by Rick Pender
66 days ago
Posted In: Theater
at 10:13 AM | Permalink
Jane Austen, Harper Lee, civics, Irish drama and perfume shop romance
There’s plenty of theater on local stages this weekend. Here’s a round-up for you to consider: Two shows based on very different classic novels are excellent choices. Emma, adapted from Jane Austen’s 1815 novel about well-intended matchmaking that goes awry, continues at Cincinnati Shakespeare Company. The production takes advantage of the company’s strong female acting contingent, especially Courtney Lucien as the title character. At the Cincinnati Playhouse you’ll find a truly memorable and creatively staged rendition of Harper Lee’s 1961 Pulitzer Prize-winning novel, To Kill a Mockingbird. Eric Ting’s production is exceptionally theatrical, using a barren stage to focus on the story’s characters rather than naturalistic settings. The big cast features numerous local professionals, somewhat unusual for the Playhouse, and they’re a pleasure to watch. It’s around until April 3. I gave Critic’s Picks to both Emma and Mockingbird. Cincy Shakes box office: 513-381-2273; Playhouse box office: 513-421-3888.Beertown, the show currently onstage at Know Theatre, is as much an exercise in civic engagement as it is a piece of theatrical entertainment. Every five years a small town, perhaps in New England, revisits a time capsule to decide if the contents are still relevant. That leads to debate, and the audience is welcome to chime in during the “quinquennial” celebration, emceed by a self-assured mayor. You’re invited to bring desserts for a pre-show potluck; the townspeople (a cast of eight performers who are very adept at improv) mingle and introduce themselves before things get started and at intermission. This is the final weekend; Saturday evening’s performance at 8 p.m. will feature sign-language interpretation. Tickets: 513-300-5669.With St. Patrick’s Day just passed, perhaps you’re looking for a piece of great Irish writing, with some trademark dark humor. Martin McDonagh’s The Beauty Queen of Leenane opens tonight at Falcon Theater in Newport (636 Monmouth St.). It’s about Maureen, a plain, lonely woman in her early 40s, who still lives with Mag, her manipulative, aging mother. Trying to stave off abandonment, Mag ruins what might be Maureen’s last chance at love — and that sets off some pretty bad behavior all around. This is not a show for the faint-hearted, but it’s a terrific script that was nominated for six Tony Awards in 1998. Through April 2. Tickets: 513-479-6783.There’s a production of the 1963 musical She Loves Me on Broadway right now, and the charming show is getting pretty good reviews there. The same show is onstage at the Covedale Center for the Performing Arts locally through April 3. It’s the story of Georg and Amalia, two lonely co-workers in a perfume shop, who get off on the wrong foot and quickly develop a combative relationship. At the same time, they’re having an unwitting pen-pal relationship with one another, quite charmed by the prospects. It’s a sweet, humorous tale, and the Covedale has some able performers — Rodger Pille and Erin Nicole Donahue — in the central roles. But the production, staged by Matt Wilson, feels disjointed, more a showcase for several comic story lines and amusing character roles than a coherent, offbeat tale of love that almost goes wrong before everything is happily resolved. Tickets: 513-241-6550.The culmination of the excellent musical theater program at UC’s College-Conservatory of Music is the annual Not Yet Famous Showcase that seniors take to New York City. That’s about to happen, so CCM’s Class of 2016 is onstage locally to warm up before heading to Broadway for their debut next week in front of directors and casting agents. Two performances are set for Saturday at 4 and 8 p.m. in Patricia Corbett Theater. Admission is free but reservations are required (513-556-4183) … CCM Drama showcases its talent in both New York (for theater) and Los Angeles (for film and TV), and you can check out the acting talent coming out of that program in free programs on Friday at 2 or 7 p.m., also at Patricia Corbett Theater. Reservations are not necessary for the Drama Showcase.The Cincinnati Playhouse is offering a series of readings of plays by playwrights whose shows are included in their 2015-2016 season. On Monday evening at 7:30 p.m. the offering is Terrence McNally’s A Perfect Ganesh, about two women from Connecticut on a journey to India as they try to heal from the deaths of their sons. (McNally’s more recent play, Mothers and Sons, is the next production in the Shelterhouse Theater, opening Thursday.) The reading is free, but reservations are required; a previous reading was sold-out, so call right away if you’re interested: 513-421-3888.Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
by Rick Pender
73 days ago
Posted In: Theater
at 10:53 AM | Permalink
Mockingbird, love letters and whiffs of Fringe
Looking for some good theater this weekend? There’s plenty to choose from on Cincinnati stages.
