WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 

The Features with Seabird

Friday • The Ballroom at Taft Theatre

0 Comments · Wednesday, September 10, 2014
 While The Features have always successfully translated their visceral energy in the studio, it’s their live presentation that seals the deal. Get Featured in person.   

Pokey LaFarge with Dom Flemons, The Tillers and more

Tuesday • Miami University Middletown’s Dave Finkelman Auditorium

0 Comments · Wednesday, September 10, 2014
 What is cool about LaFarge is that if he were alive and playing music in 1936, he would be just as successful as he is now.   

John Cowan with John McFee and Friends

Saturday • Miami University Hamilton’s Parrish Auditorium

0 Comments · Wednesday, September 10, 2014
Cowan has always had one of the most powerful voices in the business, one not only capable of singing Progressive Roots music but also able to bring dynamic Rock vocals to the microphone as well.  

Califone with S. Carey

Thursday • Southgate House Revival

0 Comments · Wednesday, September 10, 2014
In the late ’90s, guitarist/keyboardist/vocalist/songwriter Tim Rutili shuttered his noisy skronk Blues outfit Red Red Meat and launched Califone as an outlet for his Electronic/Folk/Pop experiments.  

Jad Fair and Danielson with Darlene

Wednesday • MOTR Pub

0 Comments · Wednesday, September 10, 2014
Jad Fair and Danielson have just released a terrific album, Solid Gold Heart, full of strong melodies and a Rock & Roll enthusiasm that is as ageless as Fair himself.  
by Mike Breen 08.29.2014 16 days ago
Posted In: MidPoint Music Festival, Music News at 09:43 AM | Permalink | Comments (0)
 
 
safe_image.php

MidPoint Music Festival Ticket Deal Ends Tuesday

Prices for three-day MPMF passes go up after Labor Day

Three-day “All Music Access” tickets for the 13th annual MidPoint Music Festival remain one of the best music fest deals in the country. But if you wait until after Monday to get yours, you’ll have to pay a little more. On Tuesday, prices for the three-day passes will increase from $69 to $79. It’ll still be a great deal with the $10 bump, but you like to save money, right? Click here to get your tickets, which will get you into all of the shows throughout the three-day affair (barring shows that reach capacity by the time you get there).The festival returns in less that a month, running Sept. 25-27 on multiple stages throughout Downtown and Over-the-Rhine and featuring more than 150 performers from all over the world. MPMF (which is owned and operated by CityBeat) has added a few acts over the past few weeks. Artists added to the lineup in just this past week include Nashville’s Mary Bragg, Columbus, Ohio’s Old Hundred, Stockholm, Sweden’s Baskery, returning MPMF faves Sol Cat (from Nashville), Louisiana’s Baby Bee and L.A. Pop band machineheart. You can keep track of further schedule changes at MPMF.com, as well as on the festival’s Facebook, Twitter and Instagram accounts.To check out some tunes from this year’s crop of MPMF artists, click below for a 10-and-a-half-hour Spotify playlist.
 
 

From Brazil With Love

Cincinnati Jazz pianist Phil DeGreg continues his long love affair with Brazilian musical tradition

0 Comments · Wednesday, August 27, 2014
Cincinnati Jazz pianist Phil DeGreg talks about his recently released third album of Brazilian Jazz exploration, Brazilian People, and the state of Jazz in Cincinnati and beyond.  

We Built This Old City

Piece by piece, Old City has come together to become one of Cincinnati’s sonic powerhouses

0 Comments · Tuesday, August 19, 2014
After issuing a trio of EPs since 2012 — originally on old school cassettes — and a live album back in January, the current incarnation of Cincinnati’s Old City concluded it was time for a proper full-length release.   
by Nick Grever 08.21.2014 24 days ago
Posted In: Live Music, Local Music, Reviews at 09:51 AM | Permalink | Comments (0)
 
 
500 album cover

REVIEW: 500 Miles to Memphis’ ‘Stand There and Bleed’

