WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 
by Steven Rosen 06.04.2014 55 days ago
Posted In: Visual Art at 08:58 AM | Permalink | Comments (0)
 
 
hans op de beeck staging silence jpg copy

CAC Announces 2014-15 Season

Schedule includes upcoming visual arts exhibition season and performances

The Contemporary Arts Center today announced its upcoming visual arts exhibition season, as well as several events in its performance schedule. Here is the release, edited for length: Visual Arts Exhibition Season: Memory Palace (Sept. 12, 2014-Feb.16, 2015)Curated by Steven MatijcioOn the occasion of the CAC's 75th anniversary, this exhibition will present memory as soft, malleable clay. Rather than renewing the supposed fixity of facts, Memory Palace will revel in remembering as a creative act: highlighting the way our recollections shift actual histories into imperfect, obstructed, quintessentially human legacies.Confirmed artists for this landmark exhibition include Louise Bourgeois, Spencer Finch, Mike Kelley, William Kentridge, Guillermo Kuitca, Jun Nguyen- Hatsushiba, Hans Op de Beeck, Dennis Oppenheim, Katrin Sigurdardottir and others to be announced. The CAC's extended community will also contribute to this project as we gather your stories in a variety of formats, from video interviews to forensic sketches. In turn, the CAC is commissioning reconfigurations of the organization's unofficial archives by artists like MK Guth, Nina Katchadourian and Kerry Tribe. This effort culminates in the CAC Lobby, where artist Pam Kravetz will orchestrate community-centric projects including a television show, carnivalesque games and a monumental memory quilt.  Taiyo Onorato and Nico Krebs: Blockbuster (Sept. 12, 2014-Feb.16, 2015)Curated by Kevin MooreThe Swiss-born, Berlin-based duo Taiyo Onorato and Nico Krebs respond with humor and wit to various traditions of modernist architecture, documentary photography and the heroic travelogue. By pecking at such constructions, the artists reveal a more whimsical, ironic and subjective vision of the structures and technologies that shape the ways we see and live. And while much of their practice is photographic, the artists' engagement with other media — film, sculpture, sound — sheds the artifice of objectivity to celebrate eccentric reconstructions of the world around us. This is the first major museum exhibition for Onorato and Krebs in the United States, presented by FotoFocus. Duke Riley and Frohawk Two Feathers: Based on a True Story (Oct. 10, 2014-March 22, 2015)Curated by Steven MatijcioHistory's once unquestionable integrity has eroded over time, with as much fiction, interpretation and imagination revealed in the pages of our esteemed libraries as actual facts and events. Twisting fact, fantasy and fabrication into an outsider's view of western civilization, this exhibition brings together two artists who have turned historical fiction into a habitual calling. Boston-born Duke Riley marries what he calls "populist myth" and "reinvented historical obscurities" with field research, participatory craft and museological display. Chicago-born, Los Angeles-based Frohawk Two Feathers is an artist, historian, and self-described "myth-maker" who re-imagines 18th century colonial history through a fictive cast of slaves, revolutionaries, militiamen and aristocrats. Anne Lindberg and Saskia Olde Wolbers: Unmade (Oct. 10, 2014-March 22, 2015)Curated by Steven MatijcioArtists Anne Lindberg and Saskia Olde Wolbers dissolve the familiarity that accumulates with time, habit and space. Lindberg pushes drawing on and off the page, obsessively inscribing lines that evade both resolution and definition. Dutch-born, London-based Wolbers orchestrates a cinematic fantasy with equal enigma. By submerging handmade sets into water and coaxing narratives to masquerade as reality, she melts the seemingly digital polish of her films with painterly contingency. The ensuing dialogue between the artist's works softens the geometry of the gallery space, obscuring hard lines and sharp corners to float towards a mysterious horizon. Daniel Arsham: Erasing The Present (March 20-Aug. 16, 2015) Curated by Steven MatijcioThe work of prodigious Cleveland-born artist Daniel Arsham is said to "make architecture do all the things it shouldn't." Blurring the lines between theatre and hallucination, some of his best-known works appear to melt the solidity of gallery walls, such that they appear to be dripping, folding, oozing or absorbing furniture. In more recent years he has begun to cast aging media devices — including cameras, film projectors and microphones — from granulated materials like volcanic ash, sand, crystal and crushed glass. This is the first large-scale Ohio exhibition for Arsham, who became widely known (at the age of 25) when asked to design a stage set for the legendary Merce Cunningham. Albano Afonso: Self-Portrait As Light (March 