Wussy (and local music in general) win big at the 2015 CEAs
0 Comments · Wednesday, January 28, 2015
It was another great celebration of the Greater Cincinnati music scene Sunday, Jan. 25 at Covington’s Madison Theater as CityBeat presented the Cincinnati Entertainment Awards for the 18th straight year.
by Mike Breen
Posted In: CEAs
, Local Music
at 12:11 AM | Permalink
It was another great celebration of the Greater Cincinnati music scene Sunday night at Covington’s Madison Theater, as CityBeat presented the Cincinnati Entertainment Awards for the 18th straight year. The eclecticism of our local music scene was on display via excellent performances by nominees Mad Anthony, The Cliftones, Young Heirlooms, Zebras in Public, The Whiskey Shambles, Buggs Tha Rocka, Dark Colour and Injecting Strangers. (Pick up a CityBeat Wednesday for more on the show itself and stay tuned for photos from the event)
Wussy emerged the big winner of the night, taking home the Album of the Year, Artist of the Year and Best Music Video CEAs, a nice capper to a breakthrough year that saw the band sell out shows across the country, score rave reviews from several high profile music press outlets and make its network TV debut on CBS This Morning. Below is the full list of 2015 Cincinnati Entertainment Award winners:
World Music/Reggae: The Cliftones
Jazz: Blue Wisp Big Band
Singer/Songwriter: Molly Sullivan
Country: 90 Proof Twang
Punk/Pop Punk: The Dopamines
Indie/Alternative: The Yugos
Rock: Buffalo Killers
Electronic: Dream Tiger
Blues: The Whiskey Shambles
Bluegrass: Rumple Mountain Boys
Folk/Americana: The Tillers
Metal/Hard Rock: Electric Citizen
R&B/Funk/Soul: Under New Order
Hip Hop: Buggs Tha Rocka
Best Live Act: The Almighty Get Down
Best Music Video: Wussy’s “North Sea Girls” (directed by Rich Tarbell)
New Artist of the Year: Honeyspiders
Album of the Year: Wussy’s Attica!
Artist of the Year: Wussy
by Brian Baker
Think the CEAs are an Illuminati plot to chip away at your self-esteem? As Judas Priest so eloquently stated, you got another thing coming
There are a couple of things that have been on my mind of late, and this always seems like a decent forum to vent my musings, particularly since I'm not in therapy. First of all, what exactly constitutes medical attention for an erection lasting more than four hours? Does a stereotypically sexy nurse, um, give you a hand? Or does a mummified doctor from the bygone era of bone saws that could drop an oak tree and hand-cranked skull drills apply leeches to the affected area and then show you pictures of Yogi Berra and golf videos to bring down the swelling, so to speak?
While we wait for an answer to arrive, let's move on to the other, perhaps more salient issue that I've been pondering. As everyone knows, the end of the year brings the Cincinnati Entertainment Awards nominations, which then inspires a good deal of grumbling speculation about who has gotten nominated and, more importantly, who has not.
Look, no one understands better than I the elation that accompanies being recognized for your work. Six years ago I nabbed second place in the Non-Daily Newspapers Feature Personality Profile category of the Ohio Excellence in Journalism awards. I know, right? At the same time, I can count on fingers and toes the number of letters I've received over the years about things I've written, and many of those have been from the subjects I've written about just to say thanks.My prized correspondence was from now-deceased Rolling Stone/Billboard editor Timothy White for getting the title of his Beach Boys biography wrong in a piece I wrote about Dick Dale. I had cited White's book as The Nearest Faraway Beach, largely due to my love of the Brian Eno song, "On Some Faraway Beach," and partially because I jotted down my notes in Joseph-Beth Booksellers when I was in the throes of a flu that would have eaten a vaccine for an appetizer. White's book was, in fact, The Nearest Faraway Place, and in it, he mentioned that Dale had been born in Beirut, Lebanon, among other interesting tidbits about the legendary guitarist. When I asked Dale about some of the entries in White's book, he countered with, "Does it say Dick Dale was born in Lebanon?" (he referred to himself in the third person, a lot). I said that it did, and he responded, "Then throw that book in the garbage." It was a great quote so I used it in the story, which prompted White's letter, where he first corrected my idiot error and then clarified that he had interviewed Dale personally at a time when White speculated that Dale thought being born in Lebanon would make him seem more exotic (he was of Lebanese extraction), but when Beirut became synonymous with terrorism, he claimed Boston as his birthplace. All in all, though, he was very complimentary about the article. As usual, I digress. As much as people love being hailed for their accomplishments, they are stung when they feel they've been passed over, for whatever reason, and that's completely