by Mike Breen
This year’s spectacle-of-an-awards-show on MTV had some Cincinnati flavor courtesy of Eric Nally and Walk the Moon
I tried to watch last night's Video Music Awards on MTV, but it was such an awkward and confusing clusterfuck, I couldn’t take much of it, flipping through for a few moments before moving on out of embarrassment for the people on the screen. I usually like when awards shows are a little chaotic (and the VMAs are known for their often-desperate attempts to be “not your mama’s awards show”). And I actually have always enjoyed the pop-culture pageantry of awards shows in general. But on last night’s VMAs, the annoyance factor was so high, I couldn’t even watch it on a “so bad you can’t look away” level. It made me anxious and uncomfortable, like watching someone fumbling over their words and breaking down while giving a speech in public (kind of like Kanye on last night's show).
It wasn’t really even the performances that made it so unwatchable (most were pretty solid for what they were). It was all of the in-between absurdity that made it so cringe-worthy.Speaking of performances, some Cincinnati artists did well on the big stage. Walk the Moon has become so experienced with these kinds of high-profile appearances that it wasn’t surprising the band’s umpteenth performance of “Shut Up and Dance” was flawless. Airing during the opening of the pre-show “rainbow carpet” portion, I found myself thinking (as I do whenever I hear the hit on the radio), “You know, they have other songs, including a new single?” “Shut Up” was considered a “song of the summer” contender, though it’s been on the radio for like 15 years (OK, it was released as a single in September of 2014, but still). Then the band played the new single, “Different Colors”! And MTV promptly cut them off. (Even “Shut Up” was interrupted mid-song so the pre-show hosts could introduce the program, the clumsiness of which ended up being indicative of the overall mess the VMAs turned out to be.)
2015 VMA, Artists.MTV, WALK THE MOON, 2015 MTV Video Music Awards, 2015 VMA, Artists.MTV, Music, WALK THE MOON, Full EpisodesThe weirder Cincinnati-related appearance came during Macklemore & Ryan Lewis’ performance of their new single, “Downtown.” I was not aware of the guest artists on the song (OK, I was not aware they had a new song), so I turned it on just as Hip Hop legends Melle Mel, Kool Moe Dee and Grandmaster Caz were rapping while walking down the street, thinking it was some cool old-school tribute the awards show was presenting. Then Macklemore came on and I reached for the remote, still unable to figure out what was going on. Then Eric Nally from late Cincinnati greats Foxy Shazam joined in, singing the chorus and doing some of his trademark stage moves and I officially thought I was just having a dream.
Nally did a great job and he caused a lot of buzz online, mostly of the “Who was that guy?” variety (when the single was released last week, a bunch of idiots rehashed the “Eric Nally is racist” stories from back in 2013 when Foxy Shazam released the single, “I Like It.”)
2015 VMA, Artists.MTV, Macklemore & Ryan Lewis, 2015 MTV Video Music Awards, 2015 VMA, Artists.MTV, Music, Macklemore & Ryan Lewis, Full EpisodesIt’s weird mash-up of a song, parts of which I like, while other parts I find tremendously aggravating. Which is kind of what the VMAs were. Is this the present state of popular youth culture? Throw a bunch of unrelated stuff together, put it in a blender and then just stare at the blender, not caring or knowing what the end result is?
MTV/Viacom had something called the O Music Awards for a few years recently, honoring things like “Favorite Fuck Yeah Tumblr,” “Favorite Animated Gif,” “Best Tweet” and “Best Artist With A Cameraphone.” The O Awards ceremony seemed unscripted and filmed without any director whatsoever. It doesn’t appear the O awards are still a thing; perhaps last night’s VMAs were a sign that the network is turning its long-running awards program into the Os? The VMAs were largely just a big WTF moment that people would talk about/complain about/make fun of online. Which is probably exactly what MTV was going for and, scarily, perhaps the shape of youth-oriented entertainment to come.
by Mike Breen
Eric Nally featured in Twisted Sister vocalist's video for "Mack the Knife"
Entertainment Weekly's website recently debuted a bizarre music video for Twisted Sister frontman Dee Snider's cover of "Mack the Knife." The clip features Eric Nally, singer for internationally renowned, Cincy born-and-bred hard rockers Foxy Shazam, as a nerded-up emcee introducing Snider before a less-than-enthused small crowd. The song is from Snider's album of covers, Dee Does Broadway, which includes Broadway cameos from Bebe Neuwirth and Patti LuPone. The video clip also includes a cameo by modern Prog Rock legend Mike Portnoy (Dream Theater, Translatlantic). "Mack the Knife" is rendered fairly straightforward by Dee … at first. (You just knew he wasn't going to take it anymore.)Click here to watch the clip.Snider is a Foxy fan, apparently. On a morning show in L.A. recently, he shouted-out the band to viewers, calling them "Queen meets The Darkness … so brilliant!It's not the first Rock veteran to take notice of Foxy's talent. Nally co-wrote songs with Justin Hawkins of The Darkness, Meat Loaf and others for Meat Loaf's 2010 album Hang Cool Teddy Bear. Here's "California Isn't Big Enough (Hey There Girl)," which Nally and Hawkins wrote together. (Foxy and the since-reunited Darkness have been touring together a bunch lately, a match made in flamboyant Rock & Roll heaven.)
Cincinnati's Foxy Shazam poised to break big with major label debut album
1 Comment · Tuesday, April 6, 2010
Foxy Shazam might have signed to super-conglomerate Warner Bros., but they're not reining in their enthusiasm for unhinged craziness and uniquely eccentric creativity. Witness the recurring lyric from "Bye Bye Symphony" from Foxy's about-to-be-released major-label debut, a line at once wildly hilarious, supremely confident and nonsensibly pragmatic: "Life is a bitch, but she's totally doable." That sentiment belongs on the bumper of every car in America.