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Dracula (Review)

A gothic treat

0 Comments · Tuesday, October 22, 2013
Dracula is a fun and well-timed gothic offering for theatergoers of all ages. This is a three-act dramatization from 1927, reduced to two with one intermission.   

Rapture, Blister, Burn (Review)

Women with issues

0 Comments · Monday, October 14, 2013
The play’s title, a distillation of its evolution of emotion and circumstance, is a lyric from an obscure Rock tune, and it’s an apt précis of the story’s arc. The script could easily have descended into a soap opera-like drama or a silly comedy, but it does not. Gionfriddo is a masterful writer of witty, provocative dialogue, and her characters are painfully real.   

When the Rain Stops Falling (Review)

Decline and fall

2 Comments · Monday, February 11, 2013
This dense, provocative script is a challenging work, but director Brian Isaac Phillips has staged it beautifully with nine excellent actors who are breathtakingly powerful in a complex tale that spans 80 years and four generations of two intricately interwoven families.  

Camelot (Review)

Strong acting redeems an unwieldy plot

0 Comments · Tuesday, January 29, 2013
In 1960, Alan Jay Lerner and Frederick Loewe followed their 1956 megahit My Fair Lady with the musical Camelot. Its arrival on Broadway coincided with the election of John Kennedy, and many people extended the vision of a “magical kingdom” to his ascendance as America’s charismatic 35th president.  

Broadway Bound (Review)

Lumbering to the finish line

0 Comments · Tuesday, January 29, 2013
Broadway Bound is the third and final installment in Neil Simon’s semi-autobiographical cycle of plays about growing up in Brooklyn in the 1930s and ’40s.   

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