Local Hip Hop artists teams with all-star group of area players for Jazz/Hip Hop album
0 Comments · Tuesday, March 4, 2014
Saturday, local Hip Hop artist MC Till celebrates the release of his Jazz/Hip Hop fusion album, The Neighborhood, featuring veteran local artists like Ric Hordinski, John Von Ohlen, Steve Schmidt and more.
by Mike Breen
Despite losing their namesake venue, beloved local jazzers to continue every-Wednesday shows at Japp’s
Much has changed for the legendary Cincinnati live music venue the Blue Wisp Jazz Club over its 40-plus-year existence. Though it has consistently been the club for Jazz in Cincinnati over most of that period, the Blue Wisp has moved four different times over four decades. In its most recent locale at the corner of Race and Seventh streets downtown, the club owners also tried to attract more business by serving food and varying the types of music performed. But it wasn’t enough and the Blue Wisp has once again closed its doors (though various reports suggest it could find yet another new location in the future).
One thing that hadn’t changed at the Blue Wisp, at least since it began in 1980, is the Blue Wisp Big Band. The group of all-star local musicians has maintained one of the longest residency in the region, performing its skilled take on vintage Big Band Jazz like clockwork every Wednesday. The band is a Cincinnati institution. When the Wisp shut down, the members of the Big Band were determined to not let their remarkable run end with a whimper. Instead, the Blue Wisp Big Band sought to continue its every-Wednesday residency at another venue. (In case you’re wondering, the group owns its moniker, so they can legally continue to use the “Blue Wisp” name.)Veteran local Jazz pianist and Blue Wisp Big Band founding member Steve Schmidt says they’ve landed their new spot, Japp’s Annex on Main St. in Over-the-Rhine, and will pick up its Wednesday night shows beginning this week. Schmidt says the group will perform every Wednesday at Japp’s, at least through the end of July, when they’ll reassess the situation just to make sure it’s a good fit. The Big Band will again be playing two hour-long sets each Wednesday, the first starting at 8:30 p.m. The cover charge will be less than it was at the Wisp — just $5. (Parking is available in the lot on the corner of Main and Central Parkway, as well as in the garage behind the club on Sycamore.) “We are excited about trying out this (Over-the-Rhine) spot and happy that the ownership and staff at Japp's is excited, too,” Schmidt says. “We are all thinking of ways to make it better for the customer and the band as we go along. The band wanted to start quickly, not to be dormant for too long.”Several of the principal members of the Blue Wisp Big Band did a walkthrough several days ago to get a feel for the new space and were happy with what they saw (and felt).“I got a very good feeling about the room,” Schmidt says, “both in terms of space — spacious yet intimate — and acoustics. I think the other guys felt the same way. (Founding BWBB anchor/drummer) John Von Ohlen rightly pointed out that there is a lot of wood — the floors and the large bar. As John said, in the fullest and most complimentary sense of the word, ‘It's a joint!’ It's what he had in mind when he formed the band and put it in the original Blue Wisp in O'Bryonville. He said he wanted a world-class big band in a beer tavern.”“In a word,” Schmidt adds, “(the new space) has soul.”
1 Comment · Tuesday, March 9, 2010
In addition to our "cover boys" this week, The Lions Rampant, three other local acts will be out in the clubs this weekend hosting release parties for their latest recording projects: Progressive/Hard Rock band Livid Friday at Silverton's Play By Play Cafe, Bluegrass trio The Tadcasters Friday at Arnold's Bar and Grill downtown and Metal band Behead the Tyrant Saturday at Harvey's in Price Hill (the old Blue Note). Come out and support local original music.
Celebrated drummer John Von Ohlen's rich, accomplished history has earned him the latest seat in the CEA Hall of Fame
0 Comments · Wednesday, November 16, 2005
At the age of 14, three years before he ever sat behind a kit or held a drumstick in his hand, John Von Ohlen became a drummer. He'd already been playing classical piano for a decade and trombone for half that long when he attended a Stan Kenton concert at some forgotten ballroom in his Indianapolis hometown in 1955 and witnessed the fluid brilliance of Kenton's gifted skinsman Mel Lewis. The event transformed him.