by Rick Pender
Posted In: Theater
at 10:06 AM | Permalink
There's a fine community theater production of A Chorus Line
at the Aronoff Center's Jarson-Kaplan Theater. It's by Cincinnati Music
Theatre, and they've recruited a talented cast of dancers, singers and
actors to tell the stories of 16 performers competing for roles in the
chorus of a Broadway show. There are many fine performances in this show
— the characters become known, one by one as they tell their stories,
some humorous, some heartbreaking — but the show's greatest emotional
wallop comes when they are all in synch, wearing glitter and gold, hats
cocked and performing as "One." Final performance is Saturday evening. Tickets: 513-621-2787.
you prefer your theater small and intimate, you might want to head to
the tiny Clifton Performance Theater on Ludlow, just east of the
business district. Untethered Theater opens a production of Wendy
MacLeod's The House of Yes tonight for a three-week run.
It's a very dark comedy about a dysfunctional family obsessed with the
Kennedys. I haven't seen this one, but it's a solid script and the young
Untethered company has a good track record of interesting shows.
Through Dec. 7. Tickets: 513-939-0599.
If you are in the mood for something totally silly, I can recommend the Cincinnati Playhouse's presentation of The Complete History of Comedy (Abridged) that opened last evening. (It has a long run, through the holidays, closing on Dec. 29.) It's a world premiere by the same guys who created The Complete Works of William Shakespeare (Abridged)
and other works — several presented at the Playhouse — comically
condensing subject matter like the Bible, great literature and American
history. These guys are the originators of this material, so it's a
special treat to see them at work. If you’ve enjoyed Shakespeare (abridged), you’ll find this right up your alley. The performers are truly adept jokesters,
physical shtick, music, improv — they can do it all. … Also, the Playhouse's excellent production of the legendary Kander & Ebb musical Cabaret winds up on Saturday
evening. (CityBeat review here.) By now, most of the subscribers have attended, so you might be
able to call at the last-minute and get a ticket. Marcia Milgrom
Dodge's production traces back to the roots of the show, adhering
closely to the stories of Berlin in the 1920s that inspired the show.
Worth seeing. Playhouse box office: 513-421-3888.
CityBeat's other reviewer, Stacy Sims, really enjoyed the production of the farce Boeing Boeing
at the Carnegie by CCM Drama. (CityBeat review here.) It's about a Casanova in Paris who's
careful juggling of three flight attendances to whom he's engaged goes
awry when Trans-Atlantic flights happen faster thanks to new aircraft.
Silly but obviously a lot of fun. Through Nov. 24. Tickets: 859-957-1940.
Sweetness and sorrow
0 Comments · Tuesday, November 12, 2013
It’s a rare organization that can pull off a show so demanding. I guess
that makes Cincinnati Music Theatre rare, because their present
production of A Chorus Line offers excellent dancing, spectacular singing and acting performances that will make audiences laugh and break your heart.
by Rick Pender
Posted In: Theater
at 08:39 AM | Permalink
As the 2012-2013
theater season winds down, there are still several good productions
worth seeing: You can still be entertained by the froth of The Marvelous Wonderettes: Caps and Gowns at Ensemble Theatre (which runs through June 1), intrigued by the dark comedy Measure for Measure at Cincinnati Shakespeare Company (through May 26; CityBeat review here) or titillated by the noir tale of lust and murder, Double Indemnity, at the Cincinnati Playhouse (wrapping up on Saturday; CityBeat review here).But if you're looking for other options, you'll find them. Slightly more off the beaten path is Sunset Boulevard,
the Andrew Lloyd Webber about a faded silent film star living in her
grandiose memory of her glory days rather than in the cynical present of
the 1940s. Cincinnati Music Theatre has assembled a fine production of
the show at the Aronoff Center's Jarson-Kaplan Theater, onstage through
Saturday evening. This is a big show in terms of cast, choreography,
scenery and more, but CMT, a community theater, has the personnel to
pull it off. Tickets: 513-621-2787.