Last evening I was at the Cincinnati Playhouse for the opening performance of To Kill a Mockingbird.
If you’ve read Harper Lee’s Pulitzer Prize-winning novel or seen the
classic film starring Gregory Peck, you know the story. But I bet you’ve
never seen it quite the way Playhouse Associate Artist Eric Ting has
staged this one. Reminiscent of Our Town, it’s played out on an
all-but-bare stage — no scenery, minimal props — just great storytelling
acting, including a lot of local professionals: Dale Hodges, Annie
Fitzpatrick, Torie Wiggins, Ken Early, Barry Mulholland, Jared Joplin,
Randy Bailey and three sensational kids. The set is deceptively simple,
but used very effectively with Ting choreographing the action using two
concentric “revolves,” atmospheric lighting and sound effects. The
Playhouse clearly has a winner with this production. It just opened and
the demand for tickets is already so strong that it’s been extended to
April 10, a week beyond the initially announced closing. Tickets:
When you put together a songwriting team like Jerry Bock and Sheldon Harnick (the guys behind Fiddler on the Roof) and a writer like Joe Masteroff (he also wrote the script for Cabaret), the results ought to be good. And they were in 1963 when She Loves Me
debuted on Broadway. Set in a 1930s perfumery, it’s about two shop
clerks, Amalia and Georg, who don’t see eye to eye; both lonely and
yearning for love, they unwittingly end up as pen-pals — and a
warm-hearted comic romance ensues. (Sound familiar? It’s also the story
of the Tom Hanks-Meg Ryan hit film from 1998, You’ve Got Mail.) She Loves Me
was revived on Broadway in 1993, and there’s a current production of it
w by Roundabout Theatre Company. But you don’t have to travel to New
York City to enjoy this charming show, since it’s onstage at the
Covedale Center for the Performing Arts through April 3. Tickets:
There are numerous whiffs of Fringe shows in the air this weekend. Beertown
continues at Know Theatre through March 19, a concept brought to town
by dog & pony dc, a group that’s performed more than once at
Cincinnati Fringe Festivals. This one is an exercise in civics that
happens to be highly entertaining, as a small town decides which items
to keep or replace in a time capsule that’s reviewed every five years.
Audiences get to join the conversation — and they do. With a cast
featuring a lot of local improv and acting talent, Beertown is a
thoroughly entertaining production, and it can go in different
directions every time it’s performed. Know is also presenting a double
bill of two past Fringe award winners — Petunia and Chicken from Animal Engine and Edgar Allan
from the Coldharts. The former is a story of love and loss inspired by
the works of Midwestern Prairie author Willa Cather; two actors play all
the parts piece. Edgar Allan was inspired by imagining the
boyhood of Edgar Allan Poe. If you missed these shows during the 2013
and 2015 festivals, you can see them at Know’s Jackson Street theater on
Sunday, Monday and Tuesday. Tickets, for one or both shows, which are
both presented each evening: 513-300-5669 or at the door.
If you’re still pining for Fringe-styled shows, try Transmigration 2016
at the University of Cincinnati’s College-Conservatory of Music, featuring student-created works
presented tonight and Saturday evening at 7 p.m. This annual event by
CCM’s drama program features teams of actors who write, promote, stage
and perform a handful of 30-minute shows. For 2016 the titles are
“Elliot Popkin: The Best Friends I Never Had,” “The Elephant in the
Room,” “The Family,” “Colony Collapse Disorder,” “Vices” and “A Brief
Eternity.” Show up for an evening and dash around the CCM complex to see
four of these unpredictable but wildly creative pieces. Admission is
free, but reservations are required: 513-556-4183.
Also at CCM: The thrashing, pulsating production of American Idiot continues
through Sunday at Patricia Corbett Theater on the UC campus. If you’re a
fan of Punk Rock (the show is a stage version of Green Day’s 2004
recording), this is the show for you … Prefer something more sedate?
