0 Comments · Wednesday, November 19, 2014
For Eyes on the Street, Cincinnati
Art Museum’s contribution to the FotoFocus Biennial, curator Brian
Sholis set out to do something more than just display still photographs
and short films/videos that he liked.
Tom Wesselmann’s Pop art gets its chance to astound
0 Comments · Wednesday, October 29, 2014
As the long-awaited Beyond Pop Art: A Tom Wesselmann Retrospective
prepares to open Friday at Cincinnati Art Museum, there is much to
discuss about this native son’s controversial career as one of the
original Pop artists.
by Steven Rosen
35 days ago
Posted In: Visual Art
at 11:08 AM | Permalink
British photographer Paul Graham presented his FotoFocus-sponsored lecture at
Cincinnati Art Museum. Graham’s work is in two of FotoFocus’ featured
exhibitions — the museum’s Eyes on the
Street and the Stills show at
Downtown’s Michael Lowe Gallery. Eyes on
the Street is up until Jan. 4; Stills
closes Nov. 1.
work is related to but updates classic street photography in that, based on
what he said last night, he seeks out subtle shots rather than what he calls
“clichéd” or obviously dramatic images. He tries to build haiku-like, enigmatic
visual sequences that in their small details cumulatively provide insight. (That
said, he did show slides from a recent series that features rainbows.)
difficult task not always easily evident to the viewer, but he expressed his
purpose eloquently last night and repeatedly mentioned those whose work
inspired him — Robert Frank, Diane Arbus, Garry Winogrand. For those moved by
his work, there’s a Where’s Waldo quality to “reading” the smallest details —
the color of a tie or T-shirt, the positioning of a pedestrian on a street, the
relationship of the camera angle to a storefront sign, the choices in focus.
particularly noticeable in his recent The
Present series of New York street life, from which the Cincinnati-displayed
photos come. “It’s the theater of the street, the theater of life coming at you,”
he said. He also prefers that his framed prints be mounted on a gallery wall
close to the floor, to approximate sidewalk level. But he acknowledged last
night that the Stills show did not do
that, and he enjoyed being able to see his photos at more normal eye level.
His The Present photos in Eyes on the Street capture the results of bold action or drama,
a rarity for him, in that a woman has fallen on the sidewalk while others move
last night, the museum’s associate curator of photography, Brian Sholis, distributed
announcements of two additional events connected to the current Eyes on the Street show: a Nov. 5
panel discussion at 7 p.m. about Eyes on
the Street at Niehoff Urban Studio, University of Cincinnati, 2728 (Short)
Vine St.; and a Nov.
19 conversation at 7 p.m. on “Art and Privacy” featuring Cincinnati Police
Chief Jeffrey Blackwell and civil-rights lawyer Alphonse Gerhardstein. It’s at the
museum’s Fath Auditorium.
Go here for more
0 Comments · Wednesday, October 8, 2014
One purpose of Eyes on the Street,
the Cincinnati Art Museum’s look at 21st century street photography, is
to reveal how the phrase itself has evolved since the mid-20th century.
0 Comments · Wednesday, September 10, 2014
For the Cincinnati Art Museum, getting
the Art Institute of Chicago to loan “American Gothic” (through Nov. 16)
is a coup.
0 Comments · Wednesday, August 27, 2014
To some, the very notion of billboards (or outdoor signage in general) being artwork or hosting artful images instead of give-us-your-money advertising is confusing. But it’s getting more common.
by Steven Rosen
106 days ago
Posted In: Visual Art
at 08:00 AM | Permalink
Recently at Cincinnati Art Museum, Mary Baskett wore this very colorful and exciting "pneumatic dress" designed by Naoki Takizawa for Issey Miyake's 2000-2001 fall/winter collection, while textile conservator Chandra Obie discussed the very complicated but successful effort the museum has completed to restore and preserve the dress, which had started to leak air. Baskett owns it, but it had been on display (and inflated for an extended period) at the museum's 2007 exhibition Where would you wear that? The Mary Baskett Collection. There have been discussions but no formal commitment about donating this dress to the museum. If that happens, it's doubtful it would be worn again. Obie's discussion was sponsored by the museum's popular and rewarding Art 360 program, which gives a group a chance to learn more about specific pieces of art. The next Art 360 program is Aug. 23 at 2 p.m., when the museum's Mary Claire Angle — assistant director of school-based learning — will discuss Donald Judd's "Untititled" minimalist sculpture. Event is free; reservations required at 513-721-2787.
