Thursday and Friday • Woodward Theater
0 Comments · Wednesday, June 24, 2015
I have two enduring memories of singer
Erika Wennerstrom and Heartless Bastards. The first unfolded in 2005
when I experienced the band’s live power for the first time at Austin,
Texas’ South by Southwest festival.
by Mike Breen
103 days ago
Cincinnati-spawned band to release fifth album, play Woodward Theater in June
Former Cincinnati-based (now Austin, Texas headquartered) band Heartless Bastards have announced the release of its fifth album, Restless Ones, on the Partisan Records imprint on June 16. It’s the band’s first new full-length since 2012’s acclaimed Arrow, the group’s debut for Partisan. (The band took local group Wussy on tour after Arrow's release.)The Bastards, who recently opened some arena concert dates for Rock music legend Bob Seger, also announced a string of tour dates beginning in June that will bring them back to Cincinnati for a two-night stand at Woodward Theater. The band plays the newly remodeled/reopened Over-the-Rhine venue June 25-26 with opener Craig Finn (frontman for The Hold Steady).
A limited number of tickets for the Woodward shows are available starting today at noon through a special songkick.com presale. Click here for details.
After a wildly successful 2012, Cincinnati rockers offer fans free download of rarities collection
Cincinnati Rock foursome Wussy had its biggest year by far in 2012, as the band traveled extensively for the first time, securing some great opening slots on tours by The Afghan Whigs and The Heartless Bastards. The band also gained a fan base in the U.K., where the label Damnably Records issued an acclaimed compilation culled from the band's previous albums called Buckeye (frontpeople Chuck Cleaver and Lisa Walker traveled to the U.K. to tour and promote the release). With their press kit more overflowing than ever with international reviews and a variety of key radio appearances, Wussy's members are in a grateful mood. To say, "Hey, thanks," to their fans new and old, the group has issued Berneice Huff and son, Bill sings… Popular Favorites, a free compilation download that includes demos, rarities, b-sides and more. Berneice Huff and son (named for that irresistible album cover travesty) kicks off with an intro from NPR's Terry Gross, taken from when Fresh Air did a piece on the group in 2009. The rest of the collection is a treasure trove for Wussy completists, with live radio sessions and interviews, a few cover tunes and the initial three-song demo that Cleaver took to Shake It in 2003 looking for a record deal. Click here to download Berneice Huff and son, Bill sings… Popular Favorites and read more about the material included.Here's one of the track from the collection, Coltrane Motion's remix of "Maglite," from the remix compilation This Will Not End Well, which featured several local artists' reworkings of Wussy songs (Coltrane Motion is based in Chicago but originated in Cincy). <a href="http://allnightparty.bandcamp.com/track/maglite-2">Maglite by Wussy+Coltrane Motion</a&
Austin’s Heartless Bastards return to their origins before starting work on a fifth album
0 Comments · Wednesday, January 16, 2013
During their journey, The Heartless
Bastards have experienced a few personnel changes and a record label
switch, as well as a major relocation from Cincinnati to Austin, Tex.,
all of which occurred within a few years. The one constant has been the original
songs, guitar playing and vocals of Erika Wennerstrom.
0 Comments · Wednesday, August 29, 2012
There has been more activity downtown at
the former home of the historic Herzog recording studios than there has
been since the studio’s heyday in the ’40s.
