by Brian Baker
When Joan Osborne vaulted into the public consciousness with Relish, her 1995 major label debut, she had already established a loyal fan base that was well aware of her estimable Jazz and Soul skills. With Soul Show in 1991 and the Blue Million Miles EP in 1993, Osborne displayed her smoldering vocal chops and her unerring ability to write to her own strengths as well as inhabit another writer’s song (her take on Captain Beefheart’s “Her Eyes Are a Blue Million Miles” was a marvel). Largely a collaboration with producer Rick Chertoff, Hooters frontmen Eric Bazilian and Rob Hyman and Beefheart guitarist Gary Lucas, Relish rightly pushed Osborne into Rock/Pop territory and the well-deserved spotlight, but it was only marginally indicative of her loves and influences.For the past decade and a half, Osborne has made no secret of her musical passions as she’s fleshed out her catalog with a string of soulful original albums, covers albums (2002’s How Sweet It Is) and blends of the two (2007’s excellent Breakfast in Bed). With her latest, Bring It On Home, Osborne heads directly into the Blues/R&B camp with predictably great results, from the opening swing of Ray Charles’ version of “I Don’t Need No Doctor” and a blistering spin through “Roll Like a Big Wheel” from obscure Blues shaker Olive Brown to a down and dirty take on James Moore’s iconic “Shake Your Hips” (nailed by the Stones on Exile on Main Street) and a shivering R&B tailfeather shake of Clarence Carter’s “I’m Qualified.” As usual, Osborne’s gift in covering other songwriters’ works lies in her innate talent in melding the spirit and intent of the original song with her own singular approach to come up with a version that is both tribute and appropriate reinvention, and Bring It On Home finds Osborne at the peak of her abilities.