0 Comments · Wednesday, August 13, 2014
Cincinnati Silver 1788-1940 is a
sterling example of how an art exhibition can be about local history
while still assuring the displayed objects are worthy of our long,
by Steven Rosen
121 days ago
at 08:06 AM | Permalink
Cameron Kitchin to take over Oct. 1
The Cincinnati Art Museum on Tuesday announced in this press release its new director, who is replacing Aaron Betsky. The latter announced his resignation late last year and left his post in May.CINCINNATI - JULY 29, 2014 – The Board of Trustees of the Cincinnati Art Museum today unanimously voted to name Cameron Kitchin as the museum’s director. Kitchin, a nationally recognized innovator and leader in the museum field, comes to Cincinnati from the Memphis Brooks Museum of Art in Memphis, Tenn., where he served as director. Kitchin will begin in his new position on Oct. 1. He will report to the museum’s Board of Trustees.“On behalf of the Board of Directors of the Cincinnati Art Museum, I am excited to announce the appointment of Cameron Kitchin as our new director,” said Marty Ragland, president of the Board of Trustees and co-leader of the search committee. “From Day 1, our members and patrons, as well as members of our search committee, board and staff, agreed that, in addition to being an accomplished museum leader, our new director must have a passion for art, be a strategic thinker and embrace our city with the goal of bringing people to the enjoyment of art. We found these qualities and many more in Cameron.”Kitchin will oversee the entire institution, including collections, staff, facilities, exhibitions, research resources, education and outreach programs, external relations, fundraising and administrative activities. As an arts and cultural leader, Kitchin will initiate, maintain and develop new partnerships and collaborations in Cincinnati, the state and the region to enhance and support the Cincinnati Art Museum’s mission to bring people and art together in ways that transform everyday lives and the community.Kitchin’s appointment comes at the end of a nearly seven-month search by the committee led by Ragland and board chairman Dave Dougherty. The Board of Trustees also hired professional search firm, Russell Reynolds Associates, to help guide the process. Kitchin won the unanimous vote of the search committee prior to going to the board vote."I am greatly honored to be appointed to serve as director of the Cincinnati Art Museum,” Kitchin shared. “I look forward to joining with the Cincinnati community to grow the museum's role in the life of our new city. I have long admired the Art Museum’s exhibitions, programs, collections and transformative educational initiatives. I am excited now to lead a team of talented professionals and supporters, with our dedicated trustees, to expand the impact and to broaden the reach of the museum to serve all Cincinnatians."Kitchin led the Memphis Brooks Museum of Art, one of the South’s leading art museums, for six years. He oversaw the growth of the museum as a community-based institution, leveraging the museum’s significant collections and history to forge new partnerships with a wide network of cultural institutions, educational entities, universities and social service agencies. Under his leadership, the Brooks engaged in rigorous new educational initiatives, pursued exciting original scholarship and successfully achieved broad appeal in exhibitions and programs. Kitchin led the museum through two comprehensive strategic plans, a capital plan and a groundbreaking program in early childhood education in partnership with the Smithsonian Institution. Other significant new achievements included art therapy, Alzheimer’s services, teen art programs and overhauls of critical museum systems, collections databases and security infrastructure. Kitchin’s innovations and effectiveness in reaching new audiences across the entire community, building bridges through public service and leading a diverse and talented professional museum team drew the attention of the Cincinnati Art Museum’s search committee. In addition, Kitchin’s use of technology as a tool for exploring art and his creative public programming impressed the museum’s board.Prior to joining the Memphis Brooks Museum of Art, Kitchin served as executive director of the Virginia Museum of Contemporary Art, the statewide contemporary art museum in Virginia. During his six years there, he led the museum through a comprehensive institutional revitalization, increased visitation and achieved a balanced budget every year. He also mounted numerous acclaimed exhibitions of national and international note while simultaneously opening the doors to new audiences through creative programming. His successful completion of a major capital campaign and commitment to social discourse at the museum raised the museum to new heights during his tenure.Previously, Kitchin managed Economics Research Associates’ national consulting practice for museums and cultural attractions for three years in Washington, D.C., and led the economics component of Washington’s Museums and Memorials Master Plan, as well as studies for the Newseum and National Law Enforcement Museum in Washington, D.C. In previous engagements, he directed the American Alliance of Museums’ strategic planning process, headed AAM’s national political campaign in support of museums and led a complex digital copyright initiative for museums.Kitchin is an active member of the Association of Art Museum Directors and has served on numerous task forces, including one on AAMD’s national standards on deaccessioning and broadened and diversified the membership of the association as an appointee to the AAMD membership committee. He received a bachelor’s degree in fine arts from Harvard University in 1993 and an MBA with a concentration in not-for-profit and museum management from the Mason Graduate School of Business, William & Mary in 1999. Kitchin was also selected from among top international museum professionals to participate as a residential program fellow in the Getty Leadership Institute’s Museum Leadership Institute, the most rigorous and longest-established academic program for interdisciplinary museum leadership, in 2008. He is also an AAM accreditation peer reviewer, an IMLS national grant panelist and an active leader in numerous professional associations and societies.Kitchin will relocate to Cincinnati this fall. He will be joined by his wife Katie - a national public policy expert in homelessness and child and family wellbeing - and his three young children, ages 10, 7 and 3.
by Alexis O'Brien
Posted In: Visual Art
at 09:33 AM | Permalink
Museum adds Visionaries + Voices artist's work to permanent collection
embraced new in a powerful way when Cincinnati’s oldest art institution, the
Cincinnati Art Museum, purchased a new piece from local, contemporary artist
Courttney Cooper this week.
"Cincinnati Map" is now part of the museum’s
permanent collection and skillfully depicts the buildings, streets, and
roadways that make our city one Cooper never tires of drawing. A piecemeal of
8.5-by-11-inch repurposed papers, "Cincinnati
Map" is a Bic pen line rendition of downtown Cincinnati that Cooper worked
on for a year and brought to life by memory alone.
Cooper is one of the most ambitious and compelling artists working in
Cincinnati,“ says Matt Distel, CAM adjunct curator of contemporary art. “His
work not only speaks to Cincinnati but also addresses more universal concepts
about how people experience their environment.”
of Northside’s Visionaries + Voices studio and gallery, "Cincinnati Map" was shown in Cooper’s first museum show at the
Cincinnati Art Museum last year and will now be exhibited there as curatorial
opportunities for it emerge.