Head downtown for Cincinnati Shakespeare’s stage adaptation of Jane
Austen’s Emma, which continues through March 26. Tickets: 513-381-2273.
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
0 Comments · Wednesday, January 27, 2016
People do a lot of dreaming, and their
emotions are often tied up in those dreams. That’s the case with two
very different stage productions currently available at local theaters.
by Rick Pender
122 days ago
Posted In: Theater
at 11:47 AM | Permalink
A little history, a little love and some fantasy
Cincinnati Shakespeare Company is staging the original
“game of thrones” — England’s Hundred Years’ War (1337-1453) as retold
by the Bard’s history plays — eight shows being presented in
chronological order across five theater seasons. (Cincy Shakes is only
the second theater company in the U.S. to present the history cycle in
Chronological order.) We’ve already seen Richard II, Henry IV: Part 1 and 2 and Henry V. Now it’s time for the reign of Henry VI, which Shakespeare covered with three plays. This week starts the production of Henry VI, Part I,
the story of Henry V’s only son who, in 1421, inherited the throne
before his first birthday, after his father’s untimely death. A child on
the throne opened the door to the dynastic struggles of the War of the
Roses. (The cycle concludes next season with the bloody tragedy of Richard III.)
Darnell Pierre Benjamin plays Henry, an unusual choice. Here’s what he
says about taking on this role: “I’m a black male from St. Martinville,
Louisiana. Despite how much I’ve always fixated my interests on the
classics, I never thought that I’d have the honor of representing one of
Shakespeare’s history kings.” He says he hopes “to open people’s minds
and hearts to seeing the core of this story — a young man coming into
his own as he learns that there are forces, both good and bad, that can
alter his perception of himself.” Through Feb. 13. Tickets:
513-381-2273.The Covedale Center just opened Neil Simon’s Chapter Two,
a play about a widowed writer trying to start over while still grieving
for his late wife. The story is rooted in Simon’s own experience, and
the playwright’s famous one-liners are still there, but woven into the
show’s humor is a story about coming to terms with death and moving on.
Through Feb. 14. Tickets: 513-241-6550.In Covington, The Carnegie is offering what sounds like an interesting production of The Wizard of Oz that
opened last night. With musical accompaniment by the Kentucky Symphony
Orchestra, it’s a “lightly-staged” rendition with Harold Arlen’s famous
score from the 1939 movie. Of particular interest is the scenic design
by local artist Pam Kravetz, a unique take on the iconic landscapes of
Oz, including Munchkin Land and the Emerald City. Just to remind folks
passing by on Scott Avenue, you’ll see a giant pair of legs with striped
stockings and ruby slippers to remind you that one wicked witch is
dead. Through Jan. 31. Tickets: 859-957-1940.For something completely different, consider The Realistic Joneses
by Clifton Players, at Clifton Performance Theater on Ludlow Avenue.
It’s about two couples named Jones, next-door neighbors who get to know
one another despite fear and loneliness. Will Eno’s unusual play — part
comedy, part drama — digs into secrets that aren’t often spoken aloud.
It’s being staged by local theater veteran Dale Hodges with a cast that
includes Carter Bratton, Mindy Siebert, Miranda McGee and Phil Fiorini.
It’s onstage through Feb. 7. Tickets: 513-861-7469.Next week there will be even more theater on local stages: Grounded, a one-woman show about a fighter pilot assigned to making drone strikes (Ensemble Theatre, Jan. 27-Feb. 14, 513-421-3555), BlackTop Sky, a tale of homelessness and friendship (Know Theatre, Jan. 29-Feb. 20, 513-300-5669) and Prelude to a Kiss,
a sweet love story about changing places and understanding different
perspectives (Falcon Theater in Newport, Jan. 29-Feb. 13, 513-479-6783).Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
by Rick Pender
124 days ago
Posted In: Theater
at 05:58 PM | Permalink
2016-2017 shows announced for Cincinnati Landmark venues
we’ve just passed the halfway point of the 2015-2016 theater season, the
over-achievers at Cincinnati Landmark Productions just announced plans for future
productions at the Covedale Center for the Performing Arts and the Warsaw
Federal Incline Theater for 2016-2017.