Another tale of a film legend contemplating a return to the screen — but on a decidedly smaller scale — is offered in Krisit,
a new play by local playwright Y York. Veteran actress Dale Hodges
plays the title character in a show characterized by director Mark
Lutwak as a funny play about a serious subject. York and Hodges have a
history that goes back to New York City many years ago. It's onstage
(through June 2) at Clifton Performance Theatre (the space once occupied
by Sitwell's Coffee House, 404 Ludlow Ave.). Tickets: 513-861-7469. Speaking of legends, at the Aronoff tonight (Friday) you'll find Hal Holbrook in Mark Twain Tonight!
He's been presenting the humor, satirical wit and timeless observations
of one of America's most iconic literary figures for more than a
half-century. Holbrook is now 88, more than a decade older than Twain
when he passed away in 1910. But he keeps his performances fresh and
timely with constant edits and changes about politics, culture and the
world, carefully attuned to the moment. (He has more than 16 hours of
Twain material in his repertoire!) His performance is in the Procter
& Gamble Hall at the Aronoff Center. Tickets: 513-621-2787.
If you've already enjoyed the Wonderettes at ETC, you might want to attend Forever Plaid,
which just opened the 2013 summer season on board the Showboat
Majestic. It's a similar story, a quartet of singers aspiring for their
big musical break. They get it, but at a high (and highly comic) price.
Lots of great tunes from the ’50s, surrounded by nostalgic humor. It's
onstage through June 2. Tickets: 513-241-6550.
you're a regular theatergoer in Cincinnati, you might want to attend
the League of Cincinnati's awards program on Monday evening, 7 p.m. at
Know Theatre. Details here.
Tale of Hollywood desperation and dementia gets a big-time patina
0 Comments · Monday, May 13, 2013
David Zlatic designed a production — scenery, lighting in
the style of film noir and a stream of well executed photographic and
video projections in moody black-and-white — that works very well, including Desmond’s mansion with a sweeping central staircase.
3 Comments · Monday, May 14, 2012
The opening 15 minutes of Titanic: The Musical, recreating the tragic 1912 sinking of the doomed
ocean liner, is one of the most stirring, evocative sequences in all of musical
theater. It grabs you as you meet dozens of characters boarding the ship, overflowing
with great expectations — of success, of escaping poverty, of new life in
America, of achieving dreams. But we know what awaits many of them in the
freezing North Atlantic after the collision with an iceberg.
Cincinnati theater is off and running
0 Comments · Wednesday, August 31, 2011
Cincinnati’s Riverfest fireworks once fired the starting gun for local theater, but already several theaters have shows onstage. This week Cincinnati’s major theaters open their first productions of 2011-2012, launching a fall offering an unusual number of award-winning shows.
Cincinnati Music Theatre show has esprit de corps
0 Comments · Monday, November 15, 2010
Team spirit is what Professor Harold Hill is really selling to the people of River City, Iowa. And 'The Music Man,' now at the Aronoff's Jarson-Kaplan Theater thanks to Cincinnati Music Theatre, has more esprit de corps in its piccolo-playing pinkie fingers than you might find in the entire bodies of a real brass band.
0 Comments · Wednesday, July 21, 2010
Votes are rolling in for the 2009-2010 Cincinnati Entertainment Awards. Already more than 1,000 local theater fans have checked off their favorite local theatrical performances. If you haven't voted yet (Aug. 9 is the deadline), please add your own feedback. Results will be announced during the CEA event at Know Theatre on Aug. 29.
Cincinnati Music Theatre production knocks 'em dead
2 Comments · Tuesday, May 11, 2010
'Curtains,' the final show created by the team of John Kander and Fred Ebb (who also wrote 'Cabaret' and 'Chicago' among other great musicals) is getting its regional premiere by Cincinnati Music Theatre, one of our city's best community theaters, predictable in its high quality with regular productions at the Aronoff Center's Jarson-Kaplan Theatre. The entertaining show has a happy ending, and you'll still be laughing all the way home.
Gilbert & Sullivan comic opera lists a little
0 Comments · Wednesday, November 12, 2008
When done well, Gilbert & Sullivan comic operas can be a delightful blend of whimsical exuberance and lighthearted satire. Cincinnati Music Theatre's production of "H.M.S. Pinafore," directed by Rick Kramer, has a modicum of these qualities, but not enough.