by Rick Pender
105 days ago
Posted In: Theater
at 09:23 AM | Permalink
A few good local
productions are winding up this weekend. On Labor Day weekend, you won't
find much onstage. But you have a couple of decent choices right now to
tide you over.
At the top of my list would be Chicago
at the Carnegie (CityBeat review here). It's a classic musical by Kander & Ebb, getting an
excellent staging — great performances (by some solid professionals
with Broadway experience as well as rising talent from universities
around the Tristate), great choreography (Bob Fosse's iconic style has
been updated in some very imaginative ways) and really hot orchestral
accompaniment (the musicians would be worth listening to on their own!)
It all adds up to some fabulous razzle-dazzle. Final performance is Sunday at 3 p.m. Tickets ($19-$26): 859-957-1940.
Know Theatre wraps up its run of Lauren Gunderson's very contemporary comedy, Toil and Trouble, which has echoes of Shakespeare's Macbeth from start to finish (CityBeat review here). Inspired by messages from fortune cookies (in place of Macbeth's
witches) A couple of slackers and their aggressive sportscaster
girlfriend concoct a crazy scheme to grab power and wealth. Of course,
it goes wildly wrong, with a lot of laughs along the way. Final
performance is Saturday at 8 p.m. Tickets ($20): 513-300-5669
And if you're a Woody Allen fan, you might want to board the Showboat Majestic at the Public Landing for Don't Drink the Water,
a play he wrote in 1966 that had a two-year run on Broadway. Set inside
an American embassy behind the Iron Curtain, the show features lots of
Allen's hallmarks: farcical situations, loopy characters and a high dose
of humor. Final performance is Sunday at 2 p.m. Tickets ($19-$20): 513-241-6550
The current issue of CityBeat includes previews of the fall arts season. It's online here, including my suggestions about shows from local theaters here.
by Rick Pender
119 days ago
Posted In: Theater
at 08:18 AM | Permalink
Summer is flying by, or so it seems. This is the final weekend for you to see Cincinnati Shakespeare's production of The 39 Steps (CityBeat review here),
a satiric adaptation of Alfred Hitchcock's classic 1935 film of
espionage and intrigue. Making it all the more amusing is the fact that
the story is performed by four actors, two of whom play most of the
citizens of London and beyond, using a lot of quick changes and quick
thinking. It's a very entertaining evening of tomfoolery, featuring four
of Cincy Shakes' most talented comedic actors. Your last chances to see
the show are Friday and Saturday at 7:30 p.m. 513-381-2273.Another entertaining production is Lauren Gunderson's very new play, Toil and Trouble (CityBeat review here),
at Know Theatre. It's a comedy about contemporary slackers trying to
make a quick buck that's got a very Shakespearean ring to it — Macbeth,
to be precise. The humor presses a bit too hard at moments, but if you
go to have a good time, you'll definitely find one. Instead of warriors
and kings vying for the throne, this one focuses on 30-year-olds trying
to strike it rich without working too hard — but the echoes of the
Elizabethan tragedy can't be missed. There's a steady stream of sports
talk, too, making comparisons between baseball and life. It's a strange
brew, but plenty of laughs. Through Aug. 24. Tickets: 513-300-5669.
are always popular, but for some reason they seem especially attractive
fare in the summer months. So we can say thanks to the Carnegie in
Covington for serving up a tasty one, Kander and Ebb's Chicago,
an all-time Broadway favorite. This production — the sexy, salacious
tale of murderous women in Chicago in the 1920s — features choreography
by Broadway veteran and Cincinnati native David Baum in his local
professional debut. Word has it that he's put together some of the most
inventive choreography seen on local stages in a long time. The
production opens on Saturday evening (7:30 p.m.) and repeats on Sunday (3 p.m.). It continues for two more weekends, through Aug. 25. 859-957-1940.
Also onstage this weekend (and running through Aug. 25) is Woody Allen's hit Broadway comedy, Don't Drink the Water.
