by Mike Breen
11 days ago
Cincinnati’s Zebras in Public recently unleashed a new music video for its hard-charging rocker “Blown Away,” a highlight of the band’s 2014 full-length release, Paradise Leg.
Directed by the band’s drummer, Chris Himes, the rumbling music is matched up with footage of the band members zooming around Full Throttle Indoor Karting in Springdale. The fast-paced visuals are a great match for the high-octane nature of the song.
Paradise Leg is currently available through most major online music retailers. Chick here and here for more on Zebras in Public. The band's next local show is Oct. 25 at Longworth's in Mount Adams.
This spring, CityBeat’s Brian Baker spoke with the band about its history and the release of Paradise Leg. Check it out here.
by Nick Grever
12 days ago
CityBeat contributor heads to Europe with local Rock band, hopes he packed enough underwear
(Editor’s Note: CityBeat contributor Nick Grever leaves today for Europe, where he’ll be on tour with Cincinnati Rock group Valley of the Sun as the band’s “merch guy.” Nick has graciously agreed to blog about his journey for citybeat.com over the next three weeks. Below is his first installment, an introduction written last night when he was [possibly over] packing for the trip.)Hello, my name is Nick and since I’ve been a teenager, I’ve dreamt about living the Rock & Roll lifestyle. There’s just one problem – I can’t play music worth a damn. As a freelancer for this fine publication, I have been able to get a taste of my dream but one element has always eluded me: touring. So imagine my excitement when local rockers Valley of the Sun invited me to work merch for them on their second European tour. I just never expected to be touring the world in a hotdog costume.Maybe a little background is in order. I’ve known the Valley guys (guitarist/vocalist Ryan Ferrier, drummer Aaron Boyer and bassist Ryan McAllister) for several years, culminating in a profile piece in the pages of CityBeat for their first full-length release, Electric Talons of the Thunderhawk. With that release (and my expertly devised words of praise, no doubt), the band has risen to new heights. Valley of the Sun signed with Fuzzorama Records and has already toured Europe once, in support of Desert Rock titans Truckfighters. Now it’s time for them to return for another three week tour for shows ranging from massive fests to small dives. We’ll be traveling throughout Germany, France, Italy, Belgium, Switzerland and other countries, joined by Valley’s sound guy across the pond, Arnaud Merckling. In their infinite wisdom, the band invited me along to run their merch; Mangrenade’s Nick Thieme is also on the trip, playing bass in McAllister’s absence.I’m writing this the night before we leave and I’m still not entirely sure what to expect. But here’s what I do know: I’ll be writing constantly, I probably over packed and Ryan, Nick and Aaron are really excited to see me run around in a venue in my new skeleton onesie (far warmer and more comfortable than it has any right to be) and hotdog ensemble.These blog entries will ultimately be a record of our trip but it’s going to be more than just a recap of the shenanigans we’re sure to get into and the excellent food we’re sure to eat — although expect a few Instragram worthy images of foreign cuisine, too. (I love me some sausage.) It’s going to examine all the parts of tour life that arise over the course of our trip. What is it like to sit in a small van with four other guys for eight hours when none of us have showered for three days? Is German beer really as good as people say? What happens at 4 a.m. when Ryan starts spouting off about the multiverse as we sit around a bar in Switzerland? Seriously, did I pack enough underwear? These hard hitting questions, along with my observations and insights, will fill these digital pages. Hopefully they’ll be interesting enough for you to come back and read some more. Expect updates at least every few days — it all depends on how reliable the wifi is in Europe. Hey, that’s another blog entry topic!
by Mike Breen
12 days ago
Early this year, Cincinnati Indie Dance Rock crew Founding Fathers released a tease of their forthcoming debut full-length release with a music video for their funky track, “Stop Drop and Roll.” Last week, the band unveiled another cool video clip to accompany its fantastic new song, “Welcome Home.”