by Mike Breen
Current local greats join former local (now Austin) greats for dates this fall
Cincy rockers Wussy have stepped up their game in terms of touring and promotions big time. It was previously announced that the group would join Cincy legends The Afghan Whigs on their upcoming U.S. tour run. Now, immediately following those (mostly sold out) dates, Wussy is set to join another local favorite, Heartless Bastards (now based in Austin, Tex.), for several shows on that band's fall tour. Wussy is the confirmed support act on Bastards dates in Houston, New Orleans, Nashville, Athens, Ga., Saxapahaw, NC, and Washington D.C. Wussy and Heartless Bastards are also hooking up on vinyl, participating in the series of singles tributing the songs of Soul/R&B songwriter Eddie Hinton. The Afghan Whigs' Greg Dulli recorded the first single in The Dangerous Highway Series of 7-inch singles (taking on "Hard Luck Guy” and “Cover Me"), while Drive-By Truckers did Vol. 2. Due next month, Vol. 3 features Wussy doing "Breakfast in Bed" on one side and the Bastards doing "Got Down Last Saturday Night" on the flip. At the same time as the split single, Shake It is also releasing Vol. 4 featuring Cincy's Buffalo Killers, with two tracks produced by Dan Auerbach of the Black Keys. (Besides buying them in Shake It's Northside shoppe, the releases will also be available through Shake It via mail order; click here to browse the catalog.)Before the Whigs and Bastards dates, Wussy headlines next Friday's free MidPoint Indie Summer Series on Fountain Square (the last of the season), then the band's Chuck Cleaver and Lisa Walker will be doing several dates as a duo in the U.K. (from Sept. 17-Oct. 1). The band's first album to be released overseas, Buckeye (on the Damnably Records imprint), came out in July in the U.K. and features a compilation of Wussy songs from the group's five albums (including the acoustic rendition of Funeral Dress). Buckeye has been scoring Wussy some remarkable press; the BBC reviewed the record and said, "Wussy are certainly a band with an incredibly rich past and, undoubtedly, an equally rich future."
by Mike Breen
Hank Williams debuts at Grand Ole Opry and Erika Wennerstrom is born
On this date in 1949, American musical icon Hank Williams made his debut at the Grand Ole Opry at the age of 25. It was the beginning of a very difficult relationship.Even though things soured, Williams' Opry debut was a career-defining moment. The singer/songwriter wowed the crowd so much, he was called back for six encores (the encores ultimately had to be halted so the rest of the show could go on). Williams' reputation for heavy drinking put off the Opry initially, but as his star continued to rise — boosted by the success of "Lovesick Blues" (recorded at the Herzog studio here in CIncinnati) — the Country music institution finally relented and invited him to perform. Williams continued to make Opry appearances over the next three years, but he was banished in 1952 for his alcohol-related issues. Hank died just a few months later, in January of 1953 at the age of 29. Over the past eight or so years, Hank Williams' grandson, Hank III, and other supporters have participated in a campaign to have Williams posthumously reinstated to the Grand Ole Opry. CityBeat also lent a hand, promoting the "Reinstate Hank" campaign during a tribute presented by the Cincinnati USA Music Heritage Foundation in honor of Hank's historic recording sessions in Cincinnati (Herzog studios was located where CityBeat and the CMHF headquarters now reside). Check a clip below.The reinstatement campaign has yet to work and seems to have lost some steam. But click here to learn more about the attempts to right such a ridiculous wrong.Born This Day: Musical movers and shakers sharing a June 11 birthday include the least hirsute (ironically!) member of ZZ Top, drummer Frank Beard (1949); Soft Rock god with Air Supply, Graham Russell (1950); guitarist/singer of Southern Rock group .38 Special, Donnie Van Zandt (1952); Flaming Lips drummer-turned-guitarist Steven Drozd (1969); and Heartless Bastards singer/guitarist Erika Wennerstrom (1977). Though she and her band are currently based in Austin, Tex., Wennerstrom grew up in Dayton before relocating to Cincinnati. As Wennerstrom has grown, matured, changed and become more confident, so has her band's music. After releasing her first two albums, Wennerstrom headed to Texas and retooled the band, adding two different musicians also from our area — Jesse Ebaugh and Dave Colvin — who joined Wennerstrom in Austin. Since then, the Bastards' albums The Mountain (a more earthy, less balls-out effort) and this year's Arrow (a great combination of everything the band does well) have continued the trend of each successive HB album drawing the group higher praise and more fans. A happy 35th b-day to Erika. We miss you here in Cincy. Below, check out an interview and acoustic session recorded for American Songwriter.
