The popularity of Sir John Falstaff, the portly jokester in Shakespeare's 'Henry IV' plays, led to a sequel. 'The Merry Wives of Windsor' today would have been dubbed 'Falstaff II.' And like most sequels, the original idea wears thin. Falstaff is funny, but his coarse, self-aggrandizing behavior is one-dimensional. That's part of why Cincinnati Shakespeare's holiday show grows a bit wearisome.
To paraphrase Bill Clinton, "It depends on what your definition of 'well' is." Sure, 'All's Well That Ends Well' at Cincinnati Shakespeare Company ends up neatly with loose threads tidied away. But truest delights are the four strong women who, as in no other play by Shakespeare, dominate the action as played by Kelly Mengelkoch, Sherman Fracher, Amy Warner and Sara Clark.
When George Bernard Shaw's witty comedy 'Arms and the Man' debuted in 1894 in Dublin, it was a hit. Shaw described it as "one joke after another ... a firecracker." That's pretty much what you'll experience onstage at Cincinnati Shakespeare Company, making its first foray into Shaw's prolific output. I hope we'll see more Shaw on Race Street, based on the success of this production.