by Mike Breen
New collaborative EP featuring Eric Burdon and Cincnnati's Greenhornes due Nov. 23
Cincinnati Garage Rock superheroes The Greenhornes made a big splash with their comeback album ★★★★, released in 2010 on pal Jack White's Third Man Records, but after some touring behind the acclaimed LP, the band hasn't made so much as a peep. For Record Store Day's nationwide "Black Friday" celebration on Nov. 23, the band is finally giving fans a little more. And they teamed up with a very special guest for the occasion. Singer/songwriter/guitarist/producer Brendan Benson — a bandmate of The Greenhornes' Jack Lawrence and Patrick Keeler in The Raconteurs with Jack White — performed with legendary vocalist Eric Burdon of The Animals at South By Southwest earlier this year and was inspired to team Burdon up with the ’Hornes, a band very influenced by The Animals' early records. Benson brought the two entities together at a Nashville studio and, a day and a half later, emerged with a four-song EP. The self-titled Eric Burdon and The Greenhornes EP (I would have named it The Burdhornes, but nobody asked) will be released on 180-gram vinyl by Readymade Records for Black Friday, with a digital release following on Nov. 27. Both versions are available for pre-order now here. Though just four songs long, the EP shows The Greenhornes' members still have an incredible telepathic bond, while the 71-year-old Burdon's still super soulful vocals fit in perfectly. "Black Dog" and "Can You Win" are dirty, riff-driven slices of sublime, vintage Rock & Roll, while "Out of My Mind" slinks along to an hypnotic, electric piano-guided slow burn. Closing track "Cab Driver" sounds like a jokey outtake, with Burdon singing goofy lyrics in a non-specific accent and the band seemingly just jamming around behind him. As loose and kind of silly as it is, it's still a fun, humorous listen.Check out "Out of My Mind" here and "Black Dog" here (via Rolling Stone).
by Brian Baker
Posted In: Reviews
at 03:55 PM | Permalink
If Jack White is Indie Rock’s most prominent attention deficit multitasker, his Raconteurs bandmate Brendan Benson is his lesser known Indie Pop counterpart. The Detroit native’s band work with the Well Fed Boys and the Mood Elevator received good notices, but his solo output (1996’s One Mississippi, 2002’s Lapalco, 2005’s The Alternative to Love, 2009’s My Old, Familiar Friend) has garnered Benson a press kit filled with glowing reviews, a fair amount of TV/film placement, some impressive production work (The Greenhornes, Waxwings) and a devoted cult following. Benson’s success with The Raconteurs allows him the freedom to exhibit his unrestrained solo Pop id.On What Kind of World, his fifth solo and first self-released album, Benson continues to cultivate a sonic identity that hovers in the vicinity of Jellyfish’s visceral Pop, Supergrass’ stratospherically melodic Rock, The Romantics’ irresistible dance floor Garage Pop and the Motor City’s soulful heart. The shift for Benson on What Kind of World is a refreshing lyrical honesty, inspired by his new wife and child, his new home in Nashville (and its inherent collaborators) and the awareness of advancing middle age. Despite his marital and parental contentment, there’s still a bruised undercurrent to Benson’s observations (“Maybe she is bad for me, and I don’t care to see/Because what I want and what I need are the same for me/In the end”), but even his most caustic lyrical reflections are surrounded by a soundtrack that courses with Pop adrenaline (“Light of Day,” “Here in the Deadlights”) or aches with a sweet melancholy (“Pretty Baby,” the classic Elton John-tinged “On the Fence,” both duets with Pistol Annies’ Ashley Monroe). Guests like Jon Auer, Ken Stringfellow (Posies/Big Star) and Sam Farrar (Phantom Planet) lend considerable weight to What Kind of World, but Benson doesn’t require star power to illuminate his work; he’s got quite enough Pop wattage of his own for that purpose.
0 Comments · Monday, August 24, 2009
Six degrees of Kevin Bacon? The boy's got nothing on Delbert McClinton. The Texas native got his chops in a Blues house band that played behind Howlin' Wolf, Sonny Boy Williamson and Jimmy Reed, then played harmonica in the early '60s for Bruce Channel and gave harp lessons to John Lennon backstage during Channel's UK tour.