Jeremy Pinnell and the 55’s are older than their collective years
0 Comments · Wednesday, October 24, 2012
It’s only been 10 months or so since the
official debut of scene veteran Jeremy Pinnell’s new project, Jeremy
Pinnell and the 55’s, and it’s already been a momentous period.
by Mike Breen
Lunchtime Fountain Square event to feature local musicians playing Hank Williams tunes
Tickets for the forthcoming season at Cincinnati Playhouse in the Park were put on sale this morning at 10 a.m. To celebrate, the Playhouse is hosting a lunchtime event on Fountain Square at noon featuring giveaways and other merriment, as well as a performance by a few excellent local musicians. Mark Utley, frontman for diverse Americana group Magnolia Mountain, Chris Cusentino (The Turkeys) and Cameron Cochran (Pop Empire, Jeremy Pinnell & the 55s) are slated to be on hand for the festivities this afternoon, performing a few songs from the remarkable songbook of Hank Williams. The performance is a tie-in to the Playhouse's forthcoming staging of Hank Williams: Lost Highway, a play that follows Williams' early career and starts in "the backwoods of Alabama and winds up at center stage of the Grand Ole Opry." Lost Highway — which features over 20 of Williams greatest tunes (including locally-recorded ones like "I'm So Lonesome I Could Cry") — opens Nov. 3 and runs through Dec. 23. Click here for more info on this and all of the upcoming Playhouse performances for this season. (Meanwhile, it appears my karmic adventures with Hank will continue …)Utley's Magnolia Mountain recently debuted a brand new music video for its track "Bad For Me" off of the group's recent Town and Country album. Dig it …
by Mike Breen
Cool 'One Shot Music Video' project continues with Cincy duo Over the Rhine
We've written a bit in the past about the new film-meets-music "One Shot Music Video" series, beautifully shot, black-and-white short films of various local musical acts shot at the historic Emery Theatre (which is back in action as a functional venue this weekend). Shot by world renowned photographer Michael Wilson with audio help from the musical duo Pop Empire, the clips are filmed in one continuous take (thus the name). The project has started to take shape and is on a roll now. Pop Empire's Cameron Cochran reports that the series is now named for the venue — "The Emery Sessions" — and will be comprised of footage from 10 artists, all shot at the theater. It's a great way to not only spotlight local music, but also show off the theater in a great light.Wilson and Pop Empire have completed a couple of videos for Daniel Martin Moore for the first of the series. The second in the series is Over the Rhine (longtime compadres of Wilson's, who has shot OTR album covers and promo shots — including the one above — since the band's very beginning). OTR is familiar with the surroundings; the band played the "preview party" hosted by The Requiem Project which re-introduced the 100-year-old theater to locals late last year.Here's a clip of Over the Rhine's Linford Detweiler and Karin Bergquist performing "The Laugh of Recognition" from the twosome's latest album, The Long Surrender. (Click over to local blog Each Note Secure to check out another clip from the project.)Cochran also runs the all-free, all-digital "record label" The Recording Label, which has issued stellar recordings by The Kickaways, Vacation, Sacred Spirits and Pop Empire. He says working on "The Emery Sessions" inspired him to give the label a more local-specific name. The Recording Label is now called Cincinnati Recording Service. Click here for the new site.And here are a few words from Cochran on the Sessions and the label:If we are consuming light then sound is accompanied by sight. Many musical performers understand this concept and will incorporate a visual component to their audio performance. The idea behind the "One Shot Music Video" is to approach music from the opposite direction. The audience approaches the music from a visual perspective first because whether they know it or not the first performance they see is the photographer's. It is the photographer's eye that navigates them through the musical performance. The hidden live performance is the one done with the camera.The Emery Theatre was the perfect place to begin our exploration of this relationship between listening and watching live musical performances. Each musician we have recorded and that we are going to record have a love for this amazing space and understands what the Emery Theatre means to our great city of Cincinnati. It is perhaps our own experiences working in this theatre and the pride that has developed for our hometown of Cincinnati that inspired us to change the name of The Recording Label to Cincinnati Recording Service. This name change is also a tip of the hat to another person who loved his city as well as the power that American music has to bring people together, Memphis' very own Sam Philips.
Acclaimed singer/songwriter debuts Jeremy Pinnell and the 55's tonight at MOTR
The music he made with groups like The Light Wires, The Great Depression and The Brothers and the Sisters helped make singer/songwriter Jeremy Pinnell one of many local music fans' favorite songwriters. Pinnell's folksy songs were marked by his ability to convey — with an almost uncomfortable accuracy — the kind of dark, ominous emotions most people try to bury. His words, his melodies and especially his muttering yet soulful voice had that rare ability to effortlessly do what most writer's strive for their whole career — to make a deep connection with the listener that goes beyond a hummable hook or slick guitar solo and buries itself deep inside their conscience. Having practically every person who heard his songs immediately captivated wasn't enough to keep those projects together. Pinnell seemed to ride the waves of success each act experienced (on varying levels), then the band would break up before the project's full potential was reached. After another dry spell, Pinnell returns to the local stage tonight at MOTR Pub in Over-the-Rhine for the live debut of his latest project, Jeremy Pinnell and the 55's. Once again, Pinnell has hooked up with some gifted collaborators to create more soul-stirring songs to shatter what's left of your fragile, blackened heart. The 55's reteams Pinnell with one of his earliest musical partners, Cameron Cochran (currently with Pop Empire). When they were 18, Cochran and Pinnell were pals playing Country songs together at their buddies' Punk Rock shows. Cochran says "The Voice" was already in place."He had that voice that would shut up a room," Cochran writes in a press release. "It didn't matter what the show was. He would open his mouth and everyone listened." The two went their separate ways eventually, but recently reconnected. Cochran is vague about the circumstances of their last project ending and this one beginning, saying only that it is a tale of "heartbreak, tragedy, love and redemption" worthy of a Country song. Indeed, the 55's sound is somewhere between AltCountry and Indie Folk, with the timelessness of those genres' precursors driving everything. The band is rounded out by drummer Chris Alley and bassist Ben Franks; Cochran adds spectral atmospherics with his pedal steel guitar work and hovering backing vocals. Some of the 55's material has come out via a handful of wonderful live videos shot by local photography superstar Michael Wilson. Below, check out one of the clips by Wilson, who is also working with Cochran on a series filming at The Emery Theater called "One Shot Music Videos" (referring to how Wilson shoots each in one continuous shot without edits). Tonight's show at MOTR is free and starts around 9:30 p.m. Visit JP & the 55's on Facebook here.
0 Comments · Tuesday, February 21, 2012
This is one of those random weeks where
there are so many notable events involving local bands, we could have
done an all-music double issue of CityBeat and still not have room for it all. Thankfully, we do
have constantly updated Staff Blogs. So here’s what’s
up, lightning-round-style; check the blog throughout the week for more
The Lions Rampant dials everything up a couple notches with debut album
0 Comments · Monday, March 8, 2010
After two excellent EPs, The Lions Rampant's full length album, 'It's Fun to Do Bad Things' (released next week), is a masterstroke of snarling, primal Garage Rock with extra helpings of deep fried Soul. "I can definitely see a change from the beginning to these songs," Stuart MacKenzie says. "This album is a lot more diverse than the EPs."