The clip, directed and edited by Peter House, starts off with a young man finding out he’s lost his job after he wakes up presumably hungover and his car won’t start. From there, the video follows his efforts to find a new gig, applying at local haunts like Mac’s Pizza Pub, Union Terminal and The Esquire movie theater to no avail. Frustrated, he returns home and loses himself in a wild party that happens to be going down. It’s a cool clip for an even cooler song, loaded with infectious hooks and grooves (think a tight mix of LCD Soundsystem and Walk the Moon), which should have fans and non-fans alike excited to hear more from Founding Fathers.
You can listen to earlier Founding Fathers material here, while "Stop Drop and Roll" and "Welcome Home" can be downloaded for free here. Keep tabs on the band through their Facebook page here for upcoming shows and updates.
Plus, the good music fest vibes keep going with Bend in the River Art & Music Festival and Friendship Music Festival
0 Comments · Wednesday, October 1, 2014
Downtown's Mainstay Rock Bar closes its doors after
five and a half years of supporting local music. This weekend, they say
farewell with free shows featuring The Dopamines, Zebras in Public, Lemon Sky, Pluto Revolts, Cincinnati Royals and many others. Plus, the music festival buzz doesn't have to end after last weekend's big MidPoint Music Festival. This weekend, check out the Bend in the River Art & Music Festival in Price Hill and the Friendship Music Festival in Indiana.
by Mike Breen
33 days ago
Cincinnati area musicians team up for Northern Kentucky public radio station’s fall fund drive
While commercial radio throws a bone here and there to homegrown musicians in Greater Cincinnati via specialty shows or segments, public radio station WNKU (89.7 FM; wnku.org) frequently adds songs from local artists to its regular-rotation playlist. And it has for years. The station also covers the local scene online with news and reviews, hosts local musicians for its live in-studio Studio 89 program and sponsors numerous musical events across the Tristate.Local musicians are returning the favor by appearing on the new compilation album, Get Real Gone: Road Songs for Public Radio. In lieu of, say, a cliched tote bag gift, WNKU will be giving CDs of the album to those who donate during the station’s fall fund drive. Listeners who become “sustaining members,” paying just $8 a month, or those who donate $96 can score a disc of their very own. The compilation features tracks by Roger Klug, Brian Lovely’s Flying Underground, Eclipse Movement, Goose, The Newbees, Balderdash, Tim Goshorn, Kim Taylor, psychodots, Marcos, Graveblankets, Davis Kinney, Charlie Fletcher, Jeff Seeman and Bromwell-Diehl. This Saturday and Sept. 27, several of the Get Real Gone participants will perform live at WNKU’s studio. This Saturday, the lineup features Davis Kenney (10 a.m.), Balderdash (noon), The Newbees (1 p.m.), Roger Klug Power Trio (2 p.m.) and Graveblankets (3 p.m.). On Sept. 27, tune in to hear Kim Taylor (10 a.m.), Jeffrey Seeman (10:40 a.m.), Brian Lovely’s Flying Underground (11:30 a.m.), Goose (1 p.m.), Charlie Fletcher (with The Bluebirds; 2:30 p.m.) and the Bromwell-Diehl Band (3:15 p.m.). Click here for more info and here to make a donation.
Piece by piece, Old City has come together to become one of Cincinnati’s sonic powerhouses
0 Comments · Tuesday, August 19, 2014
After issuing a trio of EPs since 2012 —
originally on old school cassettes — and a live album back in January,
the current incarnation of Cincinnati’s Old City concluded it was time
for a proper full-length release.
Plus, the Crown Jewels of Jazz Festival returns to OTR
0 Comments · Tuesday, August 19, 2014
Cincinnati Garage Soul/Roots group The Perfect Children capture the essence of their electrifying live shows on Get Me Mine and the Crown Jewels of Jazz Festival returns, this year centralized in Washington Park.
by Nick Grever
61 days ago
Local rockers host listening party tonight for their finest effort to date
500 Miles to Memphis’ two most recent album releases are local classics that reside in two vastly different musical landscapes. Their 2007 album, Sunshine in a Shot Glass, offers 12 tracks of undiluted Country Punk. The album starts off with the band’s hit “All My Friends are Crazy” and doesn’t let up. The band’s followup, 2011’s We’ve Built Up to Nothing, took the Country Punk roots and drastically expanded on the concept. Influenced by The Beatles, the Cincinnati-based quintet added layer upon layer of instrumentation to craft an epic that radically expanded the groundwork laid in 2007.