by Brian Baker
Posted In: Reviews
, Music Video
at 12:53 PM | Permalink
Remember the first time you saw Erika Wennerstrom sing in front of the Heartless Bastards and watched amazed as she pummeled her guitar and sang with a ferocity that made her neck veins dance like a cobra in a snake charmer’s basket? Brittany Howard approaches her role fronting Alabama Shakes with a similarly wrought intensity and to a familiar result. Like the Bastards and Grace Potter & the Nocturnals, Howard and Alabama Shakes channel ’60s Blues Rock with a contemporary edge on their excellent full-length debut, Boys and Girls. It’s not hard to play spot-the-influences with the Shakes, as the broad experience of the individual members found them looking for the commonalities between James Brown and Otis Redding and Led Zeppelin and AC/DC while working up an early set list. The mega versatile Howard finds them easily with a fluid guitar style that can be Doo Wop sock-hop one minute (“Heartbreaker,” the title track), elephant-gun recoil the next (the Joan Armatrading-steered-by-Jimi Hendrix howl of “Be Mine,” the loping groin kick of “Hold On”). Vocally, she wails with the hellhound authority of her Soul and Blues influences while pushing the needle into Rock God territory; comparisons to Janis Joplin are not the least bit out of line. Boys and Girls would be an impressive accomplishment from a band in its middle period, but it’s made all the more amazing considering the Shakes have only been together for three years and this represents only their second release. Howard and her cohorts in Alabama Shakes have an impeccable sense of Blues Rock classicism and an exciting sense of how to give it a good rowdy slap into right now.
by Mike Breen
Former local band plays "Parted Ways" on O'Brien's TBS show
Former local band (now based in Austin, Texas) Heartless Bastards continued its late-night chat show promo rounds in support of its latest album, Arrow, with an appearance on TBS's Conan. The band performed the Arrow track "Parted Ways" on the program last night. Check it out below. At the end, Mr. O'Brien proudly says, "Thank you, Heartless Bastards … I always wanted to say that!"
by Deirdre Kaye
Posted In: Live Music
at 02:31 PM | Permalink
Friday appearance in the now-Texas headquartered band's hometown area lacks usual specialness
It’s been eight and a half years, four albums and an almost entirely new set of members since Heartless Bastards began performing as a new band in Cincinnati's small clubs. This time around, the Bastards came back to their breeding ground as an Austin, Tex., band and played to a packed house at Madison Theater in Covington.For all intents and purposes, Saturday’s Heartless gig was very much a “homecoming” gig. As such, there are certain things one expects (and usually gets when the Bastards come home) — lots of heart, extra banter with the audience and, most importantly, one hell of a show. Going in with those expectations was probably a terrible idea. The concert was, at its worst, disappointing and, at its best, just OK.Anyone who noticed the night’s schedule started off disappointed when they realized Heartless Bastards wouldn’t be on until two hours after the listed showtime. Openers Hacienda were actually amazing, just as they were when they opened for City and Colour at Bogart's a few months back. But after Hacienda rocked out, the road crew took 20 minutes to set up the stage, followed by more than 10 minutes of absolutely nothing. Once the crowd was finally graced with the presence of the band, frontwoman Erika Wennerstrom spent another five minutes testing her vocal mic. Shouldn’t that have been done in sound check? Or, at the very least, during the 10 minutes of nothingness? Even drummer Dave Colvin sat leaning forward on his drum kit, staring at Wennerstrom with what appeared to be very little amusement.When they finally kicked into gear, the show wasn’t bad. The Bastards sounded close enough to their albums to show they are a decent band. A good portion of the crowd was made up of dancing fans who seemed unfazed by the initial delay. The night was heavy on songs off of Arrow, the Bastards' lean, stirring new album just released Valentine's Day. Wennerstrom recently told Billboard, “I feel like this is the strongest record I’ve ever done.” And she’s right.The live experience, however, was lacking on Friday night. Seemingly devoid of love and respect for the audience, the show was hopefully just a rare off-night from a band that usually kills it in front of their old hometown's still-very-much-dedicated fans.