by Rick Pender
48 days ago
Posted In: Theater
at 01:10 PM | Permalink
If you'd like to go to the theater every evening for the
next four days, there are plenty of options for you to consider as the
2014-2015 season is getting underway on stages all over town. Here are
some good choices to consider:
Hands on a Hardbody opened on Wednesday at Ensemble Theatre Cincinnati, and CityBeat reviewer Stacy Sims called it "effervescent" and "offbeat" in her review,
giving it a Critic's Pick. I was there, too, and couldn't agree more
about the infectious, heartfelt joy coming from the big cast of 15. The
show is based on a true story (the subject of a 1997 documentary) about
people in a downtrodden Texas town who enter a contest to win a Nissan
pickup truck by outlasting others who vow to keep one hand on the
vehicle. The cherry-red truck is as much a character as any of the
contestants, the physical embodiment of their hopes and dreams — which
take the form of songs by Trey Anastasio (of Phish) and Amanda Green.
The script by Pulitzer Prize winner Doug Wright treats these diverse,
down-on-their-luck folks with dignity, and the performers (who often
perform with the truck as their dance partner) bring every one of them
to life in vivid ways. This one is a must-see, a great way to kick-off
ETC's theater season. Through Sept. 21. Tickets ($28-$44): 513-421-3555
The Great Gatsby kicks off Cincinnati
Shakespeare Company's season tonight. You didn't know Shakespeare wrote
it? Well, he didn't. This theater company focuses on the Bard, to be
sure, but it frequently branches out to present stage versions of other
classics, in this case an adaptation of F. Scott Fitzgerald's 1925
classic about a mysterious nouveau-riche millionaire who's obsessed with
a one-time debutante. Set in the Jazz Age and inspired by lavish
parties the high-flying Fitzgerald attended on the prosperous North
Shore of Long Island, Gatsby is a story about the ups and downs
of the American Dream. Simon Levy's script is the only one authorized by
Fitzgerald's estate, and Cincy Shakes is presenting its regional
premiere. (And here's a tip: on opening nights at 6 p.m., the theater
offers ticket holders a complimentary catered meal, beer and wine.)
Through Oct. 4. Tickets ($22-$36): 513-381-2273
Sherlock Holmes and the Adventure of the Suicide Club
opens next Thursday at the Cincinnati Playhouse, but previews begin for
the season opener this Saturday (through Wednesday). Tickets for these
performances are discounted, and you'll be seeing a show that's pretty
much ready to go. Jeffrey Hatcher's script should be lots of fun for
fans of the Victorian sleuth. He's taken the character created by Sir
Arthur Conan Doyle and dropped him into a tale conceived by another
inventive writer, Robert Louis Stevenson, for a mash-up that will keep
even Baker Street regulars guessing. Tickets: 513-421-3888
Serials! at Know Theatre, which has
presented episodes of six Fringe-like shows at two-week intervals all
summer long, culminates on Monday evening at 8 p.m. with finales of each
tale. Who will win the ultimate fist fight with the Devil in Flesh Descending? How long can Luke really stay in his bedroom during The Funeral? Will we ever find out what's really happening in Mars vs. The Atom?
These questions and more will be answered on Monday. Even if you've
missed a few episodes, don't worry: Each 15-minute performance begins
with a brief recap of the story so far. Zany and fun for anyone who's
enjoyed the annual Cincinnati Fringe Festival. Tickets ($15): 513-300-5669
Finally, a tip for an eye-opening theater experience next weekend: On Sunday, Sept. 14, the Cincinnati area's first-ever South Asian Theater Festival happens
in an all-day event at the Anderson Theater (7850 Five Mile Rd.). Five
plays are scheduled to be presented, as well as panel discussions, seven
hours of programming in all. The day begins at 12:30 p.m. and is set to
conclude around 8 p.m. A limited number of tickets remain ($19-$29): SATFCincy.org
by Jac Kern
139 days ago
Posted In: Events
at 11:38 AM | Permalink
The Cincinnati Rollergirls close their season with the third annual Crosstown Knockdown
Saturday. The double-header opens with a mixed game featuring CRG’s Black Sheep
team and the Battering Rams, Cincy’s men’s team. During the main event, CRG’s
Violent Lambs face-off with the Black-n-Bluegrass Rollergirls’ Blackouts. CRG’s
home rink is at the Cincinnati Gardens; with the arena for sale, it might be
the crew’s last game there. Gates open at 5 p.m. and the first bout begins at 6
p.m. The game is also Fan Appreciation Night — the first 500 fans through the
door will receive CGR cowbells and the girls will be handing out gifts to fans
throughout the games. Tailgating is encouraged, parking is free and dollar
beers are available from 5-6 p.m. Tickets are $12 at the door.
