0 Comments · Wednesday, October 22, 2014
Under the sponsorship
of the Historical and Philosophical Society of Ohio (now the Cincinnati
Historical Society), George S. Rosenthal took roughly 3,600 photographs of West End
0 Comments · Wednesday, October 15, 2014
Vivian Maier is the art world’s current
mystery artist du jour.
Cincinnati’s FotoFocus Biennial widens its scope as a top recurring photography event
0 Comments · Wednesday, October 1, 2014
Just by adding the word “Biennial” to its official name for 2014, FotoFocus
— which occurs this month in some 50 venues throughout Greater
Cincinnati — is aiming to raise its importance and artistic
by Steven Rosen
Posted In: Visual Art
at 09:16 AM | Permalink
Since they’re not playing at a multiplex, or even an indie theater like the Esquire, you might easily overlook some of the best films in town right now. They’re in FotoFocus’ Screenings program, curated by its artistic director Kevin Moore and showing at Lightborne Studio, 212 E. 14th St. in Over-the-Rhine 11 a.m.-8 p.m. today through Sunday.
This is basically a program of shorts presented in a comfortably spacious room (usually a studio) fitted with big sofas. But two hour-long (approximately) films are continuously alternating in a smaller second room, also decked out with sofas. The one I saw on Thursday, Rainer Ganahl’s 2013 El Mundo – A Classical Music Concert, was a transfixing achievement both film and music. It’s really worth seeking out.
The filmed, staged concert takes place in a Spanish Harlem discount store going out of business – everything is drastically on sale and looks picked-over, as if waiting for a dumpster to clear it out. Previously, the building was a theater and you can see traces of its former-life ornamentation. The heat must have been turned off for this event. The concertgoers Ganahl has brought to the place are dressed warmly – one woman looks ready to explore the Arctic at intermission.
In the middle of this stuff there is a grand piano. There, during the course of the film, two pianists play – one an accompanist and another a sublime soloist. There is also a young violinist (Rachel Koblyakov) and two operatic singers. The most spectacular presence is the older diva Ok-Cha Lim, wearing the reddest possible formal dress with a red wrap around her shoulders and wrists. She dramatically sings arias from Madame Butterfly and Tosca.
The film is split-screen, so you watch the performers do their pieces on one side while another camera wanders around the crowd and the store itself, stopping to inspect the goods. It’s an intimate enough space you can see the crew moving in and out of the frames. You can’t help but think about how, on one hand, capitalism churns out so much disposable stuff while on the other hand art produces timeless beauty. Or, how art can enrich any environment.
For more information, visit www.fotofocusbiennial.org.
The iconic John Waters brings his monologue — and more — to FotoFocus
0 Comments · Wednesday, October 8, 2014
It’s at first a bit perplexing why the FotoFocus Biennial booked John Waters to perform his This Filthy World comedic monologue at Memorial Hall on Saturday night.
0 Comments · Wednesday, June 4, 2014
At a luncheon/press conference Thursday
in New York, the FotoFocus Biennial will announce details of its 2014
activities in Cincinnati for this year’s Oct. 8-Nov. 1 run.