Amusingly, it's on board the Showboat Majestic (where you definitely
don't want to drink the water) — but it's a humorous tale of tourists
caught in an American embassy behind the Iron Curtain. Lightweight
entertainment, but a lot of fun. 513-241-6550.
0 Comments · Wednesday, June 26, 2013
Several slots for the 2013-2014 season
have been filled in by local theaters as the current season finishes.
by Rick Pender
Posted In: Theater
at 10:17 AM | Permalink
There's a bounty of
theater choices to keep you entertained this weekend, with productions
on venues all over town — including on several university campuses. Here
are a few you might want to check out.
Edgecliff Theatre, which has presented shows at the Columbia
Performance Center on Cincinnati's East Side for quite a few years, has
been itinerant this year while they seek a new home. They're completing
their fifteenth season with a production of David Auburn's Proof
at the Aronoff Center's Fifth Third Bank Theater, which looks like it's
where they'll land for their next season. (I'll be writing more about
NET in my next CityBeat "Curtain Call" column on April 24.) I
attended the show's opening on Wednesday, and it's a solid production of
a very engaging play, the winner of the 2001 Pulitzer Prize. Greg
Procaccino, NET's former artistic director, has returned to stage a
simple but effective production that features Rebecca Whatley as
Catherine, the anxious, self-doubting young woman who has been a
caregiver for years for her father, a renowned math professor whose
mental instability has been a factor and a threat in his daughter's
life. The show has several gripping twists and turns, as well as a
satisfying resolution. Through April 27. Tickets: 513-621-2787.
Last week I was at the opening of Cock,
a regional premiere and Know Theatre's second production of the season. (CityBeat review here.)
It's the story of a man falling out of a gay relationship and into one
with a woman; he's torn by indecision and doubt about which way to go.
The show is staged (by director Brian Robertson) like a cockfight, with
the characters "pecking" at one another emotionally. It's also presented
in an unusual setting, bertween two rows of bleachers (like a cockfight
arena), so you're close to the action and able to see how others are
responding. It's a fight to the finish, and you can never be certain of
the outcome. Strong acting and a very contemporary, well-written script
by British playwright Mike Bartlett. Through May May 11. Tickets: 513-300-5669.
This is the final weekend at the Carnegie in Covington for the hard-hitting musical Parade
by composer and lyricist Jason Robert Brown and playwright Alfred Uhry.
(CityBeat review here.) It's based on the true story of Leo Frank, unjustly accused of
murdering a young teenaged girl working in the factory he managed in
Atlanta in 1913. A Jew from New York, Frank was the target of profound
anti-Semitism and never had a realistic chance to defend himself,
although his wife tried mightily to expose the prejudice. It's a
powerful production, featuring a cast of musical theater talent from
UC's College-Conservatory of Music, directed by Dee Anne Bryll and Ed
Cohen. The show is not easy to watch, but it's deeply moving. Through
Sunday. Tickets: 859-957-1940.
years since 1981, Northern Kentucky University has presented the Year
End Series Festival — shortened to the "YES," ten days of presentations
of three world premieres. This year's shows are a murder-mystery farce, Heart Attack with a Knife by Oded Gross; David L. Williams Spake, a drama set in Siberia; and a comic fable about fame and friendship, Furbelow
by J. Stephen Brantley. YES is a gargantuan undertaking, and it
represents how NKU prepares its drama students for careers in the
theater. Shows are presented in rotating repertory, so you should check the Web site for specific performance dates. Tickets: 859-572-5464.
area universities this weekend: At the Cohen Family Studio Theater at
UC's College-Conservatory of Music, you can see a production of Emily
Mann's Execution of Justice (UC's College-Conservatory of Music, through Sunday, 513-556-4183),
a new docu-drama about the trial of Dan White for the murder of Harvey
Milk, San Francisco's first openly gay Supervisor and Mayor George
Moscone. It's staged by retiring UC drama professor Michael Burnham. And
for musical theater fans, you can see Stephen Sondheim and James
Lapine's popular fairytale musical Into the Woods at Miami University (through April 27, 513-529-3200).
by Jac Kern
Posted In: Events
at 02:10 PM | Permalink
Remember when you
could buy a proper cocktail with the spare change in your pocket? OK, probably
not, but you can still enjoy Prohibition-era prices at Japp’s new happy hour
kicking off Friday. From 4-6 p.m. tonight (and each night thereafter), Japp’s
will serve up 33-cent Plymouth gin
martinis with a side of live Jazz and ‘20s-‘30s standards.