understandable. It becomes slightly problematic when people demonize the process in an effort to explain their absence from the end result.Here's the thing; those of us who comprise the nominating committee try not to take ourselves too seriously, but we are very serious about the task of establishing these nominations on an annual basis, for a variety of reasons. First and foremost, we love music and we respect the people who make it. We also feel it is extremely important to recognize great work and to share that recognition with the entire music community.And that's pretty much it. We don't have an agenda to push. We don't nominate our friends (although our friends sometimes get nominated). Speaking for myself, I really try to set personal feelings aside when the time comes to look at the past year and determine who has done work worthy of CEA recognition.Of course, that determination is open to a certain amount of subjectivity. We are human beings, after all. That's why we cast our nets as far as we can, to make sure the nominating process is as fair as humanly possible. Is it a perfect system? Not hardly. But I think we've gotten it pretty close to right. This year we involved the public in the process and that helped widen the focus even further, but there still seems to be a certain amount of dissatisfaction about the nominees and conjecture about how they got there. In the final analysis, it boils down to a few simple facts. If you're nominated, congratulations; you've distinguished yourself in a music community that I honestly feel is one of the best in the entire country. If you win, huzzah and holy shit, you've further distinguished yourself within a formidable slate of your musical peers.And if you're just a spectator, keep working. Keep doing what you do. The accolades are nice, but put things in perspective; at the end of the day, the CEAs are a party with door prizes. Prestigious door prizes, but door prizes nonetheless. And whether you're a winner, a nominee or neither of the above, don't allow your recognition or lack thereof to overinflate or devalue your sense of what you do. What matters is the work. Your work. Whether it garners you a nomination or not.It's the same in any field of endeavor. How many painters wind up in museums in their lifetimes? How many athletes give their lives over to the sports they love for an almost microscopic chance to get a plaque in their respective halls of fame? Celebrity, wealth and notoriety are all fairly illusory. What matters is the work.The immortal and forever great Frank Zappa may have put it best: "Information is not knowledge. Knowledge is not wisdom. Wisdom is not truth. Truth is not beauty. Beauty is not love. Love is not music. Music is the best."And there it is, in it's simplest and most potent form. If you are out there, turning words and melodies in your head into real music with your hands, heart and soul, you are contributing to one of the best things in life. Awards are the icing on a cake that doesn't necessarily need to be iced. When you make great music, we are the winners. And we'd like to thank you. And God and our families and friends and our eighth grade English teacher who said we'd never amount to anything, because he was sort of right. Thank you.
The 18th annual CINCINNATI ENTERTAINMENT AWARDS ceremony is Sunday at Covington’s Madison Theater. Tickets are available at cea.cincyticket.com. Click here for more show details. If you can’t make it to the event, ICRCTV will once again be streaming it live here. You can check out the 2013 and 2014’s ceremonies here and here, respectively.
Plus, friends celebrate the life of pioneering promoter Bill Leist, Multimagic debuts new lineup and local bands duke it out on the billiards table
0 Comments · Wednesday, January 21, 2015
The 18th annual Cincinnati Entertainment Awards return this Sunday at Covington's Madison Theater. Plus, friends celebrate the life of pioneering concert promoter Bill Leist, Multimagic debuts new lineup and four local bands duke it out on the billiards table for charity.
by Mike Breen
The deadline to vote for this year’s CEAs is Thursday night at midnight
The 18th annual Cincinnati Entertainment Awards ceremony/party, presented by CityBeat to honor Greater Cincinnati’s amazing music scene, is just around the corner. The show — featuring performances by nominees like Young Heirlooms, Buggs tha Rocka, Mad Anthony, Injecting Strangers, The Cliftones and more — is set for Sunday, Jan. 25 at Covington’s Madison Theater. Click here to get your tickets now. VIP tickets are also available. VIPs get membership to the Cincinnati Music Heritage Foundation, a James Brown or Hank Williams T-shirt (or limited edition poster made with Eli's BBQ sauce!), beer, appetizers, soft drinks and private seating.
There is still time to vote for your favorite nominated artists — but not much. The ballot closes Thursday night at midnight. Click here to add your two cents before it’s too late.