Enjoy a taste of the Middle
East this weekend with St. James’ Mediterranean
Food Fest. Guests can binge on traditional fare including hummus and
falafel, stuffed cabbage and grape leaves, varieties of kebabs, gyros, baklava
and more. There will also be live entertainment and plenty of traditional
carnival fare for the kids. The fest runs daily Friday through Sunday. Go here for
directions and more info.
returns to Ault Park for another summer day of classic cars displayed in one of
Cincinnati’s most beautiful parks. More than 200 collector rides will be
showcased, with a spotlight on Mustangs and microcars and the 100th anniversary
of Maserati. Tickets are $20 in advance, $25 day-of. The show runs from 10
a.m.-4 p.m. Sunday.
Here’s a twist on the
typical summer yard sale: Cincinnati
Playhouse in the Park
opens its scenery shop to the public for a big sale Saturday morning.
Furniture, glassware, china, costumes, and other items seen onstage in popular
Playhouse productions will all be priced to sell from 8 a.m.-noon. Bring cash
or a check; all proceeds benefit the not-for-profit Playhouse.
The MidPoint Indie Summer Series continues Friday with a great lineup
of local acts. The Mason School of Rock opens the night at 7 p.m., followed by
Honey & Houston, The Tigerlilies and Wussy at 10 p.m. Advance tickets to
MidPoint Music Festival ($69 all music access and $179 VIP) will be on sale at
Fountain Square. Check out the full Indie Summer Series schedule here.Second Sunday on Main kicks off this weekend, bringing more than 80 local
vendors, food trucks, street performers, live music and specials at Main Street
business to the street, between 13th and Liberty streets. This “Main Street
runs noon- 5 p.m., featuring music by The Hot Magnolias, a celebrity chef demo,
a dog parade and contest, a clothing swap and community yard sale, entertainment
at the Rock Paper Scissors performance tent and much more.
For more art openings, parties, festivals and other
stuff to do this weekend, check out our To Do picks,
full calendar and Rick
for weekend theater offerings.
by Rick Pender
Posted In: Theater
at 09:02 AM | Permalink
You really can't go wrong with a show at the Cincinnati Playhouse this weekend. I gave both productions Critic's Picks. The North Pool, on the Shelterhouse stage through June 1,
is a taut dialogue between a suspicious high school vice principal and a
wary student of Middle Eastern descent. (CityBeat review here.) It takes a while (the show is
about 90 minutes, played in real time) to decide who's the good guy and
who's the bad guy, and you'll be turned around several times in the
process. Excellent acting and a fine script by Ohio native (and Miami
University grad) Rajiv Joseph makes this an excellent theatrical
experience. On the Playhouse's Marx Stage, it's the final weekend for
another kind of cat-and-mouse game. Venus in Fur is all
about sexual tension, between an imperious playwright/director and the
woman who's auditioning for a role in a play he's adapted from an erotic
novel. (CityBeat review here.) David Ives' witty and allusive script (it's literary and
mythical in some most amusing ways) is being produced at theaters from
coast-to-coast, but I can't imagine there's a finer production than this
one anywhere. Tickets: ($30-$75) 513-421-3888.
At Cincinnati Shakespeare Company, you still have two weeks to catch a rare production of The Two Noble Kinsmen.
The play is rarely staged (perhaps with good reason: it's not one of
Shakespeare's best), but Cincy Shakes' rendition is noteworthy because
it's the final work to complete their endeavor of staging all 38 of the
Bard's works. (More on that feat here; CityBeat review of The Two Noble Kinsmen here.) It's a feat accomplished by just a handful of theaters
worldwide, and it's your chance to check this one off your bucket list.
Through May 25. Tickets ($22-$35): 513-381-2273.