Now, in 2014 the band is set to unleash Stand There and Bleed. With its latest release, 500 Miles to Memphis has pulled back and opted for a simpler, more straightforward group of songs. In doing so, the band has written its best album to date.
The band will host a listening party for the new album tonight (Thursday) at The Drinkery in Over-the-Rhine. The album will be played in its entirety at 9 p.m., then the group will play an acoustic set at 10 p.m. The event is free. (The official release date for Stand There and Bleed has yet to be announced.)
At its core, 500 Miles to Memphis has always been about vocalist/guitarist Ryan Malott telling the stories of his life. And with three years in between releases, Malott has plenty to talk about. Stand There and Bleed is Malott’s most personal output so far. We see a glimpse of tour life in “Medication,” the joys of marriage in “Takes Some Time” and the trials of addiction in “Easy Way Out.” Malott may have traded the bottle for coffee and a Playstation controller, but the struggle is ongoing. In fact, the best tracks on the album are the ones that document Malott’s missteps, but only because the album has so much hope, as well. There is a light at the end of the tunnel, and Malott is steadily working his way towards it.
Joining Malott is bassist/vocalist Noah Sugarman, drummer Kevin Hogle, guitarist/vocalist Aaron Whalen and lap steel guitarist David Rhodes Brown. This all-star lineup compliments Malott’s lyrics expertly. Gone are We Built Up to Nothing’s more eccentric instrument choices; 500 stripped away the excess to more fully focus on what it had in house. The result is an album that’s more consistent and true to 500’s vision as a whole. Malott is influenced by Country and Punk Rock in equal measure and these influences come across stronger than ever on Bleed, with each member adding their own touch on the theme. Hogle’s drumming is still some of the best in town; his musical ear enables him to mold his style to each and heighten the mood of all. Brown’s steel playing on Stand There and Bleed keeps the more Punk-based tracks grounded in 500’s roots and elevates the Country tracks to another level with effortlessly delivered solos. Finally, Whalen and Sugarman’s guitar and bass inject energy throughout the record that reinforces Stand There and Bleed’s straightforward, powerful delivery.
Malott’s vocal delivery has been honed and refined on Stand There and Bleed, as well. Malott is an unabashed fan of Green Day and comparisons to Billie Joe Armstrong in songs like “Bethel, OH” and “Abilene” are undeniable. Malott has also continued to inject large amounts of emotion into his vocals. He’s always been an expressive singer but the earnestness and pain in “You’ll Get Around” and “Alone” show a departure from We’ve Built Up to Nothing’s more polished vocals. Part of the recording process was breaking Malott of those good habits and getting him used to putting the feeling back into each take. What results is an album that’s a little rougher around the edges and much more emotionally captivating for the listener.
500 Miles to Memphis has been pushing its music forward for years, constantly hitting the road to share its take on Country Punk. The band has been virtuous to the genre and also bent it to an almost unrecognizable state. With Stand There and Bleed, the quintet has met somewhere in the middle. The band has trimmed the fat, focused on what each (incredibly talented) member brings to the table and built a record that is its most focused and honest to date.
The band has traveled way more than 500 miles to reach where they are now, but with albums like Stand There and Bleed carrying them, they have plenty more ahead of them.
Plus, Bummers Eve announce recording projects, UnityFest 2014 helps the homeless and Festival on the Lake showcases local music
0 Comments · Wednesday, August 13, 2014
ElectroAcoustic project umin celebrates a new full-length release, clast, Bummers Eve announce forthcoming recording projects, UnityFest 2014 helps the homeless and Alexandria's Festival on the Lake showcases local music.
Plus, MidPoint announces its full schedule and the It's Commonly Jazz series begins
0 Comments · Wednesday, August 6, 2014
Northern Kentucky-based Hip Hop artists celebrates the release of his new EP, Act Accordingly, Saturday during the Beats by Self-Diploma concert on Fountain Square, the MidPoint Music Festival announces its full schedule and the free It's Commonly Jazz series kicks off with William Menefield this Thursday.