Local rockers host listening party tonight for their finest effort to date

500 Miles to Memphis’ two most recent album releases are local classics that reside in two vastly different musical landscapes. Their 2007 album, Sunshine in a Shot Glass, offers 12 tracks of undiluted Country Punk. The album starts off with the band’s hit “All My Friends are Crazy” and doesn’t let up. The band’s followup, 2011’s We’ve Built Up to Nothing, took the Country Punk roots and drastically expanded on the concept. Influenced by The Beatles, the Cincinnati-based quintet added layer upon layer of instrumentation to craft an epic that radically expanded the groundwork laid in 2007.  Now, in 2014 the band is set to unleash Stand There and Bleed. With its latest release, 500 Miles to Memphis has pulled back and opted for a simpler, more straightforward group of songs. In doing so, the band has written its best album to date. The band will host a listening party for the new album tonight (Thursday) at The Drinkery in Over-the-Rhine. The album will be played in its entirety at 9 p.m., then the group will play an acoustic set at 10 p.m. The event is free. (The official release date for Stand There and Bleed has yet to be announced.) At its core, 500 Miles to Memphis has always been about vocalist/guitarist Ryan Malott telling the stories of his life. And with three years in between releases, Malott has plenty to talk about. Stand There and Bleed is Malott’s most personal output so far. We see a glimpse of tour life in “Medication,” the joys of marriage in “Takes Some Time” and the trials of addiction in “Easy Way Out.” Malott may have traded the bottle for coffee and a Playstation controller, but the struggle is ongoing. In fact, the best tracks on the album are the ones that document Malott’s missteps, but only because the album has so much hope, as well. There is a light at the end of the tunnel, and Malott is steadily working his way towards it. Joining Malott is bassist/vocalist Noah Sugarman, drummer Kevin Hogle, guitarist/vocalist Aaron Whalen and lap steel guitarist David Rhodes Brown. This all-star lineup compliments Malott’s lyrics expertly. Gone are We Built Up to Nothing’s more eccentric instrument choices; 500 stripped away the excess to more fully focus on what it had in house. The result is an album that’s more consistent and true to 500’s vision as a whole. Malott is influenced by Country and Punk Rock in equal measure and these influences come across stronger than ever on Bleed, with each member adding their own touch on the theme. Hogle’s drumming is still some of the best in town; his musical ear enables him to mold his style to each and heighten the mood of all. Brown’s steel playing on Stand There and Bleed keeps the more Punk-based tracks grounded in 500’s roots and elevates the Country tracks to another level with effortlessly delivered solos. Finally, Whalen and Sugarman’s guitar and bass inject energy throughout the record that reinforces Stand There and Bleed’s straightforward, powerful delivery. Malott’s vocal delivery has been honed and refined on Stand There and Bleed, as well. Malott is an unabashed fan of Green Day and comparisons to Billie Joe Armstrong in songs like “Bethel, OH” and “Abilene” are undeniable. Malott has also continued to inject large amounts of emotion into his vocals. He’s always been an expressive singer but the earnestness and pain in “You’ll Get Around” and “Alone” show a departure from We’ve Built Up to Nothing’s more polished vocals. Part of the recording process was breaking Malott of those good habits and getting him used to putting the feeling back into each take. What results is an album that’s a little rougher around the edges and much more emotionally captivating for the listener. 500 Miles to Memphis has been pushing its music forward for years, constantly hitting the road to share its take on Country Punk. The band has been virtuous to the genre and also bent it to an almost unrecognizable state. With Stand There and Bleed, the quintet has met somewhere in the middle. The band has trimmed the fat, focused on what each (incredibly talented) member brings to the table and built a record that is its most focused and honest to date.  The band has traveled way more than 500 miles to reach where they are now, but with albums like Stand There and Bleed carrying them, they have plenty more ahead of them.
 
 
by Mike Breen 08.20.2014 25 days ago
Posted In: MidPoint Music Festival, Live Music at 10:52 AM | Permalink | Comments (0)
 
 
atlaspostertourfall2014

MidPoint Music Festival Announces Free Shows

Real Estate and others to perform on the free MidPoint Midway stage

Thanks to an assist from sponsor P&G, one of the more anticipated MidPoint Music Festival performances this year will be a special free “happy hour” concert.  Brooklyn Indie Rock group Real Estate will perform on the Midway stage the Friday of the fest (Sept. 26) at 6 p.m. Cincinnati faves The Yugos will kick the special event off at 5 p.m., with Arkansas’ Knox Hamilton, Nashville’s Colony House and others playing after Real Estate.The MidPoint Midway is the hub of various activities that runs along a blocked off portion of 12th Street in Over-the-Rhine (between Walnut and Vine streets). The strip has featured the popular “Box Truck Carnival” (the ArtWorks-helmed project will be replaced with a new project this year) and will again have lots of food and other cool/fun vendors. The Midway’s stage is free and open to music fans of all ages. On Thursday, Sept. 25, the outdoor stage will feature excellent local acts Automagik, Black Owls and Pike 27, plus Columbus, Ohio’s Indigo Wild. On Saturday, Sept. 27, the stage will host Cincinnati’s The Ready Stance, as well as Bailiff, Alex G, Low Cut Connie and Magnolia Sons. Music on the MidPoint Midway begins at 5 p.m. Sept. 25-26, and 6 p.m. on Sept. 27. For those who want to catch more than just the freebies, MPMF tickets are available here. The three-day, all-music-access passes are currently just $69; the price goes up to $79 after Sept. 1. 
 
 

0|1
 
Close
Close
Close