20-Aug. 16, 2015) Co-Curated by Steven Matijcio and Alice Grey StitesFor Brazilian artist Albano Afonso light is the elusive, but no less essential element that makes painting, photography, film and vision itself possible. Through photographs, installations, projections and luminous objects he gives light a sculptural presence, and measures its ability to both elucidate and obscure. Such affect is spoken through the language of art history, as Afonso reformulates time-honored traditions of portraiture, still life, vanitas and landscape. This will be Afonso's first major exhibition in the United States, and it will extend across the CAC and 21c Museum Hotel. James Lee Byars and Matt Morris: the perfect kiss (QQ)* (April 17-Sept. 13, 2015)Curated by Matt MorrisThroughout his life, American artist James Lee Byars (1932-97) framed his work with elusive notions of questioning and perfection. Both his enduring marriage and his flirtatiousness with German artist Josef Beuys (whom he sent lyrical letters and objects) serve as fodder for an exhibition that is both art and exchange. the perfect kiss (QQ)* is both a curatorial and creative undertaking for Morris, who will develop an installation of works by Byars in conjunction with a number of his own artistic interventions. The exhibition's title references a 1974 artwork by Byars, while also speaking to the 25th anniversary of Robert Mapplethorpe's exhibition The Perfect Moment.  Titus Kaphar: The Vesper Project (April 17 – Sept. 13, 2015)Co-Curated by Titus Kaphar and Steven MatijcioMarrying appropriation, archaeology and iconoclasm, Kaphar's work sifts through the racial politics of art history. The Vesper Project is a massive sculptural statement in which his paintings are woven into the walls of a 19th century American house. It is the culmination of a five-year engagement with the lost storylines of the Vespers, a 19th century family who "passed" as a white family in New England even as their mixed heritage made them "Negro" in the eyes of the law. In this project, the members of this family and their histories are intertwined with Kaphar's autobiographical details, posing broader cultural questions of identity and truth. Performance Season: Taylor Mac: An Abridged Concert of The History of Political Popular Music (1939 – now) (September 2014)Taylor Mac (who prefers the pronoun ‘judy’) is a “ragingly original and bracingly radical [and] best cabaret performer” from New York (TimeOut). The Obie Award-winning playwright, actor, and singer-songwriter transforms into a bedazzled creature who leads us into a decidedly personal history of music, ideas, and ways of being — in a hilarious and healing performance ritual. Mac delves deep into the history of political music for this performance, the latest in judy’s series of concerts exploring the last 240 years of popular songs in America. Funny and moving with a sweet, powerful voice, judy has the bantering skills of a veteran drag artist. Ben Frost: A U R O R A live (October, 2014)Ben Frost’s music is about contrast, influenced as much by classical minimalism as by punk rock and metal. It has a visceral presence, felt as much as heard. Muscular yet cerebral, ambient yet urgent, Frost’s compositions merge guitar-based textures, musique concrète samples, and building-shaking amplified electronics into sweeping digital soundscapes. A U R O R A is the Australian producer’s fifth album. The music leads the audience towards a bleak place filled with synthetic forms, decaying objects and metals devoid of emotion, exploring blinding luminescent alchemy; not with benign heavenly beauty but through decimating magnetic force. In 2010 he was awarded the music protégé in The Rolex Mentor and Protégé Arts Initiative and spent two years learning from and working with music producer, theorist, and composer, Brian Eno. Last year Frost debuted his first opera, The Wasp Factory, based on the Iain Banks novel and produced “The Enclave,” a multi-channel video and sound installation that premiered at the Venice Biennale. Nils Frahm with Dawn of Midi (November 17, 2014) Since his early childhood, Nils Frahm has been immersed in music, particularly in the styles of classical pianists before him as well as contemporary composers. Today Frahm works as an accomplished composer and producer from his Berlin-based Durton Studio. His unconventional approach to an age-old instrument, played contemplatively and intimately, has won him many fans around the world. Frahm displays an incredibly developed sense of control and restraint in his work, catching the ear of many fans. The recognition of his immense talent has been steadily growing thanks to his previous solo piano works, include Wintermusik (2009) and The Bells (2009), and Felt (2011). Last year, he returned with the celebrated new album Spaces, a collection of pieces that perfectly expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts.
 
