WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 

An Iliad (Review)

Cromer gives an astonishing, memorable performance in ETC’s An Iliad

0 Comments · Thursday, October 16, 2014
Bruce Cromer's embodiment of Poet is an acting performance to cherish, one of the most powerful I have ever witnessed onstage.  

A Poet (and an Actor) Explore the Nature of War: You See?

0 Comments · Wednesday, October 15, 2014
Bruce Cromer’s performance as The Poet in An Iliad is no easy task. He’s playing a world-weary soul, sick of repeating tales of devastation and death.  

All Sewn Up: Reba Senske and Caren Brady Young, Design Divas

0 Comments · Wednesday, September 3, 2014
No costume challenge is too daunting for two local design divas Reba Senske and Caren Brady Young.  

Opening Number

Theater season starts now

0 Comments · Wednesday, August 20, 2014
Shows that open seasons for local theater companies carry added freight: They tell theatergoers, “This is what to expect from us.”   

Crumble (Lay Me Down, Justin Timberlake) and Authorial Intent

Ensemble Theatre of Cincinnati Intern Company

0 Comments · Friday, June 6, 2014
Both pieces, staged by directing intern Ben Raanan (the program is about 100 minutes), are well chosen pieces for the talented interns. I hope to see several of them remain in Cincinnati for subsequent onstage work.  
by Rick Pender 05.02.2014
Posted In: Theater at 09:25 AM | Permalink | Comments (0)
 
 
lynn meyers copy

Ensemble Theatre Announces 2014-15 Season

Ensemble Theatre Cincinnati's artistic director D. Lynn Meyers has assembled another set of intriguing productions for 2014-15, opening with the musical Hands on a Hardbody (September), a Tony-nominated 2013 musical with a book by Doug Wright, the playwright of I Am My Own Wife and bookwriter for Grey Gardens, both hits for past ETC seasons. This one is based on a 1997 documentary about a Texas contest to win a new truck by being the last person to keep at least one hand on the new vehicle.  In October-November it will be An Iliad, adapted from Homer's classic Greek epic of the Trojan War by Lisa Peterson and Denis O'Hare. This one-man show will be staged by Michael Evan Haney, always a good bet for a fine production, and feature veteran actor Bruce Cromer as the many characters in the story. For the holidays, ETC will bring back Sleeping Beauty, another of its smart fairytale adaptations that entertain kids and make adults smile. To kick off 2015, ETC will offer Sharr White's drama The Other Place, a gripping psychological thriller. The March-April slot has not been filled yet. In May, former Cincinnati Playhouse artistic director Ed Stern will work with popular stage veterans Dale Hodges and Joneal Joplin to present the regional premiere of Outside Mullingar, a romantic comedy by John Patrick Shanley, winner of the Pulitzer, Oscar and Tony awards. (He's the writer of Doubt and Moonstruck.) They'll play the parents of the show's shy central character, Anthony, who lives on an Irish cattle farm, next door to Rosemary, who has pined for him for years. This one just had a Broadway production, so ETC's production will be one of its first on a regional stage. Subscriptions are on sale now. For the coming season, ETC will offer a five-show Tuesday preview subscription, as well as Sunday evening subscriptions. The preview package provides the first chance to see productions (and at $125 price, considerably below the regular subscription rate), and the Sunday evenings have great seating availability. You can order a subscription by calling 513-421-3555.
 
 
by Rick Pender 04.11.2014
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
stage door

