I still remember the first time I took notice of actor Emory Cohen onscreen. In the Derek Cianfrance film The Place Beyond the Pines, he played the pampered son of Bradley Cooper’s reluctant cop-turned-hero.
Sharon Van Etten began winning admirers with a pair of intimate, soul-bearing albums — 2009’s Because I Was In Love and 2010’s Epic
— that explored love gone bad via a voice that was so big and
expressive and sad-sounding that one feared for the woman from which it