 

Murals' Rescue Turns Solway Gallery into Flower Place

0 Comments · Wednesday, February 12, 2014
Carl Solway Gallery has obtained Robert Kushner’s The Four Seasons murals from downtown’s Tower Place mall and is showing them with recent paintings by the New York artist in the exhibit Robert Kushner: Paintings 2010-2013 & The Four Seasons.   

Aaron Betsky Reveals Changes, Challenges at Cincinnati Art Museum

1 Comment · Monday, December 23, 2013
My interview with Aaron Betsky, Cincinnati Art Museum director, came about because I was impressed by a series of small shows and changes I had noticed at CAM recently  

Making (Art) Mobile

#MakersMobile repurposes shipping containers as traveling art spaces

0 Comments · Wednesday, December 18, 2013
Behind any successful organization is a leader with a vision. Jonathan Sears, executive director of Professional Artistic Research Projects (parProjects), is in his fourth year of steering the Northside-based arts organization with a mission of financial and environmental sustainability.  

Two New Additions Bring Great Beauty to the Art Museum

0 Comments · Wednesday, December 4, 2013
The Cincinnati Art Museum lately has been concentrating on what it calls “node” shows — small-to-medium-size exhibitions and gallery changes highlighting its collection or local angles. The bigger shows with a national/international focus will return in a year or so when the new Western & Southern Gallery for special exhibitions is complete.   

A 'Superunknown' Impulse Binds Neo-Folk Artists

0 Comments · Wednesday, November 13, 2013
Northside’s Thunder-Sky, Inc. wrestles with the term “outsider” art. Though it’s a marketable label, it can heap sometimes-false assumptions upon artists. They’re presumed to be uneducated, untrained, isolated, developmentally disabled and/or indifferent to profit. Thunder-Sky, Inc. co-founders Keith Banner and Bill Ross prefer “unconventional” to describe the works.  

New Book Praises Terrace Plaza as a Cincinnati Modernist Gem

1 Comment · Wednesday, November 6, 2013
Shawn Patrick Tubb’s Master of Architecture thesis at University of Cincinnati’s College of Design, Architecture, Art and Planning was to develop a reuse for Downtown’s Modernist landmark, the Terrace Plaza. Except for some arcade-level shops, it had closed to the public as he was beginning his work in 2008.  

Museum Series Engages Art Lovers Who Have Alzheimer's

1 Comment · Wednesday, October 30, 2013
On the first Wednesday of each month, a group of special visitors gathers in one of three participating Cincinnati museums for a tour designed expressly for them. The group includes people whose memories are fragile in the extreme and their guests, the family members or others who accompany them.  

Building Bridges

Shared art spaces enhance community and opportunity for local creative professionals

0 Comments · Wednesday, October 16, 2013
While co-working sites are the newest trend for freelance office-goers looking for cubicle-free workspaces with shareable materials, it’s nothing new for the visual artist. Community has connected with art since the coliseum was erected in Ancient Rome for public events, or since the term “community art” was birthed in the 1960s to mirror the era’s social change.   

The Explosive Art of Peter Halley

0 Comments · Wednesday, October 9, 2013
Artists have long had an interest in serial imagery — repeatedly painting or making prints of such objects as haystacks (Monet), numerals (Jasper Johns) or flowers (Warhol). For the artist, it isn’t a rote, repetitious action — seeing how color, light or perspective changes the way you see an object makes one artwork as different from another as, well, night and day.   

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