0 Comments · Wednesday, January 20, 2016
Nearly 30 percent of Playhouse premieres were written or co-created by women, significantly more than the 22-percent figure researched by the Lilly Awards and the Dramatists Guild for shows by women produced by American theaters during seasons between 2011 and 2014.
0 Comments · Wednesday, December 23, 2015
If you went to see theater locally during
2015, you had a lot to choose from. Here are the shows that I
particularly admired and some of the reasons why.
0 Comments · Wednesday, November 11, 2015
In an after-hours jam session at a Blues
club in Chicago late on a Saturday night easing over into early Sunday,
musicians and singers are swapping stories and songs
0 Comments · Wednesday, October 7, 2015
Between 1982 and 2015, Americans’
attitudes about sex evolved. For evidence, check out two plays in
production locally: Laura Eason’s contemporary Sex with Strangers at the Cincinnati Playhouse on its Shelterhouse stage and William Mastrosimone’s 1980s drama Extremities at Incline Theater.
0 Comments · Wednesday, August 19, 2015
“The Count,” a recent study of hundreds
of theater productions nationwide between 2012 and 2015 at nonprofit
theaters such as the Playhouse in the Park and others in Cincinnati,
revealed that roughly one-fifth were written by women. That’s an
improvement over a decade ago, but it’s a long way from parity.
Laughing all the way to Neverland
0 Comments · Monday, March 16, 2015
For anyone yearning to return to childhood
for a few hours — reveling in clever wordplay, fart jokes and an
adventure won “against impossible odds” — this show is a must-see.
by Rick Pender
Posted In: Theater
at 09:41 AM | Permalink
I wanted to start today's note about theater opportunities for this weekend by bringing your attention to my CityBeat column here, a tribute to my late friend Tom McElfresh, who passed away in February. Tom was a Cincinnati theater critic in the 1970s and ’80s who I brought on board as my back-up at CityBeat in 1998. For a dozen years, his enthusiasm for theater — as well as his sometimes blunt observations — kept CityBeat readers informed about shows on local stages. If he were still writing, he'd be encouraging you to go see a show. I was at UC's College-Conservatory of Music last event for the opening of a short but spectacular run of the Peter Pan, the legendary Golden Age musical from 1954. This is an eye-popping production of the show with familiar tunes such as "I've Gotta Crow," "I'm Flying" and "I Won't Grow Up," backed up by an orchestra of nearly 30 players. That's about double the number that you'll find in the pit at touring Broadway shows; and these players are decked out as pirates! Even more spectacular are Dean Mogle and Rebecca Senske's funny, over-the-top costumes for Captain Hook (played with delicious deviltry by Nathaniel Irvin) and his crew, Tiger Lily (Samantha Pollino, an athletic dancer) and her storybook Indians and Peter (alternating between Clara Cox and Hannah Zazzaro) and his Lost Boys. Mark Halpin's big circus-inspired set is fun to watch, and guest director and choreographer Joe Locarro's staging is inventive and wonderfully danced by the big cast, especially "Ugg-a-Wugg," with nearly 20 closely synchronized performers. Oh, there's flying, too. It's a shame this one doesn't have a longer run, but that's what happens at CCM, where productions come and go quickly. The final performance is a 2 p.m. matinee on Sunday. Get there to see this one — and take a kid with you. Tickets: 513-556-4183.The March sisters whose story is told in Louisa May Alcott's Little Women remain popular after more than 150 years. You can find a spirited adaptation (CityBeat review here) of the novel onstage at Cincinnati Shakespeare through March 21, featuring the company's excellent actresses, especially Maggie Lou Rader as fiercely independent Jo, who aspires to be a writer. Tickets: 513-381-6673, x1. A musical adaptation of the story about the sensitive, imaginative girls who grow into strong, diverse women during and after the Civil War is happening at Footlighters, the community theater that performs at the Stained Glass Theater in Newport. It too is running through March 21. Tickets: 859-652-3849.Still worth seeing are Chapatti (CityBeat review here), the heartwarming story of two lonely senior citizens who love their pets but need more human companionship, at the Cincinnati Playhouse through Sunday (tickets: 513-421-3888) and Clifton Players portrait of the contentious and dysfunctional Weston family in the Pulitzer Prize-winning sprawling three-act drama August: Osage County (CityBeat review here), surprisingly well staged in the intimate Clifton Performance Theatre, which has just 40 or so seats for each performance (tickets: 513-861-7469) through March 13.
If you missed Theory of Mind, the Cincinnati Playhouse's February touring production for young audiences about a kid on the autism spectrum, you can catch it for free at Music Hall on Sunday at 2 p.m. The charming show is about a socially awkward kid trying to find his way in the world of dating; it's not only endearing, it's quite funny. The performance is part of the Artswave Sampler Weekend, sponsored by Macy's to draw attention to the annual fundraising campaign on behalf of the arts.