For a CEA warm-up, be sure to come to Bogart’s this Saturday for our annual Best New Bands showcase, featuring performances by New Artist of the Year CEA nominees Dream Tiger, Honeyspiders, Prim, Elk Creek, Leggy and Noah Smith, as well as fellow relative newcomers Kate Wakefield, JetLab, Harbour and Near Earth Objects. For more information on all of the performing artists, pick up this week’s CityBeat, our annual Best New Bands issue. You can also read the stories here and here. Tickets for Saturday’s 7 p.m. showcase are just $5 (or 50 cents per performer!) and can be purchased at the Bogart’s box office.
Plus, Lonesome Jared and the Heart Attacks and New Strange celebrate new releases and Dan Faehnle celebrates Wes Montgomery
0 Comments · Wednesday, January 14, 2015
Local Blues artists The Whiskey Shambles and The Sonny Moorman Group prepare to head to Memphis to compete in the annual International Blues Challenge. Plus, the CEAs are just around the corner, Lonesome
Jared and the Heart Attacks and New Strange celebrate new releases and Dan
Faehnle tributes Jazz guitar legend Wes Montgomery.
Plus, next week brings the latest Best New Bands showcase and School of Rock Mason hosts a benefit concert
0 Comments · Wednesday, January 7, 2015
Veteran Cincinnati musician Chris Arduser releases his latest stellar solo album, Flibbertigibbet. Plus, the Best New Bands showcase lineup at Bogart's is announced and School of Rock Mason hosts a benefit concert for the Rock School Scholarship Fund.
The ballot box is open for the public to vote for some of the best and brightest musical acts in Greater Cincinnati
The nominations for the 2015 Cincinnati Entertainment Awards, honoring Greater Cincinnati’s fantastic music scene, were announced Wednesday and now it’s your turn to weigh in.
Click here to go to the CEA ballot and vote now.
The 18th annual Cincinnati Entertainment Awards ceremony/party, where the winners for each category will be announced and several acts will perform, returns to Covington’s Madison Theater on Sunday, Jan. 25, 2015. So far, Young Heirlooms, Injecting Strangers, Mad Anthony, The Cliftones and Buggs tha Rocka are confirmed to play the CEAs this year. Stay tuned for further info; tickets are available here.
An educated voter is the best kind of voter, so why not actually check out some or all of the artists for whom you are voting? Below you will find links to the artists’ pages on the excellent local music site cincymusic.com (thanks, CIncyMusic!) featuring links, music, bios and more. (The final three “Critical Achievement” categories are not voted on by the public but rather the CEA nominating committee, but you should still totally check all of those acts out, too.)
Comet Bluegrass Allstars
Rumpke Mountain Boys
My Brother’s Keeper
The Missy Werner Band
90 Proof Twang
Arlo McKinley & The Lonesome Sound
Buffalo Wabs & The Price Hill Hustle
Shiny and the Spoon
Baoku Moses & the Image Afro-beat Band
Elementree Livity Project
Pop Goes the Evil
Frontier Folk Nebraska
Valley of the Sun
Zebras in Public
Close to Home
The Whiskey Shambles
Sonny Moorman Group
The Almighty Get Down
The Perfect Children
Under New Order
Freekbass & The Bump Assembly
The Cincy Brass
The Faux Frenchmen
Phil DeGreg and Brasilia
The Hot Magnolias
Art & Science
Blue Wisp Big Band
Buggs tha Rocka
Counterfeit Money Machine
Best Live Act:
The Almighty Get Down
Best Music Video:
Wussy – “North Sea Girls”
Rob Fetters – “Desire”
Mad Anthony – “Sank for Days”
Injecting Strangers – “Detroit”
Sleep – “I Shot Lincoln”
Tweens - “Forever”
The Tillers – “Willy Dear”
Trademark Aaron – “Gold”
Critical Achievement Awards Album of the Year:
Tweens – Tweens
Pop Goes the Evil – Love Stained Heart
500 Miles to Memphis – Stand There and Bleed
Wussy – Attica!
Rob Fetters – Saint Ain’t
Arlo McKinley & The Lonesome Sound – Arlo McKinley and the Lonesome Sound
The Almighty Get Down – People, This Is …
Buffalo Killers – Heavy Reverie
New Artist of the Year:
Artist of the Year:
0 Comments · Wednesday, December 17, 2014
The nominations for the 2015 Cincinnati Entertainment Awards, honoring Greater Cincinnati's incredible local music scene, are ready and voting starts Friday.
0 Comments · Wednesday, December 17, 2014
The nominees for the 18th annual Cincinnati Entertainment Awards showcase strength and diversity of Greater Cincinnati's music scene.