Perrino, CLP’s executive artistic director, says, “With our two venues,
Cincinnati Landmark Productions has two great platforms to create exciting
theater and palpable neighborhood vitality. We set a course for success with a
summer of sellouts at the Incline in 2015, and we’re chomping at the bit to
bring these just-announced shows to life in 2016 and 2017.”
Covedale’s offerings are designed for mainstream audiences, while the Incline
offers two distinct seasons — “Summer Classics” presents shows with broad
appeal; the “District Series” produces more adult fare, both musicals and
Covedale Center’s “Marquee Series” for 2016-2017 will offer:Godspell
(Sept. 8-Oct. 2, 2016), Stephen Schwartz’s first big musical theater hit, based
on the New Testament’s Gospel of Matthew. Schwartz is the composer of Wicked.The Foreigner
(Oct. 20, Nov. 13, 2016), a comedy by Larry Shue, in which a shy, lonely guy
poses as visitor from an exotic country who doesn’t speak English.
The Night Before Christmas (Dec. 1-23, 2016) for the holiday season.
19-Feb. 12, 2017), John Patrick Shanley’s 2004 Pulitzer Prize winner about a suspicious
nun and a progressive priest.
(March 9-April 2, 2017), Ken Ludwig’s farce about a pair of Shakespearean
actors scheming for an inheritance.
My Fair Lady
(April 27-May 21, 2017), Lerner and Loewe’s classic musical about a professor of
linguistics who trains a Cockney gal to pose as an elegant noblewoman.
Incline’s “District Series” plans to produce starting next fall:
[title of show] (Sept. 29-Oct. 16, 2016), a clever musical about creating a musical to
enter in a festival.
God of Carnage
(Nov. 17-Dec. 4, 2016), Yasmina Reza’s domestic drama about a pair of parents
who come to blows arguing about a fight between their children.
The Rocky Horror Show (Feb. 16-March 5, 2017), the sci-fi parody musical from
1973 that inspired the 1975 cult film.
6-23, 2017), Peter Shaffer’s award-winning drama about a psychiatrist treating
a teenager who blinded six horses.
the pipeline for the Covedale’s current season are productions of Neil Simon’s
warm-hearted comedy Chapter Two (Jan.
21-Feb. 14) and two classic musicals, She
Loves Me (March 1-April 3) and Brigadoon
(April 28-May 22).
at the Incline for the balance of this season are the satiric musical Avenue Q (Feb. 18-March 6) and David
Mamet’s hard-as-nails real-estate drama Glengarry
Glen Ross (April 6-24). Those will be followed by the previously announced
“Summer Classics” season for 2016, featuring three likeable musicals Anything Goes (June 1-26), Baby (July 6-31) and Chicago (Aug. 10-Sept. 4). The Incline’s
summer season in 2015 completely sold out three productions — The Producers, 1776 and 9 to 5.
by Rick Pender
Posted In: Theater
at 10:43 AM | Permalink
This weekend is your final chance to see several December productions, including Low Down Dirty Blues (Cincinnati Playhouse), All Childish Things (Know Theatre) and Rent (Incline Theater). A few shows stick around after Dec. 25 — A Christmas Carol (Playhouse) continues through Dec. 30 and Ensemble Theatre’s staging of its jaunty rendition of Cinderella remains onstage until Jan. 3. I would find it odd to watch Ebenezer Scrooge getting scared into a “Merry Christmas” a few days after the holiday, but ETC’s contemporary rendition of a beloved fairytale might be just the thing to entertain bored kids after they’ve tried out all the new toys. Tickets for the latter: 513-421-3555.I checked out opening night of the tenth anniversary presentation of Every Christmas Story Ever Told (and then some) at Cincinnati Shakespeare Company, and it’s as silly and funny as ever — especially with some clever pokes at people and events from 2015. The annual gags about fruitcakes take on a whole new dimension this time around by having some fun with Rowan County Clerk Kim Davis and her intransigence about issuing marriage licenses to gay couples. Every Christmas Story trots out just about every “BHC” (Beloved Holiday Classic) you might recall and puts it through a humorous filter. It’s fun from start to finish, but there is a moment — after recreating A Charlie Brown Christmas, complete with a woebegone tree — when Justin McCombs steps into a pool of light as Linus with his security blanket and recites the New Testament passage from the Gospel of Luke about an angel speaking to the shepherds. It’s a somber and wholly lovely scene, so far removed from very tongue-in-cheek, sometimes off-color humor typical of the show that it sticks with audience members. The antic McCombs also