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Technically Refined, Formally Graceless ‘Compositions’

0 Comments · Tuesday, May 15, 2012
The 20th century looms large in Paul Schuette’s new show Compositions at semantics. An investigation into form, structure and sound, the exhibition’s multimedia works orient themselves around Modernism’s concern with quintessence, but pose typically Postmodern questions about how we define genres and the context in which we encounter works of art.    

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