Pet owners have rallied for a downtown dog park for years; now there
are two! In addition to Washington Park’s AstroTurfed dog area is Fido Field on
Eggleston Ave. The space is made possible my volunteers and fundraising, as it
is not managed by the Cincinnati Park Board. Help contribute to the maintenance
of Fido Field by enjoying a night out on the Balls Around the Block bar crawl
Friday. Dog lovers and drinkers alike will hop from the Contemporary Arts Center
(check-in by 6 p.m.) to bars like Igby’s, Righteous Room, Madonna’s and more,
enjoying drink and food specials at various locations. Registration for the
event has closed; walk-ups will be accepted until 7 p.m. at the CAC for $40.
Check out the bar crawl map and learn more about Fido Field here.
While there aren’t any new theater productions opening this week, there
are plenty of shows to check out at Cincinnati Shakespeare Company, Ensemble
Theatre Cincinnati, Playhouse in the Park and Covington’s Carnegie Center. Read
about them in Rick Pender’s Stage Door.
Downtown’s newest bar, 601 Lounge and Nightclub, hosts a grand opening Saturday. Doors open at 9 p.m.; $10
cover includes two free drinks. Like a lot of newer downtown clubs, 601 looks
to cater to the VIP/bottle service crowd, so dress to impress — or you’ll
be stuck in the cold.
Check out our calendar
for more events, art shows, concerts,
theater productions and more happening this weekend
by Rick Pender
Posted In: Theater
at 09:11 AM | Permalink
The clash of good and evil seems to be on the mind of most of our local theaters this week as numerous openings bring plenty of offerings for you to choose from.Abigail/1702 at the Cincinnati Playhouse is a kind of sequel to Arthur Miller's The Crucible. This new play by Roberto Aguirre-Sacasa (it's actually a world premiere) takes the character of Abigail Williams, the villainous and spiteful catalyst for the Salem Witch Trials of 1692, and moves her 10 years beyond. She's living in Boston, an outcast caring for people afflicted with the "pox" — and haunted by her past. She knows her actions in Salem were evil, perhaps inspired by the Devil himself. How she copes with the current events of her life is very much dictated by her actions from the past. This is a fascinating variation on a familiar character, told with an air of supernatural events and eerie sights and sounds. Box office: 513-421-3888.Freud's Last Session at Ensemble Theatre Cincinnati puts a debate about the existence of God front and center, with the distance between good and evil or right and wrong as the battleground. Psychoanalyst and atheist Sigmund Freud is dying of oral cancer; he invites to his London flat a young academic and newly converted Christian, C. S. Lewis (who later wrote the Christian allegory The Chronicles of Narnia). On the September day in 1939 when England declares war on Germany — perhaps another clash of good and evil — they meet for a conversation. The play is almost all talking and very little action, but the clash of ideas is enough to keep you on the edge of your seat. That's made especially true by two fine actors: Bruce Cromer (the Playhouse's longstanding Ebenezer Scrooge and Cincinnati Shakespeare's recent Atticus Finch) as the earnest Lewis, and Barry Mulholland (a local newcomer, but a veteran actor) as the skeptical Freud. This one will make you think. Box office: 513-421-3555.Camelot at Covington's Carnegie Center offers a distilled version of the Broadway hit from 1960. It's presented as a concert, singers backed up by members of the Cincinnati Chamber Orchestra, led by its maestro Mischa Santora. The story of King Arthur's court, a place of goodness and justice brought down by an illicit love affair, is another glimpse of the good and evil affect history — even if it's mythic history. Former NKU professor Mark Hardy is back in town to play Arthur. Through Feb. 3. Box office: 859-957-1940.The evils of racial injustice are at the heart and soul of the Tony Award-winning Broadway musical Memphis, which has a touring production at the Aronoff through Feb. 3. Set in the 1950s, it's about a white radio DJ who digs black music long before it became mainstream. His love of the music leads him to a romance with a talented singer, and that causes complications in a town where black and white don't mingle without serious repercussions. Of course, it's a musical, so this doesn't dig too deeply into the issues, but it's definitely a reminder of a time and place that feels very foreign to us today — even if some attitudes persist. Ultimately, it's about the power of music to bridge difficult boundaries, and that's a good message. Box: 800-987-2787.