plays a true believer who refuses to be be convinced that Santa’s existence is impossible: His enthusiasm for all the miraculous things the Jolly Old Elf can accomplish is so childlike that you’ll wish you could return to that innocent age yourself. Even if you’ve seen Every Christmas Story before, it’s a blast to go back. In fact, I’d say it’s become a BHC in its own right. Onstage through Dec. 27. Tickets (if they’re still available): 513-381-2273.There’s also some great holiday laughs to be had compliments of OTRImprov, presenting its annual show The Naughty List in the Courtyard at Arnold’s Bar & Grill in Downtown Cincinnati. The 90-minute show — unscripted and building off suggestions from the audience — happens Sunday-Tuesday, Dec. 20-22 and Dec. 27-29. It’s a laugh-a-minute way to have fun right before or after Christmas. To make an evening of it, show up at Arnolds (201 East 8th St.) between 6 and 6:30 p.m., get seated and place your dinner order. The performance will begin at 7:30 p.m. The rotating cast includes OTRImprov’s quick-witted regulars Mike Hall, Kirk Keevert, Sean Mette, Dave Powell, Charlie Roetting, Dylan Shelton and Kat Smith. Tickets (order before 4:30 on the day of the show): 513-300-5669.Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
by Rick Pender
at 09:20 AM | Permalink
Know Theatre opens Andy’s House of [BLANK] tonight at 8 p.m. The show is the spawn of the second round of Know’s Serials, a happily creative two-month program of five 15-minute episodes. This one, a musical about a shop full of oddities and a story of love, regret and time travel, was a crowd favorite early in 2015. It struck Know’s artistic team as warranting further development, so they invited creators/storytellers Trey Tatum and Paul Strickland to turn it into a full-fledged work. As in Serials, it’s staged by director Bridget Leak. It’s being produced in Know’s Underground Bar, cleverly transmuted into the interior of Andy’s oddity shop with a set drawn on cardboard. Strickland (who’s also a singer and songwriter) has created a bunch of musical numbers; he and playwright Tatum are in the show, as if they were teens working at Andy’s back in the day and now retelling what went on. Read my Curtain Call column here to learn more. It’s happening through Nov. 14. Tickets: 513-300-5669.Rodgers and Hammerstein’s Carousel, with a short run at UC’s College-Conservatory of music this weekend, is a classic from the Golden Age of Broadway musicals. It’s a darker story than you might expect from Rodgers and Hammerstein: Billy Bigelow, a good-looking bad boy who runs the merry-go-round at the carnival is love-’em-and-leave-’em kind of guy until he meets Julie Jordan. He tries to live a better life once they’re married and she’s pregnant, but it’s not really his thing. He dies after a bungled robbery and then has a chance to come back and make things right with his teenage daughter. There’ a lot of great music in this show — “If I Loved You” is one of several classic numbers — and with faculty member Diane Lala staging it (and choreographing it, too), it’s sure to be extremely watchable. Final performance is the Sunday matinee. Tickets: 513-556-4183.Floodwaters are threatening life and limb in the past and the present at the Cincinnati Playhouse in the Park where Dana Yeaton’s Mad River Rising is on the big stage. Set in an abandoned barn, it’s the story of Angus Stewart (played with dry humor and stubborn attitudes by 82-year-old actor Robert Hogan) who witnessed a devastating flood in 1937 that all but destroyed his family’s farm. In old age he’s trying to stave off waves of newfangled innovation and life choices that have abandoned the traditional values of farming and owning land. Hogan is a fine performer, and the story has intriguing moments as he tangles with family members trying to accommodate him, help him or navigate around him. It’s a fine portrait of the challenges of aging. Here’s a to my CityBeat review. It’s onstage through Nov. 14. Tickets: 513-421-3888.Elsewhere: Ensemble Theatre Cincinnati finishes its run of the very funny one-man show Buyer and Cellar, about an actor hired to manage a faux shopping mall in the basement of Barbra Streisand’s Malibu estate. (CityBeat review here.) Actor Nick Cearley turns in winning performances as the actor, as Streisand and a handful of others as he retells the ups-and-downs of “selling” to one tough customer. The run ends on Sunday. Tickets: 513-421-3555. … Cincinnati Shakespeare’s fine production of the prize-winning