WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 
by Rick Pender 09.04.2015 13 hours ago
Posted In: Theater at 11:53 AM | Permalink | Comments (0)
 
 
seven guitars @ actors theater louisville 2015 (l-r) forrest mcclendon, j. alphonse nicholson_photo credit by bill brymer

Stage Door

Theater seasons starts movin’

There’s a lot more coming next week, once we get past Labor Day, but right now there’s just one theater locally with a production onstage. That’s the Covedale Center for the Performing Arts. Artistic Director Tim Perrino has been reminding everyone that just because Cincinnati Landmark Productions has opened the Incline Theatre, don’t think that the Covedale has shut down. In fact, it has an ambitious line-up of shows, and the opening production is already under way, A Chorus Line. I haven’t seen this production of it yet, but I will tell you that it’s a show that really lit my interest in musical theater. It was a Broadway hit back in 1975, and I saw a touring production of it in Cleveland in 1978. I had next to no income at the time — and tickets for subsequent performances were pretty well sold out anyway — but I told several friends that in a perfect world, I would have gone back to see it again. I had to wait a few years for that to happen, but this story of aspiring performers grabs me every time I see it. It’s the story of eager young dancers trying to get into the chorus of an upcoming Broadway production. The group is narrowed to 17, but the ultimate goal is four men and four women. The songs are rooted in each dancer’s personal story: Some are amusing, some are heart wrenching — all are painfully true. At the end, they all coalesce into “One (Singular Sensation),” a stunning finale that has all the individuals we’ve met together, dancing as one. It’s a wonderful metaphor about the passion to perform and to be part of a larger whole. A Chorus Line at the Covedale has performances this weekend and continues through Sept. 27. Tickets: 513-241-6550.Last evening I drove to Louisville where Actors Theatre is opening its 2015-2016 season with a superb production of August Wilson’s Seven Guitars, one of his “Century Cycle” plays chronicling African-American life in Pittsburgh across the decades of the 20th century. This one, set in the late 1940s, swirls around a promising young Blues singer, Floyd “Schoolboy” Barton, who has been offered a recording contract just after his release from a 90-day stint in jail. The play opens with his funeral then circles back through scenes reminiscing about his life and six vividly different people who were close to him — three women and three men. The cast is powerful, and the minutely detailed setting, a desolate backyard in Pittsburgh’s Hill District (inspired by the art of African-American painter and collagist Romare Bearden) is a sight to behold. Seven Guitars blends humor, lyricism and tragedy. Although several of Wilson’s remarkable plays have been stage in Cincinnati, Seven Guitars — winner of the New York Drama Critics’ Circle award for best play in 1996 and a finalist for the Pulitzer Prize and the Tony Award — has not been produced locally. So you might want to make a run down I-71 to Louisville between now and Sept. 20 to see this. This production is definitely worth the trip. Tickets: 502-584-1205.Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 

Onstage: A Chorus Line

0 Comments · Wednesday, September 2, 2015
The dancers who back up Broadway productions are called “gypsies.” They lead anonymous lives, but they’re passionate, dedicated performers.  

Power Down — and Prepare for Bliss

0 Comments · Wednesday, September 2, 2015
For the past two Septembers I’ve written columns about theater etiquette. In 2013, my headline was “Behave Yourself,” and last year I updated it to “Behave Yourself 2.0.” Please don’t think me old-fashioned, but it’s time for another reminder — I’m not the only one concerned about this.  

Onstage: 9 to 5

0 Comments · Wednesday, August 26, 2015
Cincinnati Landmark Productions (CLP) has hit a home run with the debut of the Warsaw Federal Incline Theater this summer. I’m sorry to say that the summer’s final offering doesn’t measure up to its predecessors.  

Onstage: The Complete Tom: 4. Detective

0 Comments · Wednesday, August 26, 2015
Some theater al fresco? Queen City Flash is a flash-mob theater company working its way through Mark Twain’s adventures of Tom Sawyer and Huck Finn with imaginative, pop-up performances in local parks.  

Counting on Women Playwrights

0 Comments · Wednesday, August 19, 2015
“The Count,” a recent study of hundreds of theater productions nationwide between 2012 and 2015 at nonprofit theaters such as the Playhouse in the Park and others in Cincinnati, revealed that roughly one-fifth were written by women. That’s an improvement over a decade ago, but it’s a long way from parity.   

Onstage

University Theater Programs Educate and Entertain

0 Comments · Wednesday, August 19, 2015
With the fall season, you have plenty of theater choices to consider. Beyond Cincinnati’s professional and semi-professional companies, area universities provide excellent theater fare worth attending.   
by Rick Pender 08.07.2015 28 days ago
Posted In: Theater at 09:07 AM | Permalink | Comments (0)
 
 
stage door 8-5 -hundred days at know theatre - id - shaun bengson - photo by daniel r. winters