Stage Door: Green Day and More

If you follow music coverage in CityBeat (hey, isn't that really why you pick up the paper?), you're certainly aware of Green Day's 2004 recording American Idiot. But since you're reading my weekend theater previews, you must be interested in other kinds of performance, so here's a tip: For two nights only, Green Day's American Idiot, a stage version of the powerful Punk score, will be onstage at the Aronoff. That's right — Friday and Saturday only, just three performances, much shorter that Broadway in Cincinnati's two-week presentation of touring Broadway musicals. I can vouch for this one, since I saw it a year ago during a similar tour stop in Dayton. It's the story of three disaffected guys who take different downward spirals when confronted with the numbing boredom of everyday life — "alien nation" — as they sing in the opening number. The recording was conceived as a "Punk Rock Opera" and turned into a Tony Award-nominated Broadway show in 2010, with a lot of involvement by Green Day's lead singer Billie Joe Armstrong (who actually appeared onstage in New York at various performances; that's not happening here in Cincinnati). There's a day-of-performance lottery for a limited number of $25 tickets; you need to show up two-and-a-half hours before the performance you're hoping to see (8 p.m. Friday, and 5 and 8 p.m. on Saturday) with a valid photo ID. Complete an entry form and wait 30 minutes to find out if you're a winner. If you prefer to just go ahead and buy your seats ($38-$91), you can call the Aronoff box office: 513-621-2787. In the classic musical Gypsy, Rose has very concrete ideas regarding how to turn her daughters into stars (long before Green Day was punking out, to be sure): Back in the 1920s and ’30s she pushed her kids onto vaudeville stages whether they liked it or not. Things never went quite as she imagined, which was really a desire for her own fame and stardom. It's one of the great musicals, and the role of Rose has been compared to King Lear. That might be a bit of a stretch, but she's a tragic character who's fascinating to watch. There's a ton of great music, composed by Jule Styne with lyrics by a very young Stephen Sondheim and lots of humor along the way, especially the hilarious number by three strippers, "You Gotta Get a Gimmick." Cincinnati Landmark opened its production Thursday night, and it will be onstage at the Covedale Center for the Performing Arts through May 4. Tickets ($21-$24): 513-241-6550. Mary Chase's comedy Harvey won the 1945 Pulitzer Prize and had a four-year Broadway run (1,800 performances). The story of Elwood P. Dowd and his invisible friend, a 6-foot tall rabbit named Harvey, is perhaps best known for the 1950 movie featuring Jimmy Stewart in an Oscar-nominated performance. That's all well and good, but it's a show that audiences love to see live and in-person, and you can do just that at Covington's Carnegie for the next three weekends (tonight through April 27). It's directed by Buz Davis, who produced shows at the Carnegie when it was a dilapidated wreck back in the ’80s and ’90s. Now he's returning to stage Harvey in the beautifully renovated Otto M. Budig Theatre. (Tickets ($17-$24): 859-957-1940.) Davis has assembled a strong cast for this family-friendly comedy, you can catch a few of them in this charming promotional video:Still onstage are several recommended productions: The Mountaintop at Ensemble Theatre (final extended performance is Saturday evening; 513-421-3555); A Delicate Ship at the Cincinnati Playhouse (through April 20; 513-421-3888; CityBeat review here); and The Twentieth-Century Way at Know Theatre (through May 3; CityBeat review here.) And if Monday comes and you want still more: Check out True Theatre's next installment — True Dating (7:30 p.m. at Know Theatre). This round of monologues of real experiences will feature stories of dating that led to true love, and some that went off the tracks along the way. Tickets ($15): 513-300-5669.
 
 
by Rick Pender 02.21.2014
Posted In: Theater at 08:46 AM | Permalink | Comments (0)
 
 
stage door 2-21 - cynthea mercado as scheherazade in arabian nights @ nku - photo provided by northern kentucky university14an press photo 3 copy

Stage Door: Options Abound

I’m not making up a story when I suggest you could be charmed by Mary Zimmerman’s Arabian Nights at Northern Kentucky University. After all, her play is about telling tales: Scheherazade, the latest bride of a cruel king who has a history of marrying and executing his wives, survives by stringing him along with stories she promises to finish the next night — for a “Thousand and One Nights.” (Read my profile of Mary Zimmerman here.) She plies him with tales of Sinbad and Ali Baba. Audiences at NKU will likely be strung along, too. Senior Cynthea Mercado plays Scheherazade, whose life, she says, “is threatened with the reality of her situation, and yet she is still able to enjoy her own tales and sometimes get lost in them.” No need to get lost. Find your way to Highland Heights and NKU’s Corbett Theatre for this production, through March 2. Tickets: 859-572-5464. If a classic musical is to your taste, you might try Andrew Lloyd Webber’s epic musical Evita, in a touring production at the Aronoff Center through March 2. I caught a performance last evening, and it looks great — some epic scenery and excellent choreography. Josh Young as Che is charismatic and strong-voiced in his role as the show’s commentator. Unfortunately, Caroline Bowman’s Eva Perón gets too shrill way too fast and becomes a grasping harpy before there’s a chance to be won over by her Machiavellian charms. As Juan Peron, Sean MacLaughlin looks young and slimy, without the sinister gravitas that the historical figure possessed. That doesn’t leave much opportunity to convey the complex chemistry — passion and manipulation — that bonded them as a political machine. But the tale of the ambitious young woman who rose to the highest levels of power in Argentina then crashed and burned is a memorable modern tragedy, and the show’s rock-opera tunes by Andrew Lloyd Webber will stick in your head. Tickets: 513-621-ARTS. Cincinnati Shakespeare is keeping the cast of its recent production of Shakespeare’s Hamlet intact with its current production of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead. This time around, it’s the story of Hamlet’s college buddies Rosencrantz and Guildenstern, who move from Shakespeare’s sidelines to Stoppard’s center stage. In this classic 1967 script, the pawns become the central characters, while Prince Hamlet, Queen Gertrude, King Claudius, Ophelia and others wander by. The classic tragedy is turned on its head, and it becomes an existential tragedy for two guys who everyone has a hard time telling apart. Through March 9. Tickets: 513-381-2273. The Cincinnati Playhouse in the Park’s production of Amy Herzog’s Pulitzer Prize finalist script, 4000 Miles, is onstage at the Shelterhouse Theatre. It’s about a 91-year-old grandmother and her 21-year-old grandson bridging a giant generation gap and finding that they actually have a lot in common. Through March 9. Tickets: 513-421-3888.  It’s the final weekend for several shows that have been pleasing audiences. Nina Raine’s Tribes at Ensemble Theatre Cincinnati was originally scheduled to close last Sunday, but to meet ticket demand for the show about coping with deafness — and contentious families — ETC added performances through Saturday. (CityBeat review here.) Tickets: 513-421-3555. … A block away at Know Theatre, the off-kilter script by Steve Yockey, Pluto, winds up on Saturday, too. It’s about dealing with tragedy and grief, told in an inventive, sometimes even humorous, manner. Two of Cincinnati’s finest actors — Annie Fitzpatrick and Tori Wiggins — are in this one, making it very watchable. (CityBeat review here.) Tickets: 513-300-5669 … For the younger set, this weekend offers the final public performance, Saturday at 2 p.m., of Children’s Theatre’s Pinkalicious at the Taft. It’s the story of a girl who can’s stop eating pink cupcakes. Tickets: 800-745-3000. And here’s a tip for Monday evening: Dayton native Daniel Beaty, who pleased a lot of Playhouse patrons last season with his tour-de-force one-man show, Through the Night, will be in town for a one-night performance to promote his new book, Transforming Pain to Power. His performance (6:30 p.m. in the Marx Theatre) and the book signing afterward in the Rosenthal Plaza) are free, but you need to make a reservation with the Playhouse box office: 513-421-3888.
 
