Jack White makes, sets record, Prince makes deal with old foes and Wu-Tang cuts ties with penis cutter
0 Comments · Wednesday, April 23, 2014
Jack White makes record-holding Swiss Polka trio look like slackers with "World's Fastest Released Record," Prince re-teams with the major label he once likened to slave owners and if you cut off your penis and jump off a balcony, don't go looking for sympathy from Wu-Tang Clan (especially if it might hurt their "brand")
0 Comments · Wednesday, August 7, 2013
Rumors of Motorhead frontman Lemmy's demise have been greatly exaggerated (again!), TMZ takes a break from Bieber coverage to focus on a Circle Jerk, an ex-White Stripe and a Black Key and Black Sabbath says Bill Ward was too overweight for their reunion tour, then announces a new amusement park attraction.
by Mike Breen
Third Man Records traveling record shop to hit CMJ, Muddy Roots Festival and MPMF
One of the more popular features at this year's MidPoint Music Festival isn't a band or singer/songwriter — it's a truck. The "Rolling Record Store" used by (and stocked with releases from) Jack White's Third Man Records will be at MPMF Sept. 28 and 29, between visits to the Muddy Roots Festival and New York City's CMJ conference/fest. An extension of White's tiny Third Man record store in Nashville (connected to his label's HQ), the record truck stocks all kinds of Third Man releases, including limited edition vinyl, as well as various Third Man merch. There is also reportedly a DJ station so visitors can spin tunes and a sound system was installed so that bands/musicians can plug in and play. White himself has performed a few times along the Rolling Store's travels (but it's not a guarantee). The Third Man Records Rolling Record store — which debuted last year at South By Southwest in Austin, Tex. — will make a great addition to the growing MidPoint Midway, the outdoor area featuring vendors, a side-stage, poster exhibitions and other cool "pop up" projects. The bright-yellow truck even has local ties — it was built by Erlanger, Ky.'s C. Cook Enterprises, a car restoration and metal fabrication shop.I visited White's Third Man headquarters in Nashville a few weeks ago and got to check out the cool merchandise on sale in that closet-sized shop. The Rolling Record Store was parked in the parking lot. I didn't get a tour, but even from the outside, it's a pretty striking vehicle (and I took a few photos, like the one above). Can't wait to see inside at the end of next month!Here's White playing a "B show" (side gigs on his current solo tour) next to the truck during the recent Outside Lands Festival.
by Mike Breen
Lollapalooza YouTube channel to stream live sets all weekend from Chicago
It's not quite the same as being there — unless you have long lines at your refrigerator, like to keep your house a balmy 105 degrees and live shoulder-to-shoulder with thousands of drunk people — but watching a music festival from the comfort of your own home isn't the worst thing in the world. (You could, for example, be watching Two and a Half Men.) The Lollapalooza YouTube channel will be streaming various artists' sets from this year's festival in Chicago, including today's 5:15 p.m. (Cincy/EST time) performance by reunited Cincinnati icons The Afghan Whigs. The festival begins this afternoon; streaming starts at 1:30 p.m. I watched a few live sets from last year's Lollapalooza through the YouTube site and the footage and stream were both pretty strong. Here's another Cincy act performing at Lolla last year.Here's the full rundown of streams for the next three days of Lolla (times are CST, so add an hour if you are in the Queen City):FRIDAY • 1:30 PM • Yellow Ostrich • • 1:30 PM • Michael Kiwanuka • • 2:15 PM • The Black Angels • • 2:15 PM • Dr. Dog • • 3:00 PM • The War on Drugs • • 3:30 PM • Blind Pilot • • 4:00 PM • Metric • • 4:15 PM • The Afghan Whigs • • 5:15 PM • The Head & The Heart • • 5:15 PM • Tame Impala • • 6:15 PM • The Shins • • 6:15 PM • Band of Skulls • • 7:00 PM • Sharon Van Etten • • 7:30 PM • Dawes • • 8:00 PM • Die Antwoord • • 8:30 PM • The Black KeysSATURDAY • 1:30 PM • JEFF the Brotherhood • • 1:30 PM • Los Jaivas • • 2:15 PM • Delta Spirit • • 2:15 PM • GIVERS • • 3:00 PM • Neon Indian • • 3:15 PM • Aloe Blacc • • 4:00 PM • The Temper Trap • • 4:15 PM • Alabama Shakes • • 5:15 PM • FUN. • • 5:15 PM • First Aid Kit • • 6:00 PM • The Weeknd • • 6:00 PM • Washed Out • • 6:45 PM • tUnE-yArDs • • 7:00 PM • Bloc Party • • 8:00 PM • Red Hot Chili Peppers • • 8:30 PM • AviciiSUNDAY • 1:30 PM • Oberhofer • • 1:30 PM • Bombay Bicycle Club • • 2:15 PM • Trampled By Turtles • • 2:30 PM • White Rabbits • • 3:00 PM • The Walkmen • • 3:15 PM • Gary Clark Jr. • • 4:15 PM • Franz Ferdinand • • 4:15 PM • J.Cole • • 5:15 PM • The Gaslight Anthem • • 5:15 PM • Toro Y Moi • • 6:00 PM • At The Drive-In • • 6:15 PM • Of Monsters & Men • • 7:15 PM • Florence + the Machine • • 7:15 PM • The Big Pink • • 8:15 PM • Miike Snow • • 8:30 PM • Jack White • • 9:15 PM • Childish GambinoClick here to watch all of the Lollapalooza streams. The Whigs — who will perform at great Chicago club Metro for a sold-out post-Lolla party tomorrow night — have most recently added tour dates in Cleveland, Boston, Philadelphia, Portland, Seattle, San Francisco and Los Angeles. The group comes home to Cincinnati's Bogart's on Oct. 25 for a sold-out gig with part-time tourmates Wussy. (Don't have tickets? Click here for a chance to win a a pair.)