Falcon theater, which produces shows in the tiny Monmouth Theater in Newport, Ky., opens Bat Boy the Musical
tonight. It's a show that was lifted from the headlines of the Weekly
World News (yes, found in the finest grocery store check-out lines)
about a strange creature found in a cave in West Virginia. Of course
it's crazy, but the show is actually a really entertaining piece about
acceptance and community. Three weekends, through May 31. Tickets ($17-$20): 513-479-6783
If you missed The Irish Curse
presented by Clifton Players at the tiny Clifton Performance Theatre on
Ludlow Avenue back in February and March, they've brought it back for a
couple of weekends, this being the second of two. It's an amusing adult
comedy about a bunch of guys fretting over the size of their
"equipment." Tickets can be ordered online (brownpapertickets.com) or purchased at the door (but be aware: it's a small venue that quickly sells out).
A most satisfying drama at the Playhouse
0 Comments · Monday, May 12, 2014
North Pool leads you down a circuitous path.
More than once you’ll think you know what’s behind this conversation and where
by Rick Pender
Posted In: Theater
at 08:13 AM | Permalink
There are quite a few good options for theatergoing this weekend. First and foremost, I'd point to The North Pool at the Cincinnati Playhouse. It's a newish script from Rajiv Joseph (his play Bengal Tiger at the Baghdad Zoo
was a runner up for the 2010 Pulitzer Prize), and it's a very timely
piece, set in 2007 in a large public high school. Just two characters: a
slightly disgruntled, tightly wound vice principal and a student of
Middle Eastern descent who's been called in on the eve of spring break
for a "conversation." What starts out as awkward but mildly amusing
takes numerous twists and turns (the show is about 85 minutes long) and
will keep you guessing as more and more is revealed. The teacher says
people are like onions: You can keep peeling, but you never quite get
down to the essence. You will arrive at a surprising — and moving —
conclusion, likely not what you'll be suspecting. That's the kind of
writing and performance to be found in this production. Through June 1. Tickets ($30-$75; $25 for teens and students, with the proviso that the show has strong language and mature themes): 513-421-3888.
For lighter entertainment, I recommend Size Matters
at Ensemble Theatre. It's a premiere by actor Raymond McAnally, who
performs the one-man show. He's a big guy in the theater, literally: 300 pounds. plus. He's used his weight to his advantage to find acting gigs,
but he tends to be typecast — fat slobs, geeks and so on. Not great for
self-esteem, but hey, it's work. However, it can wear on one's
confidence, and when he sees his young nephew going down a similar path,
well, it's food for thought. There's nothing terribly profound about
this script, but McAnally is a very adept performer — he takes on the
roles of his father, his nephew, even his wife, with the assistance of
projections and sound effects. McAnally says that this is 95 percent
material drawn from real life, and it has the ring of truth. It's not
likely that this show will be produced elsewhere unless McAnally does it
himself, so here's a chance to see a one-of-a-kind performance that
will keep you laughing and make you like a guy you might have otherwise
dismissed. Through May 25. Tickets ($39-$43; half-price and $15 student rush tickets starts two hours prior to show time if seating is available): 513-421-3555.
Cincinnati Music Theater opens its production of the classic musical Peter Pan at the Jarson-Kaplan Theater tonight (it runs through May 17).
This top-notch community theater typically does a commendable job with
big musicals, and this family-friendly piece is likely to be a big
attraction, what with flying and local actor Joshua Steele in the title
role. Tickets ($20-$24): 513-621-2782.
by Rick Pender
Posted In: Theater
at 09:20 AM | Permalink
If you're looking for a show that will get things going romantically,
I'll point you to the Cincinnati Playhouse's production of Venus in Fur (onstage through May 17).
But be careful what you wish for: You might end up like
playwright/director Thomas with your hands full of more than you wanted
to take on. He's seeking an actress to play the central role in his
adaptation of an erotic Victorian novel. Vanda shows up for an audition,
none too promising at first, but the tables turn very quickly. This is a
funny and provocative script, and Greta Wohlrabe's performance as Vanda
is masterful and highly entertaining. I gave it a Critic's Pick.