Once upon a time dinner theaters were a big thing.That's not so much the case in 2015, but La Comedia continues to thrive in Springboro, 40 miles north of Cincinnati. Celebrating its 40th anniversary this year, it's one of the largest theaters in America where you can enjoy a buffet meal before a show — and it's the only one still operating in Ohio. It just opened a two-month run of Rodgers and Hammerstein's legendary musical South Pacific. This organization knows the formula for combining dining and theatergoing — and you can't beat the sweet potato soufflé! Tickets: 800-677-9505.I want to close with a shout-out to Gina Cerimele-Mechley, winner of the 2015 recognition for outstanding arts educators from the annual Overture Awards. She's been part of the local theater scene for years, and if you watch this video nomination from her students at Cincinnati Music Academy, you'll see why she's made a difference. Here's a remark she made: “My strength as a teacher is constantly being a student. I learn the strengths of each individual student and try to hone those skills into something marketable. When a student has completed working with me I want them to be able to stand on their own two feet and make their own choices.” Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
by Rick Pender
Posted In: Theater
at 09:37 AM | Permalink
I hope my Curtain Call column (found here) in a recent issue moves you to head to UC's College Conservatory of Music for Richard Hess's staging of Wendy Wasserstein's Pulitzer Prize winner, The Heidi Chronicles, onstage through Sunday. If you remember the 1970s and ’80s, this production will transport you back in time as you watch young feminist Heidi Holland grow up, grow weary and grow wise. Tickets: 513-556-4183.A dog might be man's best friend, but sometimes that's not quite enough. That's one of the lessons of Christian O'Reilly'sChapatti, which opened last night at the Cincinnati Playhouse. Set in contemporary Ireland, it's about two lonely hearts, both in their 60s, who love animals — he's a dog guy ("Chapatti" is his dog's name) and she's a cat lady (she has 19 of them). That brings them together, but what they need is human companionship. That might sound predictable, but there's more to it than that. (Through March 8.) Tickets: 513-421-3888.Falcon Theatre in Newport is opening its stage adaptation of In the Heat of the Night this evening for a two-weekend run. It's the story of a black homicide detective from L.A. who gets caught up in an Alabama homicide investigation in the early 1960s. It's a powerful drama that reminds us of how messy race relations were a half-century ago. With Ed Cohen as director and Derek Snow as Virgil Tibbs, this is likely to be a solid production. Tickets: 513-479-6783.Get a kid started on going to theater: Take her or him to see School House Rock Live! JR., presented by the Children's Theatre of Cincinnati this weekend at the Taft. It's an adaptation of the educational cartoon from the '70s and '80s. And grown-ups are likely to have fun, too, since the local rock band The Rusty Griswolds is performing tunes like "Conjunction Junction" and "Three Is a Magic Number." Public performances tonight (7:30 p.m.), Saturday (2 and 5 p.m.) and Sunday (2 p.m.) Tickets: 800-745-3000.Three well-received productions have their final performances this weekend on Sunday: Ensemble Theatre's riveting mystery/psychological drama, The Other Place (CityBeat review here), with a fine cast led by Regina Pugh; the Cincinnati Playhouse's assemblage of Johnny Cash numbers, Ring of Fire (CityBeat interview here), featuring four singers and six excellent supporting musicians; and the funny two-man, 20+ character show Greater Tuna at the Covedale Center (CityBeat review here). And The Handmaid's Tale at Know Theatre, a one-woman adaptation of Margaret Atwood's dystopian novel, has just one more week in its run.The energizer bunnies at Know keep things going with Serials 2: Thunderdome on Monday evening, 15-minute episodes of five new scripts. The concept had a big following over the summer, and one of those works has its parts reassembled as a "full-length" piece: Saturday the 14th, a dark romantic comedy. Playing two lonely losers who meet as they mutually contemplate suicide are Miranda McGee from Cincinnati Shakespeare and Nic Pajic. Tickets: 513-300-5669.The Broadway Series offers a quick stop (they call it a "season extra") of the musical Anything Goes next week, openingTuesday and running through Sunday. If you can't get away for a mid-February cruise, this Cole Porter classic on an ocean liner might be just the ticket for an evening's escape. Tickets: 513-621-2786.
by Rick Pender
Posted In: Theater
at 09:37 AM | Permalink
With the holidays just behind us, there's a kind of a lull on local stages, but this weekend has a few offerings to consider. At the Cincinnati Playhouse there's a popular production that's been extended twice, so you still have chances to see Tenderly: The Rosemary Clooney Musical through Jan. 11. The show is a great recreation of the career of girl singer Clooney who grew up in Northern Kentucky and Cincinnati and rose to stardom in the 1950s and 1960s, only to find that the music world's fascination with Rock 'n' Roll was putting her in the rear view mirror. But she figured out how to reinvent herself and overcome drug dependency, too. Susan Haefner acts the part and sings a slew of convincing renditions of Clooney's Pop and Jazz hits. Michael Marotta plays her therapist and more: He steps in and out of portraits of all the other people in Clooney's life, from her mother and her sister to big names like Frank Sinatra and Bing Crosby. It's a very entertaining show, guaranteed to warm up an early January night at the theater. Tickets ($30-$85): 513-421-3888.
Ensemble Theatre Cincinnati is offering one final weekend of its "non-denominational" holiday fairytale musical, Sleeping Beauty. With songs by local composer David Kisor and an entertaining script by Cincinnati playwright Joe McDonough, this production is good for kids and adults. Acting intern Deirdre Manning steps out in the title role with a fine singing voice and fellow intern Terrance J. Ganser is her Rock star prince and her soulful savior a century later. But the real zip in the show comes from Deb G. Girdler's evil Wisteria and Michael G. Bath as Falcon, her devious assistant. Final performance is 2 p.m. on Sunday. Tickets ($18-$44): 513-421-3555.Speaking of ETC, for the next week or so the theater is offering $10 off adult tickets to performances early in the runs of an engaging thriller The Other Place (Jan. 29-Feb. 3), the drama with historical context Detroit '67 (March 18-24) and a romantic comedy Outside Mullingar set in Ireland (May 6-12). Just mention the coupon code NEWYEAR15 when purchasing tickets in those date ranges online (www.ensemblecincinnati.com), in person or by phone (513-421-3555), and you'll save $10. That's a good way to get 2015 off on the right foot!
Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.