Honus came out in an Anderson Cooper shirt that my sister just so happened to
airbrush for him. “I love it. Maybe I’ll actually give it to Anderson,” he said
to her before the show, when she presented it to him. (Yes, my sister and Honus
are acquainted and yes, I am totes jealous.) Honus had a cameo on Anderson Cooper 360° in September in
regard to Man Man’s Wolf Blitzer-themed song, “End Boss.” He appeared on the
segment in a bad ass tunic with Wolf’s face plastered all over it and, hey, it
got Anderson’s attention. What more could one want?So Honus came out for the encore in the Anderson shirt and proceeded to perform
four very popular fan favorites from older albums — “Steak Knives,” “Van
Helsing Boom Box,” “Engrish Bwudd” and “Young Einstein on the Beach.” The first
two songs were melancholic and heartfelt, playing on the emotions of the
audience. The latter two were crowd-pumping, face-melting tracks that
completely changed the atmosphere from somber to vivacious, ending the show on
a high note.
without the booze, Man Man was one hell of a party and a band that is worth
every dollar to see live.
Eccentric Philly band doesn’t know the rules, so it just keeps breaking them
0 Comments · Wednesday, February 20, 2013
Known for its irreverent songs and
unpredictable, gloriously ramshackle live shows, Man Man defies
convention at nearly every turn.
Oct. 16 • Southgate House
0 Comments · Monday, October 10, 2011
Man Man isn’t just a band doing a gig on a tour for a new
album, it’s avant garde theatre and Chinese new year and Tom Waits’ skid
row barbeque all rolled into one exquisite musical clusterhump.