Stage Door

Make ’em Laugh: Midsummer Theater

Hundred Days, a Folk Rock Opera onstage at Know Theatre, continues to be the go-to show of the summer. The story of a marriage that gets short-circuited by a fatal illness turns into a joyous 75-minute concert music written and performed by the dynamic duo of Abigail and Shaun Bengson, with five musicians and singers behind them. Rather than wallow in grief about having only 100 days, they celebrate their love by condensing what they imagine 60 years of life might have held. It’s a lovely story, told in an imaginative, contemporary way. Read my CityBeat review, which gave it a “Critic’s Pick.” Tickets: 513-300-5669 Cincinnati Shakespeare has three excellent comic actors onstage at the moment who know how to wring every possible laugh out of a satiric script. Geoffrey Barnes, Justin McCombs and Amanda McGee are performing The Complete History of America (Abridged), another script by the zany trio who wrote The Complete Works of William Shakespeare (Abridged). I think this one tries a little too hard to be hilarious, so a few moments feel kind of lame, but these three players manage to pick things up, make a little fun of themselves and move right on with more gags, jokes, pratfalls, spit takes and costume changes. It’s an evening of hilarity. Here’s my CityBeat review. Through Aug. 15. Tickets: 513-381-2273 Cincy Shakes’ FREE Shakespeare in the Park tour continues this weekend with a 7 p.m. performances of Romeo and Juliet at Cottell Park in Deerfield (Friday) and the Community Park Pavilion in Milford (Sunday) as well as A Midsummer Night’s Dream — at the Community Pavilion in Glenwood Gardens, a Hamilton County Park.  Finally, if you’re willing to drive to Dayton for the Human Race Theatre Company’s first-ever Festival of New Works. The weekend offers a collection of readings of five scripts — three plays and two musicals — by local, national and international writers. The lineup includes full readings of Have You Ever Played, Dayton?, a play by Robb Willoughby, and Mann … and Wife, a musical by Douglas J. Cohen and Dan Elish based on the latter’s novel Nine Wives. There will also be three 30-minute “snapshot” readings: Karen Righter’s play, The Day After Epiphany; Central Park Tango, a musical by Nicky Phillips and Robert Gontier; and Scott Stoney’s adaptation of Some Self-Evident Truths, a play based on the journals of Lucille Wheat and Lois Davies. Open talkbacks with the creative teams follow the readings. The “snapshots” (Saturday at 8 p.m.) are presented and ticketed as a group. Readings will be held in the 60-seat Caryl D. Philips Creativity Center of The Human Race and The 212-seat Loft Theatre in downtown Dayton. Info: 937-228-3630 or humanracetheatre.org Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 

Lessons Learned: Theater Educator Dee Anne Bryll

0 Comments · Wednesday, August 5, 2015
If you read playbills carefully, you’ve probably seen Dee Anne Bryll’s name. She’s worked at most every theater in town — from the Playhouse to the Covedale Center, from Northern Kentucky University to University of Cincinnati’s College-Conservatory of Music, plus countless engagements with local schools.  
by Rick Pender 07.24.2015 42 days ago
Posted In: Theater at 09:40 AM | Permalink | Comments (0)
 
 
100

Stage Door

Hundred Days? Several hundred years? Theater has a lot to offer this weekend

Did you attend the Cincy Fringe back in 2011? If so, maybe you saw Abigail and Shaun Bengson perform a musical work in progress then called “Songs from the Proof.” They came back in 2012 to present a one-night concert of some of the songs. The work evolved into a show called Hundred Days, which had a staging in San Francisco in early 2014. It’s continued to evolve — and its next incarnation will be onstage at Know Theatre for the next month, opening on Friday and running through Aug. 22. It’s about a young couple who fall in love, only to have their time together cut short by a fatal illness. They decide to live the 100 days they have left as though it were 60 years they had hoped for. Lots of music and creativity have gone into this one, and it promises to be a powerful performance with some great tunes. (Read more in my Curtain Call column in this week’s edition of CityBeat.) Tickets: $25 in advance; rush tickets at the door ($10, if available). Free performances on Wednesdays, but reservations required: 513-300-5669.Cincinnati Shakespeare Company’s 2015-2016 season is beginning as it has for several years with a light-hearted abridgement — but this time it’s The Complete History of America (abridged), opening Friday night and continuing through Aug. 15. The show is the creation of the same nuts responsible for the hilarious Complete Works of William Shakespeare (abridged). It’s the same format: Veteran comic actors Miranda McGee and Justin McCombs, along with newcomer Geoffrey Barnes, will take audiences on a whirlwind tour that sends up America’s greatest hits … and misses. It’s the kind of delirious summer entertainment we’ve come to expect the from our often-more-serious classical theater folks. Tickets ($22-$35): 513-381-2273Last weekend I went to Stanberry Park in Mt. Washington to see The Complete Tom: 3. Abroad, presented by Queen City Flash, Cincinnati’s flash-mob theater company. It’s the third installment of its four-part play cycle of Mark Twain’s tales of Tom Sawyer, Huck Finn and Jim, the runaway slave. It was charmingly performed by Dave Powell, Rico Reid and Trey Tatum — plus some amusing puppets (aka wooden spoons) and a few sheets for ghost stories. This charming episode features the threesome on a trans-Atlantic voyage in a Jules Verne-like airship, meeting a number of interesting characters along the way — played in quick-change manner by the three actors. Free performances begin at 8 p.m. but don’t go to Stanberry Park — they’ll be elsewhere this weekend. In fact, the outdoor locations remain secret until 4 p.m. the day of performance when an email is sent to ticket holders with a map and parking instructions. The show is a lot of fun and great entertainment for kids, and part of the adventure is figuring out where you’re headed. Take a chance! Tickets — no charge — can be reserved at QueenCityFlash.comThis weekend offers the final performances of 1776 at the Incline Theater (513-241-6550) and The 25th Annual Putnam County Spelling Bee (859-572-5464). Both are worth seeing.Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here. 
 
 

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