by Hannah Cook
Posted In: Music
at 02:23 PM | Permalink
Reflections on LCD Soundsystem's 'Shut Up and Play the Hits'
There’s a tremendous breach between a life of stardom and a life of ordinariness; it’s a point of view most of us Joes take. Constantly forming idols for ourselves, we forget that those deemed as “famous” perform such mundane tasks as even putting on underwear in the morning. For some reason, famous people don’t wear underwear — that’s too routine. They don’t have routines, they have fabulous, spontaneous lives. Perhaps they were never even children. Their birth was the moment that you fell in love with what they do. They are an entirely different kind.Shut Up and Play the Hits bridges that gap for us, though. The documentary, directed by Dylan Southern and Will Lovelace, was screened in select theatres for only one night — a seemingly arrogant tactic, though I think it was done mostly just because it was the easiest and most affordable (the opposite of arrogant). Lucky for Cincinnati, the Contemporary Arts Center showed it in the lobby of its stone, skate park-like building to a full audience.Shut Up and Play the Hits tells the visual tale of dance/punk band LCD Soundsystem’s final moments as one of the world’s most respected and adored musical entities. The band’s ending, oddly constructed as it was, provoked curiosity: Why stop at the pinnacle of your career? Did you have this planned all along?Using shots of the band’s last show to a sold-out crowd at Madison Square Garden on April 2, 2011, mastermind James Murphy’s life before and after the show, and an actually informative interview, Shut Up and Play the Hits does some explaining, which was what Murphy really wanted. Not only that, but it also takes us through the inevitable emotional roller coaster Murphy and his bandmates rode on, anywhere from feeling “disturbingly normal” to breaking down in the presence of the band’s now jaded yet memorable musical equipment.The film takes a spiral shape, starting and ending at the same spot — the cleaning up of LCD Soundsystem’s farewell show — but with two very different dispositions. At the beginning, we’re still confused as to why, but by the end, as that final heavy synth note rings out, we are understanding — content even — with Murphy’s decision to wholly join a life of normalcy.This normal life seems to revolve around Murphy’s dog. Waking up at 10:32 the morning after the final, drunken show, Murphy lays pensively sleepy with his little dog on his belly, just staring at him. Maybe it’s the dog that keeps him from accepting the sadness of the end, or maybe he just hasn’t been able to look — really look — at his dog in quite some time. Either way, it’s an endearing moment that contrasts like a flash of lightening to the madness of their final show. The back and forth filming techniques foster those aesthetics.In the moments of the show, the film actualizes just how much people treasure LCD Soundsystem. Slow-mo shots of the audience, focusing in on particularly passionate people, combined with the circling lights of the massive disco ball and LCD’s absorbing sounds gave life to the movie, like we were there ourselves. Murphy thanked the fans and his family with an authentic sense of farewell, leading into their final song “New York I Love You But You’re Bringing Me Down,” which was almost too fitting for the circumstances — almost.In many moments throughout the film, Murphy’s gaze suggests a complexity of despondency and hopefulness all at once, whether he’s making coffee or glowing in front of an 18,000-person show. The end is near and never has such an ending become so suddenly swallowed up. The film symbolically leaves us with a weeping fan staring at the dispersing stage, gracefully blurring the line of the sacred and profane. Murphy only wished to leave a stain, but that final note of that final song could very well ring out forever.
by Mike Breen
'Shut Up and Play the Hits' debuts tonight nationwide for one-time-only screening
Following the successful screening of acclaimed Sigur Ros concert film Inni in April, the Contemporary Arts Center is showing another hot music flick. Tonight (on the same night and at the same time as an ever-growing list of theaters and venues nationwide) the CAC is screening Shut Up and Play the Hits, the much-anticipated concert film/documentary about hugely popular Electronic/Dance/Rock band LCD Soundsystem’s final concert, which took place April 2, 2011, at Madison Square Garden in New York City.The film — which has received awards from both the Sundance and SXSW film festivals — features plenty of live footage from the finale, but the narrative focuses on bandleader James Murphy’s day-to-day life leading up to the show (and the day after) as he ponders the “personal and professional ramifications” that come with deciding to break up one of the top bands on the planet at its peak. As of this morning, tickets were surprisingly still available (most screenings around the country have sold out). I'd call ahead to make sure there are some left (513-345-8431). Or if you can get to the box office early, tickets are on sale for $10 ($5 for CAC members) in the CAC Store. Screening is at 9 p.m., but you can show up starting at 7:30 p.m., have some drinks and tour the museum. Here's a brief clip from the film.
by Mike Breen
'Shut Up and Play the Hits' to screen nationwide on July 18
After a successful screening of an acclaimed Sigur Ros concert film recently, the Contemporary Arts Center is showing another concert flick soon, this time on the same night as dozens of theaters nationwide. On July 18, the CAC is listed as one of the venues screening Shut Up and Play the Hits, the much anticipated concert film/documentary that follows LCD Soundsystem's James Murphy as he preps for his band's final ever concerts, which took place at Madison Square Garden last spring. The film will be in theaters (or art museums, in our case) for one night only, then presumably be issued on DVD. (No release date on that yet.)Tickets for most screenings go on sale June 8. Click here for updates. The film will be shown at the CAC at 9 p.m. and accompanied by a DJ set. Here's the superb trailer for Shut Up and Play the Hits.
0 Comments · Tuesday, February 15, 2011
The popularity of left-for-dead formats in some circles makes us wish we had saved that Sha Na Na flexi-disc that came with a box of Tide mom bought in 1977. Vinyl died and then was instantly reborn and had a cult following. A growing network of underground artists and tape buffs have resuscitated the cassette as a hip period-piece/music provider. And now the clunky 8-track tape is getting a second look.