Tickets ($30-$75): 513-421-3888.
something completely different — and in a venue I bet you've never
visited — head to Bellevue, Ky., to St. John United Church of Christ
(520 Fairfield Ave.) for a bare-bones, church-basement production of Joe
Calarco's Walter Cronkite Is Dead by WIT-Women in
Theatre. The group is focused on plays for and about women, and this one
touches on a lot of issues when two women without much in common end up
spending an unwilling evening together, stuck in an airport lounge due
to bad weather. They cover a lot of territory — imperfect marriages,
ungrateful children, fears, beliefs and politics (they're at opposite
ends of the spectrum). Their ups and downs are a bit forced, but
actresses Cat Cook and Cate White do solid jobs portraying two very
different women. It's a tad like a movie of the week on the Lifetime
channel, but there's some entertaining writing. This is the second and
final weekend. Word has it that Friday night is pretty full, but Saturday
(thanks to the Kentucky Derby) has plenty of seats available. Tickets
($15, discounted by $5 if you bring a piece of luggage bigger than a
If you've seen Shakespeare's 37 other plays, tonight is the night for you to catch the one you've missed: The Two Noble Kinsmen
opens at Cincinnati Shakespeare Company, the final script by the Bard
that gives the company bragging rights to be one of only five theaters
in the U.S. to stage every one of his plays. You can read more about
this one, as well as Cincy Shakes, which is marking its 20th anniversary
in my cover story in this week's issue. See it before it closes on May 25: Two Noble Kinsmen is rarely onstage, and Shakespeare fans are coming from all over North America to see this production. Tickets ($22-$35): 513-381-2273, x1.
Finishing up this weekend are runs of the musical Gypsy at the Covedale (513-241-6550) and Know Theatre's production of The Twentieth-Century Way (513-300-5669).
Playhouse production provides revenge — Goddess-style
0 Comments · Sunday, April 27, 2014
David Ives' 2010 play combines revenge with a lot of prickly dialogue — contemporary, crude, literate and historic — and some flat-out funny moments.
by Rick Pender
Posted In: Theater
at 08:12 AM | Permalink
There's ample evidence at the Cincinnati Playhouse as to why David Ives' Tony-nominated play Venus in Fur
is the most produced script in America this season. I saw the opening
performance last evening, and it's an entertaining attention-grabber.
Inspired by an erotic Victorian novel, it's the story of a playwright
who's adapted it for the stage but despairing of finding the right
actress — until Vanda appears. Despite the initial impression she makes,
she proves to be almost too good to be true. Greta Wohlrabe is a marvel
in this role, flipping between being an ambitious, over-enthused
wannabe and a commanding, demanding, sophisticated paramour who knows
the character she wants to play and how to get what she wants. It's sexy
and funny — and a great evening for grown-ups. Through May 17. Tickets ($30-$75): 513-421-3888.
Want to try something new this weekend? A new theater company, Women in Theatre (WIT) is staging Joe Calarco's Walter Cronkite Is Dead
at St. John United Church of Christ in Bellevue, Ky. Two women stuck in
an airport together end up sharing a table: One, from Washington, D.C.,
is reserved and educated, yearning for peace and quiet; the other is a
chatty Southerner who can't stop talking. Their conversation, according to
the show's publicity, is "funny, difficult, deeply revealing and
astonishingly frank." Through May 3. Tickets: 859-441-6882.
Stacy Sims, my CityBeat colleague, thought that New Edgecliff Theatre's production of Other People's Money was
pretty good. (CityBeat review here.) Jerry Sterner's 1989 play remains timely, the story of a
rapacious business guy who stands to destroy a small town when he buys a
company that is pretty much the sole livelihood of the residents of a
small Rhode Island town. Stacy called the show "good entertainment" and
added, "it just might provoke you to consider whom you are listening to
today." It's onstage at the Aronoff's Fifth Third Bank Theater through Saturday evening.
Stacy liked Know Theatre's production of The Twentieth-Century Way enough to give it a Critic's Pick in her CityBeat
review here. It's two actors playing two actors in 1914 who are hired to
play gay men in Long Beach and entrap "social vagrants" — that is, gay
men. It's a multi-leveled script, playing with concepts of what's real
and what's "enacted." Heady but fascinating, and it features two
excellent actors, Jens Rasmussen and Michael McKeough. You won't be
bored if you go to see this one. Through May 3. Tickets ($15 in advance; $20 at the door): 513-300-5669.