0 Comments · Tuesday, December 18, 2012
All right, you’re going to have to
forgive me — I am a theater critic and a theater lover. Those terms are
not mutually exclusive.
0 Comments · Tuesday, November 6, 2012
Collaboration is the byword for many
arts organizations today, especially theaters where financial support is
tough to obtain and ticket revenues are seldom enough to support the
cost of productions. By working together, economies can be achieved and,
in some cases, multiple constituencies can be activated.
Glimpse inside a serial killer's sensitive psyche in seesaw game of cat-and-mouse
0 Comments · Monday, November 5, 2012
The “Acid Bath Killer,” as British serial killer John George Haigh came to be known, is the subject of a new play, Under a Red Moon, in a world premiere production at Covington’s Carnegie Center.
by Rick Pender
Posted In: Theater
at 10:05 AM | Permalink
If you can tear yourself way from TV ads for the
presidential election this weekend, you'll find plenty of good theater
to distract you, starting with a production at Covington's Carnegie
Center opening Friday night. It's Under a Red Moon, a
world premiere co-production with Dayton’s Human Race Theatre Company.
Michael Slade's taut psychological thriller just spent nearly a month
onstage at the Loft Theatre in Dayton, so it's already a seasoned
production. A dramatized psychological interview in the same vein as Silence of the Lambs,
it’s based on the chilling true story of England’s notorious “Acid Bath
Murderer” from a half-century ago. The play features Broadway actors
Bradford Cover as the criminal and Dee Pelletier as the psychologist
trying to get inside his head. Box office: 859-957-1940.
A different set of thrills are available from Cincinnati Shakespeare
Company, which is staging Shakespeare's bloody revenge tragedy,
Titus Andronicus. This
show requires a lot of hand-to-hand combat, blood and gore — presented
by CSC with ghastly zeal. Just as creepy tales like Nightmare on Elm Street and Halloween
have chilled film audiences in recent years, this kind of play was all
the rage in the early 1590s. (CSC director Jeremy Dubin calls it “a
snuff film in blank verse.”) It's especially fun to watch veteran Nick
Rose as a Roman general who gets into a grotesque battle of wills with
the amoral Queen of the Goths, played by Miranda McGee. The awful things
they they do to one another's families make for some delicious,
hair-raising storytelling. Also onstage at Cincy Shakes is Romeo & Juliet,
with the central characters played as hormonal, irrational teens. Sara
Clark is especially good as Juliet. Both productions tell their tale
through more contemporary visual filters — R&J's characters wear contemporary clothing and are surrounded with music of the here and now, while Titus
gets a "Steampunk" treatment that presumes that the Victorian
ingenuity of Jules Verne and H. G. Wells extended its steam-driven,
mechanical technology to the present. Both approaches give new vitality
to the shows. (Review here.) Box office: 513-381-2273.
Also worth seeing is a funny, touching tale of growing up in Depression-era Brooklyn, Neil Simon's
Brighton Beach Memoirs at the Cincinnati Playhouse (513-381-3888)).
(Review here.) It's the first time that the Playhouse has staged a
work by Simon, one of America's most prolific playwrights of the 20th
century. Box office: 513-421-3888