 
by Rick Pender 01.31.2014
Posted In: Theater at 08:53 AM | Permalink | Comments (0)
 
 
stage door 1-31 - dale dymkoski is billy, torn between two divisive approaches to deafness in tribes at etc - photo ryan kurtz

Stage Door: Full Weekend

Lots of plays not previously seen in Cincinnati are good theater choices this weekend:Ensemble Theatre Cincinnati just opened its regional premiere of Tribes by Nina Raines on Wednesday, and I've given it a Critic's Pick. The story circles around two young adults from families with very different approaches to deafness. Billy's family has tried to give him a "normal" life by teaching him to speak and lip read, while Sylvia's deaf parents have always communicated using sign language. Now that she's going deaf, she's more and more dependent on that skill. But Billy's loud, boisterous family objects to him to make his deafness so obvious, even though he's finally found a path to overcome his loneliness. This tale of warring tribes is as much about family dynamics and human nature as it is about coming to terms with a disability. Provocative and thoughtful, with a sterling cast of convincing actors. Through Feb. 16. Tickets: 513-421-3555. The Cincinnati Playhouse in the Park has a winner with its production of Bruce Norris's Clybourne Park, a show that portrays territoriality rooted in insensitivity and prejudice. (CityBeat review here.) Using a 1959 play, Lorraine Hansberry's A Raisin in the Sun*, as its jumping-off point, Norris's first act portrays a white Chicago neighborhood where the sale of a home to an African-American family has set off warfare between residents. In the second act, it's 2009 and the same neighborhood, blighted by deterioration, is now being gentrified. The tables are turned, but many of the arguments — and in Norris's clever script, even some of the same words — resurface. I gave this one a Critic's Pick, too. Through Feb. 16. Tickets: 513-421-3888. *A footnote to Clybourne Park: To experience this show's inspiration, A Raisin in the Sun, tune to WVXU (FM 91.7) on Saturday evening, 8-10 p.m., for a radio production of Lorraine Hansberry's play by LA Theatre Works. It's a seminal American drama in its own right. This bounty of premieres is joined by Know Theater's staging of Steve Yockey's brand-new play, Pluto. (CityBeat review here.) It's the story of a single mom and her sullen, disconnected son in a generic suburb. It feels realistic, but there are signs that it goes beyond that: A blossoming cherry tree has crashed through the ceiling, and a three-headed dog (played by a one-headed actress) sits nearby, offering curious observations about what's going on. A radio spits out news about a school shooting, sometimes speaking directly to the mom, and then the refrigerator begins to shake violently, as if some force is trying to escape. There's more to be revealed, and I should warn that gun violence and death are portrayed. But this is a poetic and emotional tale of grief distilled. Through Feb. 22. Tickets: 513-300-5669. Daniel Beaty's one-man show, Through the Night, was well-received at the Cincinnati Playhouse in a Fall 2012 production, performed by the playwright. (CityBeat previewed that piece here.) Northern Kentucky University this weekend is offering another of Beaty's solo works, the multi-character show (27 roles in all) Emergency, a piece that features slam poetry, performed by local actor Deondra Means. It begins with a fanciful premise, a slave ship arriving in a New York City harbor in the 21st century. Director Daryl Harris calls Emergency "a perfect storm for the social activist and the theater artist in me." It's onstage only this weekend at NKU's Stauss Theatre. Tickets: 859-572-5464.
 
 

0|1
 
Close
Close
Close