Carl Solway Gallery hosts an opening reception for Matthew Kolodziej’s Patch Work: New Paintings,
a selection of work informed by the painter’s interest in materials,
archeology and construction processes.
The strange ways we remember Elvis Presley are best
summed up by the lyrics of the late Warren Zevon’s “Jesus Mentioned,” in
which he imagines traveling to Memphis to see the dead King: “He went
walking on the water … with his pills.”
Carl Solway Gallery has obtained Robert Kushner’s The Four Seasons murals from downtown’s Tower Place mall and is showing them with recent paintings by the New York artist in the exhibit Robert Kushner: Paintings 2010-2013 & The Four Seasons.
Artists have long had an interest in
serial imagery — repeatedly painting or making prints of such objects as
haystacks (Monet), numerals (Jasper Johns) or flowers (Warhol). For the
artist, it isn’t a rote, repetitious action — seeing how color, light
or perspective changes the way you see an object makes one artwork as
different from another as, well, night and day.
If you want to learn about one of the
biggest and most unusual public-art projects ever proposed for
Cincinnati, see the display related to “The Soap at Baton Rouge” at Carl
Solway Gallery’s current Thanks: 50th Anniversary Celebration.
At Carl Solway Gallery in the West End,
on a wall by a stairway leading up to his office, is a small but
heartfelt tribute to the British Pop Art pioneer Richard Hamilton, who
died last month at age 89. On the wall is one of Hamilton’s prints:
“Kent State,” based on a photographic image he snapped from his
television set during news coverage of the 1970 killing by Ohio National
Guard troops of four university students on their campus.
The fall season’s museum show that has attracted the most advance interest — because of its ambitiousness and its timeliness — is the Contemporary Art Center’s Realms of Intimacy: Miniaturist Practice from Pakistan, which opens Sept. 23 and continues until an as-yet-not-finalized January date.
John Coplans: Photographs 1984-2000, on view at the West End’s Carl Solway Gallery through Aug. 13, offers viewers the opportunity to revisit photographs that set a new standard for the use of one’s body in making art and also allows us to consider Coplans’ work in the context of his multifarious careers. The black-and-white photographs on view cover a span of nearly two decades until the artist’s death in 2003.
The surest cure for winter blues can be found in the West End’s Carl Solway Gallery, where Jun Kaneko's big, brash, superbly finished ceramic sculptures and his brilliantly colored paintings and drawings lift the spirit at first glance.