0 Comments · Tuesday, May 22, 2012
Heading to a gig in Bloomington, Ind., Indie Rock band
Here We Go Magic saw a familiar looking man on the side of the road
holding up a sign and wearing a hat with the words “Scum of the Earth”
who looked a lot like Indie film legend John Waters. After some debate, they turned
around and, sure enough, it was him.
by Brian Baker
After the tumultuous revolution of The White Stripes, the twisted Pop/Rock convention of The Raconteurs and the Blues/Indie Rock gene splice of Dead Weather, there was nothing left for Jack White to do but to hang his own name on the marquee and go the solo route. There is an argument to be made that every White project is an extension of his musical persona regardless of the personnel he surrounds himself with or what he calls it; even the album's he produces bear his distinctive mark. At the same time, it’s also true White uses his shifting musical guises to offer a prismatic glimpse into the unique facets of his creative psyche, each one cut from the same bolt of cloth but patterned into something subtly but noticeably different.White’s debut solo album, Blunderbuss, follows that logic line in much the same way. He explores and expands upon many of the genre variations that have defined his catalog to date in the service of imploding love songs that, at least on the surface, would seem to point toward his recent divorce as inspiration. In fact, the lack of actual drama surrounding that event indicates that White has written a song cycle about theoretical bad love rather than using pages out of his tear-stained journal for his muse. Musically, Blunderbuss is a mixed bag of White’s best tricks; the Who-like guitar blast of “Sixteen Saltines,” the Prince-channels-the-Stooges Soul squall of “Freedom at 21” and the bluesy sugar swing of “I’m Shakin’.” But White also pushes his work down some interesting new paths as well, from the Americanapolitan Soul of “Love Interruption" (where White and singer Ruby Amanfu duet in a manner befitting Robert Plant and Alison Krauss) and the purer Country sway of the effecting title track to the Ray Davies-tinged dancehall Pop of “Hip (Eponymous) Poor Boy” and the loungey piano Pop of “Hypocritical Kiss.” Blunderbuss is another prime example of Jack White’s impeccable track record as one of Indie Rock’s most reliable chameleons.(Edited to correct White's duet partner on "Love Interruption")
0 Comments · Tuesday, April 3, 2012
In March, according to Rolling Stone,
Jack White celebrated his label Third Man Records’ third anniversary by
giving away all of the label’s “Blue Series” singles on an “easy to play
but impossible to hear” vinyl record designed to be “played” at 3 rpm.
by Mike Breen
Misfits, Drive-By Truckers, Q102's Bosom Ball and Hans-Joachim Roedelius, plus This Day in Music
Music Tonight: Pioneering German music experimentalist Hans-Joachim Roedelius performs a rare Cincinnati show tonight at The Mockbee (2260 Central Pkwy., just past the Western Hills Viaduct if you're heading towards downtown). Roedelius is legendary in avant garde circles and his adventurous work in Krautrock (with Cluster and Harmonia), Ambient and Electronica has had a hand in shaping the sound of a lot of contemporary music. Suffice to say, certain types of music (from Techno to Dubstep to Indie Rock) would likely sound different if Roedelius were never born. Consequence of Sound recently posted this interview with Roedelius, in which the 76-year-old trailblazer (he turns 77 Wednesday, but says, "Only my body feels the age, not my mind") talks about his upcoming appearance at Moogfest, his more recent work with acoustic music and poetry and collaborating with Brian Eno. Below is a sampling of Roedelius work over the past 40 years. Admission tonight is $10 and showtime is 8 p.m. Xambuca and Nebulagirl open.
0 Comments · Wednesday, June 15, 2011
Seth Putnam, frontman and founder of easy-listening faves Anal Cunt, died of a heart attack June 11. Oh, wait — Anal Cunt was actually a controversial Grindcore band named after a GG Allin tune, responsible for seconds-long songs like “Your Kid Committed Suicide Because You Suck” and “Van Full of Retards.”
The Greenhornes return after five-year hiatus with their best album yet
0 Comments · Tuesday, October 26, 2010
Five years ago, The Greenhornes were ready for a break. They'd stormed Cincinnati after forming in 1996, and the rhythm section of Patrick Keeler and Jack Lawrence got involved in several projects with The White Stripes' Jack White, eventually leading to the formation of The Raconteurs. Although The Greenhornes seemed inactive, the trio (including Craig Fox) continued to gather to record new songs, and now the band is releasing its first full album of new material in eight years.