American drama Death of a Salesman by Arthur Miller continues through Nov. 7. (CityBeat review here.) One of our region’s great professional actors, Bruce Cromer, turns in a heart-rending performance as Willy Loman, whose aspirations have come to a grinding halt; Annie Fitzpatrick’s powerful portrait of Willy’s devoted, weary wife Linda makes the sad story all the more compelling. Tickets: 513-381-2273. … Covedale Center is presenting a frothy farce by Ken Ludwig in the tradition of Marx Brothers’ comedies. Fox on the Fairway is a madcap story set at a private country club. Onstage through Nov. 15. Tickets: 513-241-6550.One more thing: Ensemble Theatre Cincinnati is presenting a series of behind-the-scenes events that will enhance your appreciation of how theater productions are put together. This month’s Caffeinated Conversation on Saturday morning at 11 a.m. explores how ETC’s season is put together, how local actors are found and what it’s like to direct plays and musicals that deal with mental illness, economic disparity and racial tension. One of Cincinnati’s most admired directors, D. Lynn Meyers, will speak and answer questions. Tickets ($15): 513-421-3555.Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
0 Comments · Wednesday, September 9, 2015
Let me admit right up front that I’m a total sucker when it comes to A Chorus Line.
No matter how many times I’ve seen it (quite a few over the past four
decades since it opened on Broadway in 1975), there are still moments
that grab at my heartstrings and bring tears to my eyes.
by Rick Pender
Posted In: Theater
at 01:01 PM | Permalink
Christopher Durang's witty comedy Vanya and Sonya and Masha and Spike opened last night at the Cincinnati Playhouse. If that title makes you think of Russian playwright Anton Chekhov, well, that's part of the playwright's comic plan. But his script reassembles some of those wry comic elements with a few modern twists. The three characters with Chekhovian names are siblings with wildly divergent perspectives; "Spike" stirs things up by being more physical than intellectual. You don't have to know any theater history to have a good time with this play, especially when Vanya launches into a 10-minute rant about what's wrong with the modern world — referencing everything from postage stamps and technology to global warming and a lot of TV from the 1950s. It's hilarious. This show is being staged at theaters all over America this season. For more about Durang, read my Curtain Call column. Through May 23. Tickets: 513-421-3888The Covedale Center has carved our a meaningful niche in the local theater scene with staging Golden Age musicals, and they're opening one of the best this weekend, Rodgers and Hammerstein's The Sound of Music. It was the final show by the pair who created Oklahoma, South Pacific, Carousel and The King and I. Thanks to the movie featuring Julie Andrews, I don't really have to tell you what it's about. But I should mention that the stage version has a bit more of a socio-political edge to it: Two of my favorite numbers (that didn't make it into the film) are "No Way to Stop It" and "How Can Love Survive?" — pay attention to them for some sassy songwriting. The show is onstage at the West Side theater through May 24; tickets: 513-241-6550Several worthwhile productions are finishing their runs this weekend with Sunday performances. That includes the searing psychological and political drama Death and the Maiden by Diogenes Theatre Company, featuring Annie Fitzpatrick, Michael G. Bath and Giles Davies at the Aronoff's Jarson-Kaplan Theater. Tickets: 513-621-2787 … Cincinnati Shakespeare is winding up its staging of the great comedy of love and combat, The Taming of the Shrew. (Read my review here). Tickets: 513-381-2273 … And if you've ever struggled to connect with a play by the Bard, you might enjoy John Murrell's Taking Shakespeare at Dayton's Human Race Theater Company. The latter is about a disillusioned college professor asked to tutor her dean's son through a freshman class in Shakespeare. The subject is Othello, and their wrangling helps them learn more about one another. It's some fine acting, with Jon Kovach, seen frequently on Cincinnati stages, as the opinionated but drifting young man. Tickets: 937-228-3630Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
It's their party
0 Comments · Monday, March 16, 2015
When I attended the Covedale Center’s production of The Marvelous Wonderettes at a Sunday matinee, there were no young people in attendance.