Two productions that will appeal to audiences who like old-fashioned theater remain onstage. With its final performance on Sunday, Mary Chase's gentle comedy, Harvey,
at the Carnegie in Covington, is about Elwood, a guy who's a little
off-kilter — who sees a six-foot-tall white rabbit that no one else
believes is real (except the audience). Tickets ($17-$24); 859-957-1940. The classic musical Gypsy — full of great show tunes — continues at the Covedale through May 4;
it's about Rose, the pushy stage mother who launched her rather
unwilling daughter into a burlesque career as Gypsy Rose Lee. (CityBeat review here.) Tickets
by Rick Pender
Posted In: Theater
at 11:24 AM | Permalink
There are several good theater choices south of the Ohio River this weekend.The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.
by Rick Pender
Posted In: Theater
at 08:17 AM | Permalink
If you follow music coverage in CityBeat (hey, isn't that really why you pick up the paper?), you're certainly aware of Green Day's 2004 recording American Idiot.
But since you're reading my weekend theater previews, you must be
interested in other kinds of performance, so here's a tip: For two nights
only, Green Day's American Idiot, a stage version of the powerful Punk score, will be onstage at the Aronoff. That's right — Friday and Saturday
only, just three performances, much shorter that Broadway in
Cincinnati's two-week presentation of touring Broadway musicals. I can
vouch for this one, since I saw it a year ago during a similar tour stop
in Dayton. It's the story of three disaffected guys who take different downward
spirals when confronted with the numbing boredom of everyday life —
"alien nation" — as they sing in the opening number. The recording was
conceived as a "Punk Rock Opera" and turned into a Tony Award-nominated
Broadway show in 2010, with a lot of involvement by Green Day's lead
singer Billie Joe Armstrong (who actually appeared onstage in New York
at various performances; that's not happening here in Cincinnati).
There's a day-of-performance lottery for a limited number of $25
tickets; you need to show up two-and-a-half hours before the performance
you're hoping to see (8 p.m. Friday, and 5 and 8 p.m. on Saturday)
with a valid photo ID. Complete an entry form and wait 30 minutes to
find out if you're a winner. If you prefer to just go ahead and buy your
seats ($38-$91), you can call the Aronoff box office: 513-621-2787.
In the classic musical Gypsy,
Rose has very concrete ideas regarding how to turn her daughters into
stars (long before Green Day was punking out, to be sure): Back in the
1920s and ’30s she pushed her kids onto vaudeville stages whether they
liked it or not. Things never went quite as she imagined, which was
really a desire for her own fame and stardom. It's one of the great
musicals, and the role of Rose has been compared to King Lear. That
might be a bit of a stretch, but she's a tragic character who's
fascinating to watch. There's a ton of great music, composed by Jule
Styne with lyrics by a very young Stephen Sondheim and lots of humor
along the way, especially the hilarious number by three strippers, "You
Gotta Get a Gimmick." Cincinnati Landmark opened its production Thursday
night, and it will be onstage at the Covedale Center for the Performing
Arts through May 4. Tickets ($21-$24): 513-241-6550.
Mary Chase's comedy Harvey
won the 1945 Pulitzer Prize and had a four-year Broadway run (1,800
performances). The story of Elwood P. Dowd and his invisible friend, a 6-foot tall rabbit named Harvey, is perhaps best known for the 1950
movie featuring Jimmy Stewart in an Oscar-nominated performance. That's
all well and good, but it's a show that audiences love to see live and
in-person, and you can do just that at Covington's Carnegie for the next
three weekends (tonight through April 27).
It's directed by Buz Davis, who produced shows at the Carnegie when it
was a dilapidated wreck back in the ’80s and ’90s. Now he's returning to
stage Harvey in the beautifully renovated Otto M. Budig Theatre.
(Tickets ($17-$24): 859-957-1940.) Davis has assembled a strong cast for this family-friendly comedy, you
can catch a few of them in this charming promotional video:Still onstage are several recommended productions: The Mountaintop at Ensemble Theatre (final extended performance is Saturday evening; 513-421-3555); A Delicate Ship at the Cincinnati Playhouse (through April 20; 513-421-3888; CityBeat review here); and The Twentieth-Century Way at Know Theatre (through May 3; CityBeat review here.) And if Monday comes and you want still more: Check out True Theatre's next installment — True Dating (7:30 p.m.
at Know Theatre). This round of monologues of real experiences will
feature stories of dating that led to true love, and some that went off
the tracks along the way. Tickets ($15): 513-300-5669.